-ALTRI- (2021)_for cello solo_Francesco Dillon

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"How to read the Score" (for 3 double basses, and active listener)

This string quartet was composed by Michele Bernabei for the Bludenzer Tage zeitgemäßer Musik 2022, using in addition to the four live instrumentalists, 4 old "hakered" taperecodrers inserted automatically into the overall polyphony via Arduino softwere: the idea behind it is to orchestrate the rustle of taperecorders quartet interplaying with the real one, exploring the concept of "what is human and what is not".

"OCTET" For String Quartet + 4 Automated Taperecorders

For Soprano, Bass Clarinet, Horn, Percussion, Harp and Live Electronics

Moloch (/ˈmoʊlɒk/; Masoretic: מֹלֶךְ‎, mōleḵ; Ancient Greek: Μόλοχ, Latin: Moloch; also Molech or Molek) is a name or a term which appears in the Hebrew Bible several times, primarily in the book of Leviticus. The Bible strongly condemns practices which are associated with Moloch, practices which appear to have included child sacrifice. In Allen Ginsberg's poem "Howl" (1955), Moloch is used as a metaphor for industrial civilization and for America more specifically. The word is repeated many times throughout Part II of the poem, and begins (as an exclamation of "Moloch!")
Big thanks to the wonderful musicians: Maria Eleonora Caminada Chiara Percivati Debora Maffeis Matteo Savio mdi ensemble Donata Mattei
...Special Thanks to Zeno Baldi Gabriele Manca Lisa Forni

"MOLOCH!" || for Voice, Ensemble and Live Electronics

ASMR for Violin solo

Michele Bernabei-Composition and Live Electronics
Nikola Vukovic-Trumpet
Cristian Molina Avila-Bass Clarinett

"Infinite Exodus Blues" for Trumpet Bass clarinett and Live Controlled Feedbacks

"in a Worm Box" for two bass clarinets and electronics_Duo Stump-Linsahlm

Ave Maria (Music for film 2013)

Hotel Garibaldi (Music for film 2013)

Felliniana (Music for film 2013)

Condannate come streghe, le herbarie furono punti di riferimento imprescindibili della cultura popolare medievale. Erano donne libere, abili maghe ma anche guaritrici sapienti che il risentimento del potere maschile giudicò colpevoli di ricorrere alle piante per risanare la vita o per offrire una buona morte; colpevoli di muoversi in un mondo di confidenze, ascolto, contraccettivi, parti e aborti. Con la loro persecuzione vennero spazzati via secoli di un sapere antichissimo, scritto nel corpo e nella memoria della terra.

Condemned as witches, the herbarie or female herbal magicians were an essential feature of popular medieval culture. They were free women and skilled sorceresses, but also talented healers; this fostered resentment among powerful male figures who accused them of using plants to heal, or to provide a painless death. Guilty of engaging in a world of secrets confided, of listening to problems, of contraceptives, births and abortions, their persecution resulted in the elimination of centuries of ancient know-how, inscribed in the body and memory of the earth.

ORGANICO
Flauto (anche flauto basso)
Clarinetto basso
Percussioni
Pianoforte
Violino 
Violoncello

HERBARIE (Divertimento Ensemble 2020)

La Disciplina Dell'Apnea (for five instruments 2020)

Guitar and signal processors: Silvia Cignoli 
Recorded in Turin January 2020

Fail Again,Fail Better(for electric guitar and signal processor-2019)

Michele Bernabei is a composer trumpeter and multi-instrumentalist performer based in Graz.
After obtaining a Bachelor's degree in jazz trumpet and a Master's degree in jazz composition with top marks at the Conservatory of Turin with Furio Di Castri, he began studying classical composition at the Conservatory of Milan with Gabriele Manca, and then moved to Graz to complete his studies with Franck Bedrossian.
Winner of numerous calls for scores and international competitions, his music has been performed by Divertimento Ensemble, Mdi Ensemble and Francesco Dillon with whom he has collaborated actively as an electronic performer.
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Michele Bernabei

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