I LOVE this, Mike - right up my street!! awesome track! 🔥

05.JUST BE MATURED

All compositions, instruments and art - peter wessell.

2 The Future Is Blight

Unstructured Project 140 BPM

"Tonight" is from the gritty dance - Scourge department. I've been running this track on Facebook for a few weeks now and have received very good feedback on it so far. Thus, he has earned the "spurs" for an appearance on my FS! - SC - page :-)

A 20230619 Tom Laukemper Music Release

"Tonight"

Future Scourge! - "Tonight"

I Wanna Be Free

Music and Painting by Paulina Gomis
Human architecture. The portrait of your sacred geometric being. Being is perfect in its human essence. this portrait is of my friend Bea.
With love.

They are the portrait of the essence. Telepathic divination to balance and stabilize the human structure in all its beauty. With the blessing of love.

PROD. BY P.G FOR BEATRICE

Can You Feel It?

ZUMBA

Recording and composition process happened between January of 2022 and October of 2023 in Salvador, Bahia, Brazil. All instruments, compositions and lyrics by Raoni Martins, except lyrics for track 11 which is a collab with Lucas Ajúr. Front Cover's drawing art and design beautifully done by Emilia Oliveira. Inlay and back cover's art by Raoni Martins. 

   The new work from Draven Project showcases a sound that tries to bring a good balance between the influences around the band. The last album's style is more developed here. It's a blend of Rock, Electronic, and Hip Hop. The album is called Cybertronic Dissonance and it contains thirteen tracks. It is divided into two acts. Act I is called The Raven's Nest, which is written and based on real situations and memories. It's about the life journey and trespassing through many issues while trying to be alive and make ends meet. Lyrics are filled with energy and rage against the past years facing music business and life. Every song on Act I is a moment of intense truth. Act II is called The Evil Flock. It's a set of 6 poems written to be songs. Music inspired by the works of Charles Baudelaire, Edgar Allan Poe, and Jim Morrison.  
   
   There is a cyberpunk vibe running throughout the album, like a soundtrack from a dystopic world. The use of synthesizers and keyboards grew more and more on each album. Billy Idol, Depeche Mode and Ministry are for sure references for this release as well. Venus Highway goes right between Idol and Joy Division's sound with symphonic synth rock touches and doses of Brazilian music.

The raven figure on the album is a reference to the graphic novel and movie series The Crow. Therefore, it follows the concept of a raven being the holder of the heart and soul of someone while this person deals with revenging a great loss. The whole album is ambiented in the way the raven is standing on the shoulder of the main character, following his steps. There are many references to the famous black bird on the album. Act I is called The Raven's Nest because it means a relation to being born and alive into this world and having to learn to fly by fear of falling down and ceasing to live. This fear gets the bird into the majestic skill of flying, so it can fly over the land and face the world. While Act II is called The Evil Flock because it relates to the bird in a mature life, corrupted by the evil of the world while struggling to survive every single day.

Cybertronic Dissonance

Venus Highway

GORILLA BASS

Spring Stream

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

Can You Feel It?

Mike Krath

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