Artist: Headbirds (@headbirds)
Track: long-lasting
Only Sold here: https://www.vanitydust.com/shop/headbirds-long-lasting-dust-trax-001

#DustTrax releases its first single ever made fully on analog by Headbirds and recorded live.
— Mastered by Ameeva.
— Artwork by M·P Quiva.

DT 001

Long-lasting

Headbirds — Long-lasting [Dust Trax]

Release 5th November 2021
link.newsdistribution.be/DNZT010
https://danzatribale.bandcamp.com/album/reminiscenze-nottetempo-ep


Francesco Farfa has got his groove back, leading to Danza Tribale number 10. In recent times, the Italian DJ has found himself re-energised once again, back in love with electronic music and right back at the sharp end of the underground scene. A true digger and sound obsessive, Farfa comes armed with decades of experience and musical appreciation, but now with a fresh perspective that means he is once again doing what he does best: turning musical emotions and compelling rhythms into dance floor art.

Reminiscences Nottetempo represents the soul of a dreamer, who often collides with his memories hidden in the fog: basically what they are.
"I have been living the night for many years and not only because of my passion for clubbing, but also because I am a wandering insomniac. 
In the nocturnal phase, when awake, this fog clears up and suggests thoughts that, digging into the maze of memory, bring you solutions that fill latent gaps"
'Il Bosco Delle lucciole' is a vision of dark energy illuminated by living forms, electrons of which everything is composed, as well as the space in which we vibrate.
'Novanta' is pure reminiscence, an abstract flashback to the origins of a movement that is consolidated as a "unique" phenomenon of the 20th century.
It is a song that smells of that memorable era which, fortunately, is positively influencing the new generations.

This EP brings me back to the studio after a long time, for the first time as an independent producer, starting a new path, hoping to be worthy for the continuation.
I am honored by the support shown to me by DJ Tennis & Adiel, with their fantastic remixes, an indispensable value added to the project."

Written by Francesco Casaburi
Mixed by Francesco Farfa & Danny Lloyd.
Mastered at Enisslab Studio Roma by Giuseppe Tillieci
Artwork and design by Kero
cat.No.DNZT010 - All rights reserved
Danza Tribale 2021
newsdistribution.be

FRANCESCO FARFA _ IL BOSCO DELLE LUCCIOLE (ADIEL REMIX) [DNZT 010]

Part of the album "Ætherna"
https://alanbackdrop.bandcamp.com/album/therna

Alan Backdrop - Infinite Clouds

ABSIS - Leave The Body
Silent Voices [Affin Serial 003 / Affin]

Produced by Salva Coromina Massó aka ABSIS
Mastered by Artefacts Mastering
Design by Markus Guentner
Released by Affin from Germany
Release Date : July 05th. 2024

ABSIS (Barcelona, Spain)
https://soundcloud.com/absismusic
https://www.facebook.com/ABSIS-121055595960929
https://www.instagram.com/absis_music

Affin
https://linktr.ee/AffinLTD

Oslated.
http://www.oslated.com

Silent Voices

Leave The Body

Support & Buy

ABSIS - Leave The Body [Affin]

This latest installment in the Stroboscopic saga once again calls upon the talents of two label veterans; both having released EPs on the label while also contributing to its five-year retrospective series. This new split release shared between Kangding Ray and Rrose is a fitting partnership: after all, both individuals are known for advancing the progress of rhythmic electronic music while drawing from creative influences and movements that weren’t typically associated with the ‘techno’ lineage until these producers made such links possible.
Kangding Ray’s side, “Ardent,” is a gripping and propulsive piece formed in the same spirit as the songs from his latest full-length, Cory Arcane. Dramatic and cinematic from beginning to end, it makes the listener and/or dancer feel like a highly alert martial artist slicing and kicking through a host of liquid-metallic adversaries, with disciplined synth bass and rich melodic swells as defensive weapons. Slick and accessible without ever being conventional, “Ardent” convincingly collages stuttering and minced sequences together with steady percolation and smooth, brassy undertones - three different sonic ‘states of matter’ that unify to make Kangding Ray’s musical
imagination into an almost tactile thing.
The entity known as Rrose, meanwhile, presents a track here that reaffirms that artist’s expert skill at crafting perfectly symmetrical and mesmerizing musical palindromes (a skill that can be seen on other standout Stroboscopic Artefacts tracks like “The Stare,” and also on Rrose’s interpretation of James Tenney’s classic palindrome “Koan [Having Never Written A Note For Percussion]).” The track in question, “Swallows,” is appropriately named, impressing upon listeners like the sonic equivalent of a massive searchlight which, once it lands upon its target, swallows or vacuums up the listener’s conscious attention. This elegantly arching set of multiplying and disintegrating waveforms rewards those with the courage to return its insistent gaze and to “play at maximum” volume to reveal the wealth of detail concealed within its deceptive minimalism.
With its scientific exactness and sheer originality, this split is an essential listen not just for fans of either artist, but also for any seeker after new perceptual revelations.

