Let'z roll back 2 1997 somewhere deep in Detroit... & you hear some deep rhythmz coming out of dark underground spotz. This live mixtape Theo Parrish put 2gether most definately takes us there.
Most definately a DJ/Producer carrying that Ron Hardy torch with his raw way of selecting & playing.

Only 4 tha TRUE DEEEEP HOUSE HEADZ!!!

Manny Cuevas
aka
DJ M-Traxxx
aka
Professor Jack-Traxxx

Theo Parrish Live In Detroit - Sept, 97' (Manny'z Tapez)

my warm up set for Ron Trent, recorded live at Black Bear Lodge, Meanjin Brisbane for Ron's 2024 Australian tour.

Live @ Black Bear Lodge March 9, 2024

Eglo Records' main man Alexander Nut joins us for some slick late night futurism. Broken beat, soul, and whatever else happens to take his fancy.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/alexander-nut/episodes/alexander-nut-15th-june-2024

Alexander Nut - Soulquarians Special 150624

Flying solo this month, which gave me a full two hours to get my head down in the mix and share a load of amazing music. Unreleased goodies from Matica, Samiel and Secret Agent Gel, alongside brand new bits by iMantus and Reon Vanger, Sentinel793, Son of Dan, Brighter Days Family and Hitch.93. I lost my voice just before recording, so it’s minimal chat, maximum tunes!

Kuna Maze – Kuna’s Dub
Son of Dan – Bruk Encounters
Cooly G – Narst
Afronaut feat. Suheir Hammad – Eye Will Not (iMantus x Reon Vanger Bruk Will Not Remix)
iMantus x Reon Vanger – Wet Dreams Once Buried Beneath the Dungeon Floor Slowly
Ellis Aaron – Stay Close (Sentinel 793 Remix Dub)
Szajna – Planets
Likwid Continual Space Motion – More Brilliant Centre (Entek Remix)
Tom Manzarek – Blessings
Tesfa Williams – Futures
Wyl Up – Brighter Days Family
Breathe – Brighter Days Family
Junia-T (feat. River Tiber & Sean Leon) – Tommy’s Intro
Neon Phusion – It’s Another 
Danvers – My Nina
Kuna Maze – Zeitnot
Jet Lee – Streets (Sin mix)
Last Nubian & jjamz (feat. Sophia Harari) – B-Boy Break It Down (Alex Phountzi Remix)
Szajna – Badman Don’t Dance (Szajna Bootleg)
Reek0, Felixcw – Mor Mor
EVM128 – Gamma Riddim
Phuturistix – High Rollin’
Entek – Yeye
Xtra Brux – Right Now
Cooly G feat. DVA – Oi Dirty
Cyclonix – Heave Street
Samiel – One More Time
Samiel – Pressure Flip
Secret Agent Gel – Sweatpants
Matica – Bruk Carioca
Coen – Pressure Roll
Lobby – Poolside
Sly5thAve – Liberation (Jamz Supernova & Sam Interface Remix)
Last Nubian & jjamz – Tribal Step
Hitch.93 – Papo’s Time
Kode9 – Oh
Sticky Dub – Trample The Beast
Domu & Volcov – SoulJah (NameBrandSound Remix)
Xtra Brux – Cantankerous Business
Slaughter Mob - The Bells
Mitch von Arx – Pin Pon
Hitch.93 – Boom Groove
Last Nubian feat. Akeem – Intertwined Cultures (Dub Version)
Groove Chronicles – Maverick (Brokenstep Remix)
Hitch.93 & Tombe – No Nou (Piers Kirwan Remix)
Matica – Logarhythm
Tom Manzarek – Red Sand
Beyonders – Bam Boo
Galliano – Jazz (Sam Interface Remix)


Blue Soup show - March 2025

Cultural virtuoso and creative luminary SHABAZZ, aka DJ Auntie Spice, illuminates obscure nostalgic treasures, crafting a rich, diverse auditory experience of soul, funk, jazz and beyond with her sound art initiative, Auntie·ism.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/shabazz/episodes/shabazz-26th-march-2025

Auntie-ism w/ SHABAZZ 250325

Darker Than Wax FM, hosted by Marco Weibel every Saturday afternoon. Ever so present yet deeply rooted, we move through two hours of diverse rhythms and globally free frequencies with regular notable guests. This week in the second hour we have Turbojazz from Milan joining.

https://www.instagram.com/marcoweibel
https://www.instagram.com/darkerthanwax
https://www.instagram.com/turbojazz 
https://www.soundcloud.com/darkerthanwax-radio



Darker Than Wax FM with Marco Weibel & Turbojazz @ The Lot Radio 04-19-2025

Tokyo-based DJ Dreamboy&amp#39;s mix series &ampquot;Tasty Love,&ampquot; focusing on R&ampamp;B, G-Funk, and Deep House. This time, This time around, DJ Dreamboy mixes smooth 90s R&ampamp;B from Japan, Brazil, and the U.S. Feel the romance, at home with a glass of wine or while driving…Tasty Love.


