BLUME is bringing  in their record bag experimental jazz, fourth world sounds, future primitive echoes, mysterious landscapes and microsounds.

Photo credit: Delfina Carmona

BLUME at migas 28.06.24

Jazz jazz jazz with DJ Sonar. And maybe a bit of dub, world and ambient.

migas live recordings

DJ Sonar at migas 26.07.24

Molø at migas 05.10.24

@joma plays music that he loves and inspires him after a year working at @migasberlin.

joma at migas 21.12.24

Enjoy downtempo, dub, ambient and balearic with @koesnimik.

Minseok Kim at migas 03.01.25

@mattia-prete has some electronic jazz and trip hop for us.

Mattia Prete is a Berlin-based DJ, producer, band member, and label manager whose ambitious electronic music is deeply influenced by club styles such as techno and electronica, merged with intricate jazz rhythms and organic instrumentation.

As a DJ, Prete has a versatile sound, and his sets tell a sonic story, taking the audience on a transcendental journey that keeps mind and body engaged on the dancefloor. His mixes incorporate intelligent, dreamy, fluid, and eclectic genres, including techno, jazz, IDM, tribal, and broken beat, all built on strong, propulsive grooves.

With over 15 years of dedication and passion for electronic music and dance culture, Prete brings a willingness to take risks and experiment, performing with both vinyl and digital formats.

In the studio, Prete’s work is infused with sci-fi futurism and the immersive scope of film soundtracks, producing a unique sound that has gained international acclaim. He debuted with “Moon, Please Don’t Go Away” in 2020 on Jazzotech, the label he manages, and has since released the vinyl EP “Life is Waiting” on the experimental label Faith Disciplines, as well as singles like “Palettes” and “Zamovliannia,” featuring classical musicians from Dnipro’s Philharmonic.

Prete recently co-founded the 505 band project with Daniel Calvi, exploring electronic rhythms with a sensitive trip-hop sound and incorporating live electronics and organic instruments for a trippy, textured experience.
As label manager and A&R of Jazzotech, Prete has laid the foundation for a new club scene called Techno Jazz, producing original music and live events featuring jazz and electronic musicians.

One of his most notable projects is the double LP “This is Techno Jazz,” featuring collaborations between artists like Stanislav Tolkachev with Finnish band Himanen & Kinnunen, Katharina Ernst with Spanish techno innovator Reeko, Tensal with Turin jazz band TUN, Fabrizio Rat, and trombonist Gianluca Petrella. This project also inspired a party of the same name, held at Kantine Am Berghain and Sage Beach, with legends like Matthew Herbert, Fabrizio Rat, and Studnitzky.

Prete has played at renowned clubs and festivals, including Montreux Jazz Festival, Fusion Festival, Kantine Am Berghain, Jazz:Re:Found Festival, and Tresor Berlin.

Mattia Prete at migas 17.01.25

@dj-nob-kss plays chillout, ambient, trip hop, soul and jazz.

NOB at migas 08.03.25

Molø at migas 17.05.25

casualsi will hold us in an atmospheric, groovy, organic, beautiful and reflective mood.

casualsi at migas 20.06.25

td are in the house with soft and deep moods through ambient, dub, synth & experimental electronics.

td at migas 14.06.25

@sookwav graces our ears with a mysterious and subtle set of textural ambient and experimental.

soo:k at migas 21.06.25

@morgan-greenstreet (Is This Afrobeats?) & @djmixanthrope (African Beats & Pieces) took the listeners on a musical journey to Zambia with a selection of rare tracks on July, 31st 2025.