Kangding Ray / Rrose 'Ardent / Swallows' [SA027]

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬

Buy it : https://solidshaperecords1.bandcamp.com/

Solid Shape is a record label based in Marseille and Lyon created in 2014.         
Dycide build is a beautiful atmospheric piece of 7 min. This a canvas of petals atmosphere, subtle line of acidulated bass. like in a trip to the past or you never come back.                                                        
Mastering by Giovanni Conti at Artefacts 
Cover by Clàudia Gómez                       
Publish by Solid Shape

Dycide - Licht (SOLIDSHAPE016)

Midgar MDG014.2
Wata Igarashi - Sekala Ep
Mastered by D&M Berlin
Release Date : 19.03.2018

Artist Page : @wata
FB : www.facebook.com/wataigarashi/

Buy Buy

Wata Igarashi - A1. The Reel

Though their first record came out some six months earlier, Voices from the Lake, a collaboration by the Italian techno artists Donato Dozzy and Neel, really came to life last summer at Labyrinth in Japan. This was where they debuted most of their work together, playing live in the closing slot on the second night of the festival. Even if you've never been to Labyrinth (this reviewer hasn't), it's hard to imagine a better time and place for this particular duo to perform: a softly lit gathering on a wooded mountainside, with their subtle but immense sounds flowing through a supposedly peerless sound system.

By the time this happened the new album was already finished—Dozzy and Neel had recorded  it earlier in the summer in Rome and used it as the basis for their live act. If they'd wanted to, they could have played it pretty much as is: even listening at home on headphones, Voices from the Lake has the effect of a meticulously planned stage performance, with every loop forming an essential piece of a larger composition. It's not an exaggeration to say it tells a story—it follows an unmistakable narrative arc, leading us through a carefully paced sequence of scenes, almost like some kind of wordless, abstract musical.

This level of complexity wouldn't be possible in most producers' hands. As an art form, techno often strives to make something emotionally engrossing without using conventional stimuli like melody or lyrics. Dozzy and Neel have clearly nailed this part of their craft. Most of the sounds on Voices from the Lake have no reference point in the material world (no pianos, strings, hi-hats, snares, rim shots, etc.), but somehow they still manage to be incredibly expressive: one beat sounds uneasy, while others seem determined, weary, contemplative, optimistic and so on.

The album has a strong visual element as well. Dozzy and Neel have an incredible ear for sound design (Neel has also mastered many of Dozzy's past records, including his album K, along with numerous other releases on Prologue), and this allows them to give each moment of the album a vivid foreground, midddleground and background, each with countless details to pick apart. The mind's eye has a lot to work with, though it's never clear exactly what. At times the scene could be lush and organic, most notably on "Circe," which is loaded with distant wails and chirps that conjure up a teeming rain forest (call me crazy but I hear a cricket on every off-beat). Other parts of the album are colder, more metallic, with sonar beeps and vague industrial imagery. The album weaves between the two seamlessly, and often paints a landscape that's somewhere in the middle.

These details make Voices From the Lake captivating from one moment to the next, but there's  a broad compositional element that keeps the whole thing moving. More than having just a beginning, middle and end, it has an introduction, several chapters and an epilogue. Each unfolds elegantly into the next using a system of tension and release. To take a simple example, the first  20 minutes feel like an overture—in "Iyo," we get a writhing synth tone that signals the start of something, not unlike the groan of an orchestra warming up. In the next track, "Vega," the drums take on a greater sense of urgency, but the feeling of anticipation remains. Only with arrival of a steady kick drum and a soothing pad, three tracks into the album, do we feel that things have really begun.

This isn't so different from how composition works in most techno tracks, except that here the process is spread out across a much longer period. Each song on Voices from the Lake is between four and nine minutes long, and most of these work in groups of three or four to set the stage for a single peak moment. The most memorable of these moments is "S.T. (VFTL Rework)," a new version of a song Dozzy recorded for an earthquake benefit compilation called Composure: Ambient Techno for Japan. By the time this track comes in, some 30 minutes into the album, we've gotten used to the idea that rhythm, texture and atmosphere might be all we're going to get. This makes the arrival of smooth major chords, slowly cascading into the mix, truly climactic. Suddenly the album has an emotional dimension you didn't see coming.

