Name: Rachmaninoff Sonata No. 2 Op. 36 in B-flat minor (1931 version) by Miguel Santana 4 in Classical piano
Duration: 20 min 2 s
Description: Miguel Santana spielt Rachmaninoff Klaviersonate Nº 2 Op. 31 in B-moll.

да какой же это 1931 год это ж лажа какая то полная,лохов разводить только

Classical piano

Classical Pieces

Bach: Air on a G String

Frem

Hey,
me again. Another day, another mood, another snapshot from my life. I love these little motifs and chord fragments—they feel like a space waiting to be filled with emotion. I hope you enjoy it, and thank you for being part of this journey.

Yours truly,
Sebastian

>> Video <<

Improvisation: Day 15, 2025 (Piano Diaries)

Midday, The Black Sun

Sergei Rachmaninoff - Prelude in G minor, Op. 23, No. 5 - 1901
Fábio Luz - Piano
Live recording - Auditorium of the Art Institute - Unicamp - April 28 2022
Illustration - Ilya Repin - Gopag

Sergei Rachmaninoff -Prelude op. 23, n 5 - Campinas - 2022

New Ambient tune, hope you'll enjoy!
Please 'Repost' if you deem it worthy!

Free Wav/mp3/flac/Ogg/etc: https://aceruleanstate.bandcamp.com/album/singles-2016
Facebook: https://www.facebook.com/aCeruleanState
Twitter: https://twitter.com/aCeruleanState
Sheet music (PDF, MIDI,etc): musescore.com/user/5451701
Youtube: www.youtube.com/user/aCeruleanStateMusic

Artwork by Petri Naumanen https://naumanen.artstation.com/

Bandcamp

A Cerulean State - I thought what I saw was you

1stpiano's most popular solo piano music, including Beethoven's Moonlight Sonata, Debussy's Clair de Lune, Bach, Liszt, Mozart and more.

01-MoonlightSonata-Beethoven

Selection from Daniel Pollack's newest CD, "Daniel Pollack in Moscow," recently released in the US.

Rachmaninoff - Prelude in G minor op.23 no.5

Miguel Santana spielt Rachmaninoff Klaviersonate Nº 2 Op. 31 in B-moll.

Rachmaninoff  Sonata No. 2 Op. 36 in B-flat minor (1931 version)

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Faun is taken from Jacob Pavek's new album NOME, coming on February 8, 2019.

Preorder 12" LP:
http://unperceivedrecords.com/shop/jacob-pavek-nome-12-lp-preorder/

Preorder DL:
http://unperceivedrecords.com/shop/jacob-pavek-nome-preorder/

Preorder DL|12"LP

Jacob Pavek - Faun

Gigue N°4 in E flat - BWV 1010

Too bad i cannot find all the tracks, but this is me playing this in university. Still one of my favorite pieces, though I have moved on from playing only Rachmaninoff. (Mike Barry)

Rachmaninoff - Piano Concerto No 2 (Abridged)

Inspired by the music of the great oudist and composer Mohamed el Qassabji, who often incorporated interesting chromatic melodies that sound possibly jazz-inspired.

“I imagined Qassibji having a dream where he time travels to now, hearing this piece of music and being slightly bewildered and horrified by what he inspired”—Brian

Brian Prunka: oud, composition
Kenny Warren: trumpet
Nathan Herrera: alto sax 
Apostolos Sideris: bass
Vin Scialla: riq
George Mel: cajon, ride cymbal ,snare drum 

Solos in order: Sideris (bass), Warren/Herrera (Tpt/Sax together), Prunka (oud) 

Rachmaninoff Sonata No. 2 Op. 36 in B-flat minor (1931 version)

Miguel Santana 4

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