Tracklist:

Alick Nkhata - Chiperoni (1959)
Alfred Chisala Kalusha Jr - Ni Maggie (1989)
Mulemena Boys - Pamuzhi Palubabo (1984)
Amayenge - Mulumbwe (1988)
P.K. Chishala - Mutete (1988)
Short Mazabuka - Maggie (2003)
Paul Ngnozi - Anasoni (1976)
AMANAZ - HISTORY OF MAN (1975)
Smokey Haangala - Nazo Nkhani (1981)
Greg Miyanda - Ndatambula Lugwalo (1981)
Black Power Band - Imisango Ya Ba Chairman (1981)
Afunika - Piki Piki Skirt (2018)
Brian Chilala - Chitinti (feat. Ngoma Zasu) (2015)
Mukuni Palace Women's Choir - Shungu Namutitima (2003)
Mashombe Blue Jeans - See ba dadi (1995)
Amayenge - Chifuchi Cha Zambia (1988)
Alick Nkhata - Mayo Na Bwalya  (1950)

modrums & Mixanthrope: Zooming In · Zambia listening session at migas 31.07.25

@tim-eder takes us on an atmospheric journey through ambient, downbeat & leftfield.

Tim Eder at migas 19.07.25

@arnininix has a cheeky, playful, experimental, percussive and immersive set for us.

Árni at migas 04.07.25

Join @hallooomusic for a genre-fluid, groovy, emotional, warm and curious evening.

hallooo music at migas 16.08.25

the little dog laughed (@joe-le-taxi) has a bag full of eclectic dark folk, ambient, psychedelic sounds and some cosmic jazz.

the little dog laughed at migas 05.09.25

From Southamerica to the world, eclectic vinyl traveller ROLO (@oliver_rolodj), comes to shore at migas.

ROLO at migas 13.08.25

@eiliyas plays soul, hip hop, experimental, jazz and psychedelic.

Eiliyas at migas 19.09.25

@joelarcane brings warm, drifting liminal sounds to us.

Joel Arcane at migas 20.09.25

@servando presents an ambient, experimental, electroacoustic listening session.

http://servando.teks.no

Servando Barreiro listening session at migas 25.09.25

@almassimo-music takes us on a journey from ambient and downtempo into breaks and kicks—an arc of electronic relaxation.

Al_Massimo at migas 26.09.25

@sonomayrit guides us through an exploration of interfering radio transmissions, field recordings, and analog artifacts from the Strait of Gibraltar.

"In September, I traveled to Cádiz and Tangier to record the interferences created by Spanish and Moroccan radio stations broadcasting on the same frequencies of the Strait of Gibraltar.

I made field recordings of the Atlantic Ocean and the Mediterranean Sea colliding, the strong winds that shape the landscapes on both shores, and the night sounds of both cities. Using self-made radio receivers, I captured overlapping AM and FM signals to create a soundscape of the 14 kilometers that separate the two continents."

More info at:

https://sonomayrit.xyz/interfenreces-gibraltar

sono mayrit: radio interferences listening session at migas 01.10.25

@otuks spreads joy with an ethereal mix of folk, folk-influenced-jazz and electronic.

Otuk at migas 04.10.25

Stefan Jechow shares a set of ambient, downtempo, instrumental-beats, balearic and organic with us.

Stefan Jechow at migas 10.10.25

@caro-so-3 brings a hypnotic, atmospheric and immersive set of experimental and downtempo to us.

Carol at migas 16.10.25

@diebrotfrau brings crackling echoes of worlds and eras long past, yet still present.

diebrotfrau at migas 18.10.25

@molohere and @jonaslonna: Travel without Moving.

MOLØ and Jonas Lönnå at migas 23.10.25

@joma (and his broken leg) will sit on a chair and @vibe_operator will join him with music for a fun evening. We’ll try our best.

joma at migas 24.10.25

Join @mirimalek for an experimental, deep and spooky set.

Miri Malek at migas 31.10.25

Nelson of the East brings us a polyemotional set of spontelecta and varioustempi [sic!].

Nelson of the East at migas 07.11.25

@mattia-prete takes us through the night with electronic, jazz and trip hop.

Mattia Prete at migas 08.11.25

Every week in Berlin, we invite artists to share the music they love. These recordings come straight from our space, just as they were played.

All sets at migas are captured from the output of our Isonoe ISO420 mixer into a Tascam FR-AV2 recorder via balanced cables, in WAV 48kHz / 32-bit float.

The mastering chain includes only a touch of analog-style saturation (BB Tubes), applied in parallel to add warmth and cohesion, followed by a transparent limiter (L2) to gently control peaks.

The final file is exported as FLAC 48kHz / 16-bit.

migas, a listening bar

Popular tracks