Name: High Skies - The Earth at Night by Mat Jarvis
Duration: 3 min 4 s
Description: Ambient electronics from 'High Skies - Sounds of Earth' https://matjarvis.com

Nice cool sounds, discovered on "bleue Planete" in swiss radio Couleur3

Settle Down / The Here And Now CD / SEM 023 

CD and digital available here: http://semlabel.com/the-here-and-now/

Segue - The Here And Now - 05 Settle Down

"Collider" is a collaborative track between Christopher Willits, Heathered Pearls, and The Sight Below made using Splice (https://splice.com/) to promote Michael Cina and John Klukas' upcoming show in Minneapolis.

Public Functionary
1400 12th Ave NE
Minneapolis, MN 55413
www.publicfunctionary.org

Opening: Saturday, June 7 / 7pm
Closing: Friday July 13

Closing, Friday July 11

Gallery Hours through Saturday July 12:
Thursday: 12pm-7pm
Friday: 7pm-11pm (PF Takeovers)
Saturday: 12pm-4pm

Michael Cina & John Klukas: She Who Saw The Deep

A stunning intersection of photography and painting amalgamated into something fresh and new, Cina and Klukas present 20 unique and beautiful works resulting in an undefinable medium that can only be described as digitally hand-crafted. She Who Saw The Deep is a collaborative exploration of darkness and light, a seamless combination of the visions of two artists and their personal understanding of what it means to pass through chaos and be reinvented.

Christopher Willits / Heathered Pearls / The Sight Below - Collider

Ambient electronics from 'High Skies - Sounds of Earth' https://matjarvis.com

Sounds of Earth

The Earth at Night

High Skies - The Earth at Night

Here is a track from my most recent EP Silent Wilderness

Silent Wilderness

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

Clocks, taken from my forthcoming LP Will To Powder, coming soon via Schroedinger's Box

Antoni Maiovvi - Clocks

Released as part of the Dub Affairs tape-compilation on ROHS!-Records  

Biodub - ADJB

a sweet memory, half covered in dust
– 
Purl / Somewhere In Between [Eternell]

Somewhere In Between

Tender, Curious (Epilogue)

My remix for the amazing Rob Clouth on Max Coopers Mesh Label.
Listen to the EP and the other great remixes here:
https://store.meshmeshmesh.net/products/rob-clouth-transition-remixes-ep

Transtion EP

Rob Clouth - Transition Ben Lukas Boysen Remix

First installment of the Ambient Soundscapes Selections series.

Tracklist:

Hilyard - Mercy Within
Daniele Bogon - Ambient #3
Alphaxone - Parallel Destiny
Ishq - Vhale
Forest Robots - It's Quietest At The Edge Of The Crestline
Wings of an Angel - The Ever-Present Chance for Splendor
SVLBRD - Prelude (Remodel)
Canadian Rifles - Of Course I Still Love You
Antarctic Wastelands - Frozen Hope
Snowsleep - Like Leaves on Water

Buy the Individual tracks:
https://hilyard.bandcamp.com/track/mercy-within
https://danielebogon.bandcamp.com/track/ambient-3
https://cryochamber.bandcamp.com/track/parallel-destiny
https://i7xi7x.bandcamp.com/track/vhale
https://forestrobots.bandcamp.com/track/its-quietest-at-the-edge-of-the-crestline
https://shop.stereoscenic.com/track/the-ever-present-chance-for-splendor
https://faintmusic.bandcamp.com/track/prelude-remodel
https://canadian-rifles.bandcamp.com/track/of-course-i-still-love-you
https://antarcticwastelands.bandcamp.com/track/frozen-hope
https://snowsleep.bandcamp.com/track/like-leaves-on-water

Photo: Patrick Hendry (https://unsplash.com/@worldsbetweenlines)

Socials:
www.facebook.com/LaugeChill/
www.facebook.com/LaugeBabaGnohm/
www.facebook.com/GnOhm-205895126206313/
@laugebabagnohm
@user-219427456
@gnohmbaba
laugebabagnohm.bandcamp.com/

Spotify artist:
spoti.fi/2WjDW9E (Lauge)
spoti.fi/2MsUBTN (Baba Gnohm)

Spotify curated playlists:
spoti.fi/2GA8QSI (Ambient Soundscapes)
spoti.fi/2BEK148 (Psybient Soundscapes) 
spoti.fi/2RnDl0L (Classical Soundscapes)
spoti.fi/2IUMXfI (Future Chillscapes)
spoti.fi/2GEVcfH (Balearic Chillscapes)
spoti.fi/2EgdJxV (SpaceAmbient)

High Skies - The Earth at Night

Mat Jarvis

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