Tasty Love w/ DJ Dreamboy (24/04/25)

This month's show features a guest mix from Atlanta's Playr1, playing deep house cuts for your listening pleasures.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/ash-lauryn/episodes/ash-lauryn-15th-may-2025

Underground & Black w/ Playr1 150525

"Day Care" Radio Show w/ DJ Randy Ellis and The Alaia
and special guest: Sam Arellano
aired on NTS Radio: 06/02/24
Tracklist and Original Episode here: https://www.nts.live/shows/day-care/episodes/day-care-2nd-june-2025

Day Care on NTS w/ DJ Randy Ellis, The Alaia & Sam Arellano

SHABAZZ aka DJ Auntie Spice shares open format selections rooted from Soul, Funk, Jazz, Hip-Hop, R&B and more.

https://www.instagram.com/_kingshabazz_
https://www.instagram.com/specialherbs.fm

SPECIAL HERBS with DJ Auntie Spice @ The Lot Radio 06-29-2025

FOUR TET — "LA Trance"
(Text, 2017)

CHASTITY BELT — "Joke"
(Hardly Art, 2015) 

THE WAR ON DRUGS — "You Don't Have To Go"
(Atlantic, 2017) 

DAUGHTER — "I Can't Live Here Anymore" 
(Glassnote, 2017)

BLOOD ORANGE — "Better Numb"
(Domino, 2016) 

BJÖRK — "The Modern Things" live version
(One Little Indian, 2004)

FACTORY FLOOR — "Ya" KLARA LEWIS remix
(DFA, 2017)

GAIKA — "In Between" 
(Mixpak, 2016) 

BLOC PARTY — "Tulips" 
(Dim Mak, 2005) 

NO AGE — "Soft Collar Fad" 
(Drag City, 2017) 

THE WHITE STRIPES — "Let's Shake Hands" 
(Italy, 1998 / Third Man, 2011)

JEHNNY BETH & JULIAN CASABLANCAS — "Boy/Girl" 
(Cult / Pop Noire, 2015) 

DINOSAUR JR. — "I Told Everyone"
(Jagjaguwar, 2016)

PROTOMARTYR — "Don't Go To Anacita" 
(Domino, 2017)

THE CINEMATIC ORCHESTRA — "Familiar Ground" 
(Ninja Tune / Domino, 2007)

RIDE — "Impermanence" 
(Wichita, 2017)

MRE50

Produced by US&THEM and DJ GETLIVE! for the MIDNIGHT ROCKERS EXPRESS,  12 2017

Cover: still from FALLEN ANGELS by WONG KAR-WAI, 1995

MRE50

MRE50   12 2017

Music for the after hours at the end of the world.

Mixtapes, specials, and live sessions since 2009. The MIDNIGHT ROCKERS EXPRESS is recorded in New York City. 

US&THEM, DJ GETLIVE!, JOAKIM JANSSON

+ + + + + +

All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours. 

— JAMES BALDWIN, SONNY'S BLUES, 1957

+ + + + + + 

There are sounds I miss, but I don’t need them back, their quality and their value relies on them missing and being missed; they populate the void with howls and fugitives, and fuel my adrenaline. What’s endangered is the will to invent and release unapproved noises, and to force language to bend to that will rather than force tone to tend to the broken nervous system of late capitalism where everyone is always offended by unvetted sounds and waits to be told what to like and what to loathe. Long live the thought crimes and crypt dictions and haunted notions that turn into lawless music that everybody protests because they love it so much they long for the experience of yearning for it. While we’re so concerned about what the environmental disturbances tell us about potential human extinction, I think it’s plateaus in music and language and sound that tell us it’s over unless we stop outlawing cries for help that come in words and sounds that we are only allowed to explore in secret, underground, where everyone real went to be unseen.

— HARMONY HOLIDAY, from "ENDANGERED MUSICS", 2021

+ + + + + + 

The End of the World was a nightclub.
Drag queens with machetes and rhinestoned

machine guns guarded the red and impassable
door on Friday nights. Just a look at the crowd,

all dressed up and swaying outside, made people
want to yell the truth about themselves to anyone

who’d listen, but no one heard. The End of the World was loud. The End of the World leaked music

like radiation, and we loved the neon echo, even
though it taunted us or maybe because it taunted us:

kids leaning out of windows hours after bedtime,
cabdrivers debating fares at the curb just for an excuse

to linger, pastors who’d pause at the corner 
and vow that if they ever got inside, they’d burn it all down.

— SAEED JONES, "ALIVE AT THE END OF THE WORLD", 2022

+ + + + + + 

And this, this is the Core. This is where we broadcast our pirate signal and hack into the Matrix.

— MORPHEUS, THE MATRIX, 1999

+ + + + + + 

@DJGETLIVE
INSTAGRAM.COM/MIDNIGHTROCKERSEXPRESS

MRE50 12 2017

Midnight Rockers Express

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