CrisTIANO RONALDOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO\

sí Edgar y yo te amo mucho y que se me ha dado tiempo a qué hora es la que me lo puedes enviar la factura de los mismos que son muy buenas noches 🙂 de cédula es el que te amo te extraño 😢 que no me han enviado 😢 de cédula profesional que tanto me quieren 3

☠️

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RISADA DO SENHOR (slowed)

Title:
Ruapuna

Dates:
28-Jun-2025 (inception), 28-Jun-2025 (finalised), 28-Jun-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/ruapuna

Description:

Fun at the Ruapuna race track, Christchurch, New Zealand. My son was participating in the Auto Cross events using my wife's Holden Astra instead of his Mazda MX5, so my wife and I came along to watch. Zero preparation on my behalf, but, I did have my iPhone with me. The new cars, as flash as their engines and suspension systems were, audibly, they did not have have the same pizazz as the older vehicles stretching right back to the early 1970's and some obviously modified extensively.

I took something like 50 sound sample recordings of the cars waiting for their run on the track, to racing past on the track. Thoroughly enjoyed the experience.

What captured my interest was the white Datsun 1200, which I think was the make and model that of one my friends drove when I was in my twenties (1980's) and thought it was a cool car, so there is some connection here. He was always talking about what modifications he and his father did to the the car (thanks Dave). Just loved the engine sound as it roared past. I recorded this and used it as part of this soundscape composition, plus some other cars (sorry, did not take note of their makes). 

The sound samples were then dropped into Ableton Live and mangled through two digital granular synthesisers, the PitchLoop89 and the Granulator III (both creations by Robert Henke). This gave the back drop of inspiration. Then some samples were dropped into an Ableton Live drum rack, to spontaneously play samples at will. Next came my Soma Enner, an analogue synthesiser, no specific tuning, just an impressionist approach to improvisation. Finally added my Soma Pipe synthesiser (driven by mouth clicks and other sibilances via a very close up mic), feeding this through the Soma Cosmos for it's interpretation of granular synthesis, recorded into Ableton Live.

My aim was to compose the music on the same days as the Auto Cross track event, whilst I still had the vibe of the day floating around in my head, to then capture the vibe of the day and my own interpretation of the sounds.


Ruapuna

FUNKZADA - DILATACAO HIPNOTICA 5.0 X TA CHAPADA DE BALINHA (SUPERSLOWED)

Mike dio

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