Minimal House and Deep Tech 1

Disfunction

Travelling Without Moving

Hooked

Facettes

Ghost in The Rhythm

Night-of-Silicon


https://dekmantel.com/shop/records/makam-tarp
https://makam.bandcamp.com/album/tarp


Making a welcome return nine years on from his last outing on Dekmantel, Makam offers up a generous helping of wayward grooves that take his curious spirit even further into unmarked territory. With a strong dub sensibility grounding his rich tapestry of percussion and instrumentation, Guy Blanken follows his own path to arrive at an album that embodies house music as a launchpad for experimentation.

Blanken says himself he was determined to approach his first Makam productions in years from a place of total freedom — "It's not a single direction, but rather a landscape of sounds, moments, and textures. TARP feels like a new beginning, a free project that just had to happen naturally." The steady pulse of the club remains a guiding principle boldly manifested on heads down roller 'Static Shade', but even in the lilting organic loops and tumbling percussion of 'Forgive' there is a funkiness that's beholden to continuous movement.

At times the direct thump of 4/4 disco juts out as a call to dance, not least on 'Flying Birds' and 'La Tuna', but elsewhere the rhythms are more slippery. 'Dub In Loen' plots a delicate path through dub techno and 'Lummel Spirit' casts off into pattering Balearic bliss. The pervasive dub mood of the record comes to the fore on expertly crafted stepper 'Diagonal Rain' and crooked album opener 'Clear Skies'. 'Jackie B' lands as a love letter to quintessential deep house, and yet still there's a left-of-centre charm that gives the track a personality that is pure Makam.

Exuding warmth and imagination at every turn, TARP is the perfect example of how to make a groove-oriented album a rich home listening experience. There are ample moments primed for the spectacle of the dancefloor, but the mellow hue and broad sweep of approaches make Makam's welcome return utterly compelling from end to end. 

Jackie B

https://www.beatport.com/track/indica-mornings-ben-rau-remix/7998093

Buy on Beatport

Miffy & Miller, Nicolau - Indica Mornings Ben Rau Remix Snippet (low bitrate)

Buy 12"

A1 - Cosmjn - Kapa

From the mind of Hector Couto, father founder of Roush Label comes 'Step Ahead EP', an album that shines with the artist´s well known old school print. A three-track EP that includes a YaYa remix that gives the right stir to the whole composition. The first track, 'Step Ahead' is a minimal obscure immersive track that oscillates its synths from definite to acid in no time. 'Arcade' brings housie vibes that blend with trippy synths making this piece a timeless underground track. The last track is YaYa´s Remix of 'Arcade' where exotic drums and blissful shimmers spin up the mix, giving a dazzling note to the entire record.

Arcade

Hector Couto - Arcade - Roush Label

Traumer - Exercise [GRHS002]

Anas M - Mainstream (Devv Remix)

Buy now: decks.de/track/lauren_lo_sung-momentum/cgx-5p

A1. Lauren Lo Sung - Momentum (Original Mix)

Various Aliens

The Sway Effect

BOOKING CONTACT: 

benny@stillhotberlin.com

FOR BOOKINGS IN ROMANIA:
ionut@cyclic.ro // tel:0721381922

You can become a fan here: 
www.facebook.com/mihaipopoviciu1
www.instagram.com/mihai_popoviciu

WEBSITE: 
www.stillhotberlin.com

BIO: 
	
	Every artist has a signature. Mihai Popoviciu is no exception. For over a decade the amiable Romanian producer and DJ has built a body of work characterised by deep grooves, crisp precision, and irresistible energy.
	Mihai's singular vision was born in his home town Sibiu (still his home base) which, at the time, lay on the fringes of Europe's thriving dance scene. It was the early '90s. Electronic music was flooding London, Ibiza, Berlin but only a trickle reached his ears. "We would tape German TV shows onto cassette and listen over and over," he recalls.
	With no clubs, record shops or dance culture to speak of Mihai's dream of being an electronic artist seemed remote. He studied architecture and briefly worked in the field, but it was house and techno, not house-building, that was his true calling . "I couldn't DJ, because there were no clubs," he says with a chuckle. But he could buy software, so he started making records. Lots of records. Sometimes one per day, for months on end. The work of the determined young artist began to catch people's ears. His first track was signed to International Deejay Gigolo in 2005, and dozens of releases followed on imprints including Bondage, Highgrade, Poker Flat, Bedrock, Dessous and also his own label Cyclic, established in 2012.
	This calm determination became Mihai's trademark as his career blossomed from production to DJing. After honing is skills in the studio he learned to DJ (on borrowed decks) and began drawing attention in Romania and across Europe. Playing international gigs was a big move for someone who grew up only seeing clubs on TV but Mihai stepped up with professional aplomb. His CV now includes the best clubs in Europe and around the world, from Berghain and Watergate in Berlin; to London's Fabric and The Egg; to D-Edge, São Paulo; DC-10, Ibiza; and more.
	Mihai's ambition with every track and every DJ set, is to transmit the joy and energy that fuels his dream. "It feels great to see people dancing, smiling, having a good time. No matter what I do, that's the main thing." 
	He is equally at home in underground clubs or on festival stages. The one thing that stays the same is his artistry and irresistible delight in music. "Mihai was on his sound from the beginning," says friend and booking agent Benny Grauer. "It has a unique quality. Any time you hear it you know, "That's Mihai". He's done it for years, and it is perfect."

Travelling Without Moving

Mihai Popoviciu

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