Metallic comb filter goodness from a Waldorf Q 

Comb Munge

Arp One Off

Circa 2000. Voyetra 8, Ensoniq SQR, Xpander, Q...

Dark Days

From 199x?? Alesis SR-16, Ensoniq EPS, Ensonic SQ/R, Voyetra 8, Xpander. Recorded too hot and I never did fix that bum note.

Ramblin'

Circa 1996? Ensoniq EPS, SQ/R, Xpander, ARP 2600, Alesis SR-16. Basic doodling, no real direction. Gotta love the EPS sampler! :)

The End

It was 1979/80, SIU/Carbondale electronic music studio. A Moog 55 with an additional cabinet and two Revox A-77's for track bouncing. I brought in my MXR Digital Delay and Rev 2 Prophet 5. This was my final project for the Electronic Music class. Too many track bounces to remember... 

Time

Simple percussion drone. Roland HPD-15 Slapsonic -> Tiptop Z-DSP Delay program #2 :: Stereo Ping-Pong

Z-DSP PingPong 01

Experiments in noise. Roland HPD-15 Slapsonic -> Tiptop Z-DSP Delay program #5 :: 25% 3-Tap Stereo Delay. All sounds start with a single strike from the HPD-15 and develops by means of manipulating the clocking of the Z-DSP via a Z3000 that's being tortured with FM, PWM and sync.

Z-DSP 3-Tap 01

Roland HPD-15 Slapsonic -> Tiptop Z-DSP Delay program #7 :: Stereo Polyrhythmic Delay. Underlying drone builds from single drum hit repeatedly. Noise comes from manipulating the Z-DSP clocking via a Z3000 which is being mangled by FM & PWM.

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