SPEEDCOMP 62

Xylofunt - Speedrep 61

Fuk the Borders Vol.13 brings together 43 tracks from artists all around the planet — pushing the limits of alternative rave music.
Here, you’ll find both fresh talents and established names, united by one vibe and one message — no borders, just sound.

This compilation celebrates 17 years since the very first Suck Puck party.
Massive respect and love to our Suck Puck family, all artists, and every raver who’s been with us through these wild years.

And that’s not all — to mark our birthday, Suck Puck prepared a bunch of surprises dropping throughout the next month. Stay tuned, the ride’s just starting!

Peace > Love < Fuk the borders.

released October 20, 2025

Artwork by MARU303

Tunes mastered by pan SIMI (exept ctrtl Freq, Dj Skull Vomit, sсottish gabber punk, Junglinskiy)

DOWNLOAD

unstable tone - chaotic serenity bells III

Hitori Tori - Clanece

Hedonist - Image Reverse

Artist / yumeo & Shimon_Harbig
Title / Grace 2
Label / MURDER CHANNEL
Format / CD
Catalog No. / MURCD-051
Release Data / November 21

Track List
1. yumeo - Barometz Frequency
2. yumeo - Fluoride
3. yumeo - Makuhari
4. yumeo - Naious (The Silence Remix)
5. Shimon_Harbig - Iwannajump
6. Shimon_Harbig - The Billy
7. Shimon_Harbig - Shut The Fuck Up
8. Shimon_Harbig - Imperial Rage (Nagazaki Remix)
9. yumeo & Shimon_Harbig - Better Place (CD ONLY)

yumeo - Barometz Frequency

Synthetic Dream 2

Artist / Mathlovsky
Title / Your Money Has No Power Over Me
Label / MURDER CHANNEL
Format / DIGITAL
Part number / MURDG-056
Release date / November 7

Track List

1. HOMEWRECKER
2. JEAN BAPTISTE SAINT GUERRIER
3. VINTAGE DESIGN

MATHLOVSKY - HOMEWRECKER

It’s been a long time coming, but finally the Berlin duo New Frames makes their debut onto PRSPCT Recordings with a powerful four-track EP: PRSPCT332

Built by Mathis Mootz (The Panacea) and David Frisch, New Frames have become a driving force in the darker corners of modern electronic music. Their sound pulls from the roots of techno-rave culture, from its earliest sparks to its current state, by fusing those classic sounds with completely new twists.

Their music blends the intensity of industrial and hardcore but by holding up the momentum of techno and drum &amp; bass. This EP is the perfect example of genre-bending music, hard to keep in just one simple box, but held together by a focused, contemporary sound: Expect this EP to be tense, layered, and engineered with precision.
PRSPCT332 captures all of that energy in four heavy tracks:

A1 Mono Tone
A2 The Killing
B1 Moon 44
B2 The Masterpiece

Out at the end of November on vinyl and digital via PRSPCT Recordings.

New Frames show how it’s done once again, proving that genre and BPM boundaries don’t really exist.

BUY 332

The Killing

Pho bo v150

For the first time ever, “Seedful Things” sees an official release two full decades after its conception. The 20th anniversary edition includes the original 13 tracks from the debut @hitori-tori album, along with four unreleased tracks written in the same time period. The CD version also features an exclusive hidden track unavailable on digital platforms.

The year was 2005 when Julian La Brooy finally decided to plant the seed of his newfound Hitori Tori project. Based in Japan at the time, he recorded a batch of promising demos onto a pack of CDs to ship out to record labels abroad. Nearly four years of studying the craft of balancing aggressive breakbeats with comforting melodies was compiled and ready to share with the world. After running into logistics issues at his local post office that prevented the CDs from traveling anywhere, La Brooy gifted the recorded demos to friends surrounding his artistic endeavors. Unbeknownst to him, the CD would eventually make it onto SoulSeek, an infamous peer-to-peer file sharing network where its community tends to influence the growth of rare and obscure music projects. Becoming a hit beneath the interweb, the album was eventually uploaded onto YouTube, gaining even more interest and becoming a cult classic within the niche of braindance enthusiasts.

