Name: Dirty Blood by mike k
Duration: 1 min 5 s
Description: this is a short song about how jewishness/jewish identity can be denied or granted to individuals from interfaith backgrounds depending on the context in which the individual's jewish identity is being discussed or evaluated (especially when the conversation involves israel/zionism), often in a way that serves the worst people in the room.

BLUE JEANS                                                                                   

soft as blue jeans
but im a wearing a name
she got a nice car 
but she dressing the same 
she gotta make money
but she down in a drain
spoiled as ____                                                                                                                                                                                                                                                                                   
man she better go and     
get on the game
ah - don’t do it 
get it on
92 problems 
tryna vent it on
cigarettes on counters  
better get it off 

im on the floor now
but im dying 
on a room for 4 now
baby so hard 
but im trying
young and suicidal
gimme more time
and i swear ill take another minute 

im faded
faded
don’t worry about my name
one day you finna know it  

monologue from “perks of being a wallflower”

blue jeans (prod. by otis mcdonald)

sample: lontalius - i was more than

thank you so much
best,
rome

lyrics:

flowers on my neck

shoutout to the people who are rolling with me
shoutout to the women, you know they og
flowers on my neck, i couldn’t feel i couldn’t breathe
it don’t even matter what they say about me 
wish i could be better but im running with me
mommy used to tell gotta keep it low-key
now im in the corner, couldn’t feel my mouth breathe
wish im dying sooner, they don’t know about me

do you feel me, are you with me? (yeah, yeah)
said do you feel me are you with me? (yeah, yeah)
said do you feel me are you with me? (yeah, yeah)
said do you feel me are you with me? (yeah, yeah)
  	
i wanna take it back	 
to when i saw everything
and i been getting bad 
to the point i don’t have dreams
and when i thought of that
things could have been any worse
i know what heavens worth
i see roses in my shirt 

i still love the way it moves
and the details it loses
when i walked out
and proved that i was more than 
i was more than

do you feel me, are you with me? (yeah, yeah)
said do you feel me are you with me? (yeah, yeah)
said do you feel me are you with me? (yeah, yeah)
said do you feel me are you with me? (yeah, yeah)

----

breaking
co-produced by joseph salcedo

you better take me seriously 
i dont need apologies 
you call me when you're alone
painting both my eyes with green

flowers on my neck / breaking

RYEBREAD | DIBS IS OVER (Change Request WNUA Steppers Delight)

Dibs - The practice of holding a shoveled-out parking space after a heavy snowfall by putting chairs, laundry baskets, or other items in the street to mark the claimed space. This is a time honored tradition in The City of Chicago for over a century. A practice supported and endorsed by many politicians and a majority of residents alike, the practice is not without its dissenters. 

Love it or hate it, it's a Chicago tradition.

The Chicago MC—RYEBREAD—comes correct with his take on the practice, the vernacular and implications for the assertion of it. His original mix is a low slung hip-hop soundscape, featuring his internal dialogue as the narrator to the enduring dibs saga. RYEBREAD proclaims a contentious view—shared by many—with his seminal track “DIBS IS OVER”.

Having loved this track from the first time I heard it—mainly, for the controversial nature—I knew that I needed to do a mix of it to shed a different conceptual musical light on this indigenous tradition. For this Change Request mix, I took to creating a homage to the late, great WNUA radio station. An FM station that saw the likes of Ramsey Lewis—among others—find a home for contemporary jazz musicians from 1987 to 2009. No longer active, this station steadily broadcasted dusties, steppers, and modern smooth jazz for the sophisticated—Grown Folks—crowd for over two decades. 

RIP | WNUA 95.5FM Chicago

Change Request WNUA Steppers Delight - https://goo.gl/Jm5rPt 
Change Request WNUA Stepstrumental - https://goo.gl/p7d4jm 

RYEBREAD | DIBS IS OVER (Original Mix)
Soundcloud - https://goo.gl/kGHnYh 
Youtube - https://goo.gl/QueVDK 
Vimeo - https://goo.gl/EEpQK8 
Follow @ryebread on Soundcloud 
Follow @andrewemil on Soundcloud
Follow @changerequest on Instagram
Created using @eventideaudio effects processing

Buy WNUA Delight

RYEBREAD | DIBS IS OVER (Change Request WNUA Steppers Delight)

The Front For Me Podcast - The Podcast About The Back To You Podcast - Episode One

The Front For Me Podcast - The Podcast About The Back To You Podcast - Episode Two

The Front For Me Podcast - The Podcast About The Back To You Podcast - Episode Three

House #Saladcast 703 @ Habibi Grooves (@habibigrooves)
Being All Here / Feedasoul / Inhale Exhale
Berlin, Germany

Habibi Grooves (aka Abilaan) is best known for his warm and jazzy sound. House & Deep House are his two great passions. In the mix he combines US House with various Deep House to keep the dance-floor warm and groovy.

Born in the gray former Eastern Germany. His impression of life was pretty sad as a child until he made it to the sunny paradise of Iraq. After having the time of his life, the second Persian Gulf War took place. After losing some loved ones, he had no choice other than fleeing back to Europe, The Netherlands. After 10 years of acclimatizing he found his way to Berlin.

Seeing all the suffering made him realize that the world is having its fight over whatever, but “if more people focus on the things they love, fewer people will fight” That became his philosophy through life.

He created his imprint Being All Here Records in 2017 where he released his own productions and those of close friends he admires. In 2017 he also started a platform (Berlin House Music) for supporting and promoting up-and-coming artists and labels. In 2018 he started his event series “Relationshop” where he was able to book his hero’s like: Moomin, Kevin Over, DJ Caspa, Delfonic, Christopher Rau and M.ono.

In 2019 he joined forces with Max Telaer to start their live act: Groovebox Masters. They performed live for the first time at Salon Zur Wilden Renate in Berlin.

Places Habibi Grooves has played:
Salon Zur Wilden Renate, IPSE, Griessmuehle, Mensch Meier, Polygon, Klunkerkranich, Loftus Hall, Burg Schnabel, Humboldthain Club, Crack Bellmer, Rosi’s, Paloma Bar, Suess War Gestern, Repeat bar, Promenaden Eck, Zu Mir Oder Zu Dir, Club NL (NL), Gin Fizz (NL), Niche Club (BE)


More info
https://soundcloud.com/habibigrooves

House Saladcast 703 

Habibi Grooves

House Saladcast 703 | Habibi Grooves

https://drugpop.bandcamp.com/album/android

charli xcx - party 4 u (kawai sprite remix)

charli XCX - unlock it (kawaisprite remix)

this is a short song about how jewishness/jewish identity can be denied or granted to individuals from interfaith backgrounds depending on the context in which the individual's jewish identity is being discussed or evaluated (especially when the conversation involves israel/zionism), often in a way that serves the worst people in the room.

Dirty Blood

cover art by Ghost.Snacks (ig & twitter: @GhstSnks)

produced & written by no rome
made with OP-1 / Moog Mother 32 / Korg Volca Series on Ableton Live

“does it mean were in love?”

——————

god i missed the train 
too fast in my brain
i was stressin babe
couldn’t find a way
baby what a day
i don’t know what to say
finding all the things 
just to make you stay 
baby what a shame
i dont got time to spend
drinks spilling on my shoes
couldn’t fit in the frame
im annoying babe
i forgot his name
didn’t know what to bring
but baby tell me everything

(everything)

(everything is) bad for me 
(everything is) bad for you 
i was selling dreams
and i know you do it too
bad for me 
bad for you
i am not the same 
we just gotta go and move

Dirty Blood

mike k

Related tracks