Taken from album "Everyday Feels Like A New Drug" released 29 August 2013 on Unknown Tone Records
Available for pre-order here :
http://unknowntonerecords.bandcamp.com/album/everyday-feels-like-a-new-drug

Porya Hatami & Lee Anthony Norris - Strand

Le Ultime Ore

Be Life Relived

Anne Garner - Wherever You Go (Tom Adams Remix)

Line Of Lines

To celebrate Piano day 2017, I have recorded one of my improvisations. Please enjoy!

http://www.pianoday.org

#PianoDay #Piano #ModernClassical

The Last Door (For Piano Day)

for Piano Day 2017

live recording ( Schiller Theater Berlin )

preludium a

'Dualisms #2', exclusive track for #PianoDay taken from '#2'.

Dualisms #2

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@daniel-mulhern
Piano and programming by Danny Mulhern
Recorded and mixed by Danny Mulhern
Mastered by Mandy Parnell at Black Saloon

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Danny Mulhern - Depth Perception (Algorithmics/Piano Day 2017)

Listen / Purchase: https://lnk.to/marshdrones

The marsh land areas of western Jutland in Denmark can be flat and non-distinct to the visitor who only takes a quick glance at it. But when you are born and raised in those parts, and when you travel away to live, work, raise families, play music, anything to escape the rainy flatlands, you think about that landscape differently. On Marsh Drones, the weirdness of this landscape is reimagined in a kind of giddy, absentminded way, as though they try to recall not only the broad topographical scheme of the land (cultivated, industrialized, farmed, soggy with seawater, a breach of the ditches that pours cold north sea water inland, the farms and waterways overflowing), but only the detailed, grainy realness of sediments and layers of soil, of the hazy and salty light (Saltlys) that wraps the landscape in a kind of palpable inertia.

Many of the ideas on the 'Marsh Drones' emerged from field recordings from the area around the Tønder marshlands recorded by various members of the band. They provided a backdrop to the loops and long guitar session of guitar, bass, synthesizers, and samples that were slowly mangled and rearranged into counterpointing and fugue-like melodies, insistent on repetition while odd atmospheres of distant drones and noise works to modify and shift the composition into new shapes. The music is minimal, restrained, but rich in detail like the landscape it attempts to resonate with. There are remnants of folk music, melodies that are almost recognizable, but dub music and something distinctly digital intersects itself into the woodwork and authenticity.

Cover art by Martin Sønderlev Christensen

Marsh Drones

Klev

Buy Album

Skyphone - Klev (from Marsh Drones)

Credits:
Performed by:
Maarten Vos
Written by:
Kieran Klaassen
Produced and recorded by:
Maarten Vos

These

Select your favorite platform: https://ampl.ink/Tangible

“Tangible was composed towards the end of the Covid lockdown. It’s inspired by personal reflection about real and virtual experiences; society has been forced to evolve in terms of how we relate to each other, and to spend a large amount of time staring at screens. However, as the poet Pedro Salinas reminds us: “You always live in your actions. With the tips of your fingers you press the world, you tear off auroras, triumphs, colors, joys: it's your music. Life is what you touch”. 
In this way, the album aims to evoke the strength and purity of the tangible – the experience of hugging, touching wet soil, or getting gently wet from a fine drizzle, arms open and looking up at the sky” B.S

“Right from the start, Bruno Sanfilippo’s Tangible is a blissful, serene dream. The record’s songs blossom gently, like an autumn sunrise, and convey a profound sense of joy and euphoria. Combining piano, strings, and minimalist electronica, there’s real beauty here too; fragile piano lines woven with soaring strings and soft synth washes. Yet Bruno doesn’t merely evoke deep emotions – his work is playful in places, imbued with a little mischief. It’s what gives Tangible its heart and humanity. Sinking into these twelve tracks is wondrously life-affirming, and confirms Sanfilippo as one of the best, most soulful pianists and composers in the world” Derek Robertson, freelance journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Recorded by Bruno at Onix II Studio · Barcelona · spring 2020
Analog Mastered by Ian Hawgood
Cover photo and layout CD by Ximena Contreras
Music Video by Aleix Font
Violin in ‘Amapola’ by Laura Masotto
Cello in ‘Amber Light’ by Antonio Cortesi
© ℗ ad21 · under exclusive license to Believe

www.bruno-sanfilippo.com

Le Ultime Ore

Mick Losavio

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