It is our utmost honor to finally give Hitori Tori’s debut album a proper home. Welcome to the 20th anniversary edition of “Seedful Things” - a celebration of experimental electronic music through the passage of time, only made possible by the virtual crate diggers that fuel it. Each track’s arrangement has been left as is, with the only enhancements coming from the improved mastering technology in our arsenal two decades later. The album centered around the development of drill ‘n’ bass, familiarized by the legendary sounds of Warp and Planet Mu in the 90s. The subgenre serves as sort of a neutral zone between braindance, drum ‘n’ bass, trip-hop, and electronica. As breakcore began making its digital footprint, the high stakes, high tempo movement was immediately met with La Brooy displaying a warmer, more playful interpretation.

“Seedful Things” is a vibrant ecosystem of distinct species coexisting. Each intersection seems as leftfield on its own as it feels tightly woven, merging influences from the internet and La Brooy’s environment into one. In tracks like “Yutaka,” he sampled one of his Japanese students playing with toy trains in class, only to end the track with field recordings of a nearby train stop. There are plenty of moments throughout the album that are purely inspired by La Brooy’s routine commutes around Japan, surrounded by strangers with birds meandering above. Occasionally, a few wrong turns would lead him on a side quest - “Walls Of Shibuya” was written after purchasing tea at an undiscovered shop that led to mild hallucinations. The project is riddled with relics of a distant yet familiar past, like in “Breakfux Of Champions.” Here, he used samples from a contest held by Nautilis, the now defunct project of a household name in electronica, to create a glitched-out blend between hip-hop and breakbeat. La Brooy is also unafraid to pick up the microphone in “Ishibashi vs. Tennoji” and “Why You Drinking Booze?” as he turns simple interludes into displays of conscious rap, only with unconscious lyrics meant to be taken unseriously. Aside from the many crossovers, there are tracks that have certain recognizable styles, such as “Keihan Line” and “Aonepsco” taking on breaky drum ‘n’ bass aesthetics. “Stole My Tet” and “Chioal” provide lovers of trip-hop a nice place to roost, just before the album chaotic unwinds into the final few tracks previously unheard.

Pieced together, “Seedful Things” is more than a showcase of what made the mid 2000s so incredibly special for computer music and its hoard - it is the hatching of a ravishing flock of seabirds preparing to take flight and spread its seed.

BUY / STREAM

Hitori Tori - Stole My Tet (2025 Remaster)

My entry for SPEEDCOMP 62 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.
Any audio software is welcome to use to make your track. Make anything you like - no genres or approaches are out of bounds.
Maximum length of your track needs to be 4 minutes.
After 30 minutes please stop arranging your Speedcomp entry and listen back for a rough mixdown and render. There is no point using more than 30 minutes as this exists to see what one can do with a strict deadline to finalise a musical composition. There are no winners in Speedcomp.
ONLY USE THE 10 SAMPLES OFFERED IN THE SAMPLE PACK.

Acid splat

Speedcomp 62 - The Faraday Cage

SPEEDCOMP 62 - Samples by Backslash Zero - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night

SC62BS0

SMOULDERING_SOD - Bacteria/0

My edit for SC62, All Done on LSDJ x 2 utilising for Wav Sampling channels.

Video here: https://www.youtube.com/watch?v=dj-iKjqe9ME

SPEEDCOMP 62 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.
Any audio software is welcome to use to make your track. Make anything you like - no genres or approaches are out of bounds.
Maximum length of your track needs to be 4 minutes.
After 30 minutes please stop arranging your Speedcomp entry and listen back for a rough mixdown and render. There is no point using more than 30 minutes as this exists to see what one can do with a strict deadline to finalise a musical composition. There are no winners in Speedcomp.
ONLY USE THE 10 SAMPLES OFFERED IN THE SAMPLE PACK.

SPEEDCOMP.GB/.GBA

SPEEDCOMP 62 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.

The selector for Speedcomp 62 was BACKSLASH ZERO from Budapest, Hungary. The ten chosen samples were published at 7:30pm AEST on Friday 19th December 2025.


the grog bog (speedcomp #62)

MidSizedSedance
Mid - sized - se - dance
EORA/Sydney RAVE CORE NRG
Breakcore, Hardcore, Jungle and Bass flavours
DJ And Producer
Member of 200Pluscrew

midsizedsedance@gmail.com for info and bookings

feel free for asking *.WAV files of the downloadable stuff or check bandcamp for lossless

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moscovia delenda est

SPEEDCOMP.GB/.GBA

midsizedsedance

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