https://togglethemuse.bandcamp.com/album/the-retreat

Echo

Experimental, brief solo piano composition, hope you enjoy!

22 2 15

Mihan TV (Mihantv) is an Iranian TV station located in Mission Viejo, California, USA which has live shows six days a week and has been established in March 2009.
میهن یار عزیز عزیز کانال را سابسکرایب کنید تا به موقع از کلیپ های جدید با خبر بشوید ، با سپاس
http://mihantv.com
https://www.youtube.com/user/mihantv1?sub_confirmation=1
https://www.facebook.com/mihantv1
http://telegram.me/mihantv1
https://twitter.com/mihantv1
https://soundcloud.com/mihantv1
ادرس رادیو در ساته لایت:
Satellite: Eutelsat 7A-7B @ 7 Degree East
Transponder: A1
Frequency: 10721 MHz
Polarity: Horizontal
Symbol Rate: 22.000
FEC: 3/4
SID: 9003  PMT: 930  Audio: 932  PCR: 932
میتوانید ویدئوی این برنامه را هم در این ادرس ببینید

استرسبورگ و سپاه تروریست ، امواج تازه تر جنبش مقاومت افراطی گری زیر پرچم شاهزاده با نگاه اصغر سلیمی

Disquiet Junto Project 0582: X Techno
The Assignment: Make a new subgenre.

Step 1: You’re going to make a new subgenre of techno. Think for a moment about what makes techno techno.

Step 2: Choose a word and put it before “techno.” Those two words in combination are your new subgenre.

Step 3: Record a piece of music in the style of the subgenre you came up with in Step 2.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0582” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0582” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0582-x-techno/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. What’s the norm in your new subgenre?

Deadline: Deadline: This project’s deadline is the end of the day Monday, February 27, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 23, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 582nd weekly Disquiet Junto project, X Techno (The Assignment: Make a new subgenre), at: https://disquiet.com/0582/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0582-x-techno/

Repetition is Meditation - disquiet0582

With the upcoming Keith Rowe celebration in Berlin just around the corner, reflecting upon how Prepared Guitar noise crossed cultural boundaries. Pink Floyd in 66/67 a band of the London arts scene. Legend has it that Keith Rowe influenced Syd Barret to do improper things for the guitar that no other Pink Floyd guitarist cared to explore. I found this idea more plausible than Syd being stoned or aggressive -- although both artists might have found they shared a transgressive feeling for how such noises are the thang to challenge the thinking about the thang. While there's nothing in Syd's guitar sound surpassing anything Hendrix hadn't blown through several times with the vitality of ten thousand cats, it's also more complicated to think it through the Keith Rowe perspective. Hendrix's path, in my reading, was, yes, to found his own sound, gain his freedom, but also to destroy the white western exploitation culture with the rage of the slave uprising through the electrified blues and render, as a result, an American problem and treasure. In the last days, Jimi wanted to bring it back home and play deep electro-acoustic blues and rock the studio like CAN influenced by Stockhausen on shrooms. Keith's sound was already detached from folk traditions, more consciously post-modern (self-historicizing, self-contextualizing -- to lay the emotional guitar down, pushed away from the body), and few people really want to deal with that new kind of wilderness he explored in HARSH, where you see shards of what he maybe transmitted to Syd and which Jimi knew very well but never lived to take out of the rock and roll physicality context. Prepared Guitar music doesn't really exist if the guitar is not really involved, though. This track is all about those cross-over moments between the psychedelic movement and fluxus and free improv and indeterminacy. Syd was still in a rock band rooted in the Black Music of the Colonies and then they got rid of him. Noise has maybe messages beyond human aesthetic.

Syd B Keith R

2nd Track from Upside Down Album .

"The Upside "

Thank you for your Support as always

Track 2 - The Upside

Created with AUM and various plugins on iPad, mastered in Cubase 12 with Ozone 10

Inspired by Naviar Haiku 512:
https://www.naviarrecords.com/2023/10/25/naviarhaiku512-endless-echo/

Photo by zenbytes (2016, Germany)

Typewriter sample by https://freetousesounds.bandcamp.com/track/typewriter-sound-effects-1960-smith-corona

#Ambient #fieldrecording #Naviar #Haiku
#iPad
#AUM #Cubase

empty house once full of life - Naviarhaiku 512

Nathan Judah and Liam Keen bring you the latest Wolves poddy in association with Kettle and Toaster Man.
The boys deliver their verdict on the Nottingham Forest game and what areas the team/management can improve on.
Hwang Hee-Chan's imminent new contract is discussed as is the latest situation regarding Jonny's future.
A look to January is debated from a positional point of view and there's a brand new segment for Liam to get his teeth into.
All your questions are answered and there's a full preview for the game at West Ham on Sunday.

Episode 319 - Keen or not Keen?

JaMuary 24- the aim to create a piece of music (no matter how short or incomplete it is) for as many days as I can during the month.

Most Jamuarys are incomplete or just the start of an idea so I upload them as public here but they are private on my proper Soundcloud page @trevb111 unless completed.... and Ive put them in a playlist you can find here on.soundcloud.com/QUFqo :)

guitars are from Brian Funks amazing guitar packs!!!! :) https://brianfunk.com/

13th Jam Some Chord Progressions ... needs work

17Feb24

My naviarkaiku528 submission;
https://naviarlab.tumblr.com/post/742301993864937472/naviarhaiku528-whats-a-month-for-the-sea
:D

What's a month for the sea [naviarkaiku528]

REIN (Rhaeto-Romanic for the river Rhine) speaks of severe challenges threatening the Rhine and other rivers due to climate change and drought. Rivers are vital arteries, and this music reflects on their life-sustaining essence, and the environmental precariousness of the world, we currently live in.

REIN has been commissioned by ZeitRäume Basel for the Basel Sinfonietta.
World premier September 15, 2019 under the baton of Baldur Brönnimann,
@Mitteldeck Basel, on the river Rhine
Recorded by Swiss Radio SRF 2

استرسبورگ و سپاه تروریست ، امواج تازه تر جنبش مقاومت افراطی گری زیر پرچم شاهزاده با نگاه اصغر سلیمی

mihantv1

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