In a way there's nothing radical about Voices from the Lake. Rather than thinking outside the box, it decidedly works within techno's basic fundamentals: sound design, linear rhythms, slow build-ups, etc. But this is an important part of what makes the album exceptional. With nothing more at their disposal than techno's characteristically sparing palette, Dozzy and Neel have built something so rich that it has the feeling of a feature presentation. It's hard to imagine something so purely techno having more impact than this.

http://www.residentadvisor.net/review-view.aspx?id=10529

Voices From The Lake - Iyo (Original Mix)

Taken from Acronym's upcoming EP on his own Stilla Ton. 

Info: https://www.xlr8r.com/news/premiere-hear-a-chilling-techno-cut-from-acronym

@4cr0nym

Information

Premiere: Acronym - Burgundy Robes

The legendary Moscow club Propaganda celebrates its 20th Anniversary in April 2017 and launches a brand new record label. The label will cover different styles of intelligent electronic music, focusing on techno in the first year. At the beginning there will be released music by great artists who had performances at Propaganda club in past. More artists will be involved and more excellent music will be released over time.

Juno

Pris - Truth

〰️〰️
Various Artist - Rhizome 03 - Part 1
Release Date - 9 March 2020
Digital
Catalog Number - RHIZOME03
Support & Buy - bit.ly/rhizome-03a

Artwork by Polygonia
Mastering by Giovanni Conti
www.artefactsmastering.com

Lowless on Facebook - www.facebook.com/lowlessmusic/
Lowless on Spotify - bit.ly/lowless-catalog

Subscribe to our newsletter and receive exclusive content and discount :
bit.ly/lowless-newsletter
www.lowless-records.com/

〰️〰️
Track List :
1. Infinity - The sixth sense
2. Enkō - Oriipa
3. Kato De Vidts - Mehns
4. Lindamann - Disease
5. Vicky Zissou - A Matter Of Perspective
6. Sæbius - Thalle
7. Kill Acid on Space - Meteor
8. Ameeva - Alina (featuring Mina Mehrabi)

Rhizome 03

Thalle

Sæbius - Thalle

Founded by https://soundcloud.com/severja in 2014, Midgar Records aims to bring innovative features into modern techno, and to deliver a new and meaningful sound loaded with positive energy. Leaving the trends behind, Midgar has a wide range of interests spanning from Techno to Ambient, IDM and Drum 'n' Bass. A sound that tells stories as people dance.

Midgar Label Nights
06.07.24 Midgar x Patterns of Perception . Berlin
15.06.24 Midgar x High Above . Trekanten . Oslo
08.06.24 Midgar x Mantis . Amsterdam
23.03.24 Midgar x Domus . Bari
16.03.24 - Midgar x Amenthia at Fitzroy . Berlin
14.10.23 - Midgar x Nigma . San Sebastian
09.09.23 - Midgar x Under The Rug . Berlin
01.07.23 - Midgar x Monument . Berlin
08.04.23 - Polygonia, Leena, Lara Palmer . Oslo
12.11.22 - Severja, Wata Igarashi at Acquario . Milano
08.10.22 - Severja, Konduku at Gare . Porto
24.07.22 Midgar x Harmony Rec at Gart.n . Berlin
05.03.22 - Severja, Forest Drive West at Gare . Porto
02.10.21 - Midgar x Harmony Rec. & Matteria . Pereira
01.10.21 - Midgar x Harmony Rec. at Calle9 . Medellin
09.11.19 - Forest Drive West, Nuel, Retina.it at OHM . Berlin
31.05.19 - Nuel, Jacopo at Utop14 . Madrid
15.02.19 - Von Grall, Jacopo at Moog . Barcelona
18.01.19 - Nuel, Jacopo at Moog . Barcelona
14.12.18 - Ruhig, Jacopo at Moog . Barcelona
08.12.18 - Wata Igarashi, r2π, Ground Tactics at OHM . Berlin
17.11.18 - r2π, Ground Tactics at Fuse . Brussels
27.01.18 - Nuel, Ruhig, r2π at Gare . Porto
02.12.17 - Wata Igarashi at Acquario . Milano
20.10.17 - Shaded Explorer at D. Impact Krakow
15.04.17 - Wata Igarashi at G . Okinawa
12.04.17 - Wata Igarashi at Dommune . Tokyo
08.04.17 - Wata Igarashi at Vurt . Seoul

Wata Igarashi - A1. The Reel

Midgar

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