hi mike. do you mind if i use this on my new volume of my "wild xmas with bomarr" mix series? you can see the others at wildxmas.bomarr.net. i give them away for free each year and this would fit right in.

Mike's stuff

Redeveloping The Deuce

This week on the Film at Lincoln Center podcast, we’re featuring a special programmers preview of our King Vidor Retrospective, a long overdue series dedicated to the fascinating and prolific filmmaker whose career bridged the silent and sound eras of Hollywood, featuring live musical accompaniments at selection screenings, rare 35mm prints, and more.

Listen to FLC Programmers Dan Sullivan and Thomas Beard as they discuss the trajectory of one of the Hollywood studio system’s enduringly great auteurs, their recommended films in the series, and more. 

Our King Vidor Retrospective kicks off Friday and plays through August 14. Explore the lineup and get tickets and All-Access Passes at filmlinc.org/vidor.

#407 - King Vidor Retrospective  Programmers Preview

I Don't Sell

I Don't Sell (Records Remix)

NOTICE: This track has been updated with a new and expanded mix. Check it out at: https://ladyapp-titude.bandcamp.com/track/visions-of-the-future-feat-brian-grace

SPECIAL GUEST: Brian Grace on saxophone.

This piece was inspired by a single vocal phrase sampled from jakoB haQ's online FaceTime chat on thesoundtestroom.com. It also includes a few phrase samples from another of my favorite music technology podcasts, Sonic Talk on Sonicstate.com. Heavily chopped up and processed, I believe the original speakers were Rich Hilton, Dave Spiers, and Mark Tinley, who have been some my favorite online music technology personalities for many years. 

iPad apps include: TC-11, Animoog, iMaschine, Synthmaster Player, and iFretless Bass.

Desktop apps include: Native Instruments Kontakt and UVI Workstation (one instance).

Real instruments: Fender Stratocaster guitar and saxophone. 

Check out saxophonist Brian Grace at briangracemusic.com.

Visions Of The Future

6 Royere

5 Pergay

High West

pdub - drum, voice and treatments
recorded in nungua, ghana

Welcome

The Alpha Dog

For too many years, filmmaker William Beaudine's reputation was maligned with false stories of sloppy work and a "one-shot" approach to shooting. In reality, Beaudine was a talented and versatile creative artist who began his career with D.W. Griffith, directed such icons as Mary Pickford, Jean Harlow and W.C. Fields, and worked in the British film industry and for Walt Disney. In this episode, film historian James L. Neibaur, who is at work on a Beaudine biography, considers the filmmaker's legacy and prolific body of work. 

"The Online Movie Show" is produced at the Platinum Wolfe Studios.

The Online Movie Show

In Search of William Beaudine

Pop epic from A7 Club regulars Desi, Desi, and Desi, a fixture in NYC East Village from '79 to '86. Included members of The Ed Davis Band, "Cincinnati's first punk band". This 4-track studio version performed and recorded (in the middle of the night) at 256 E. 10th Street #4B by Mike Enright; featuring Fran Slater on backing vocals. Tune by Barry/Bricusse, based on the guitar-heavy Billy Strange arrangement on the flip side of "Jackson".

You Only Live Twice (archeology mix)

Keeping the X in Xmas

Fast and loud NYC 1980 from A7 regulars Desi, Desi, and Desi. The group evolved from The Ed Davis Band. Original 4-track recorded at 256 E. 10th Street. Vocals by Fran Slater; written, produced, performed by Mike Enright.

I Still Hate the Nuns

Desi in no-wave mode. "Inspired by actual events!" Recorded on Tascam 3340 4-track circa 1980 at The A7 Club and in the apartment at 256 E. 10th St. Drums by Mike McShane; bass by Fran Slater; guitars, vocals, noises, composition, and mix by Mike Enright.

Keeping the X in Xmas

Mike Enright

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