Zerithor
As you walk the treacherous path ruled by chaos, a faint glimmer of possibility emerges from the ruins of a collapsing world.
This track traces the fragile line between destruction and renewal, despair and hope—a sonic journey through shifting shadows.
With unsettling low-end textures and intricate rhythms reflecting turmoil, delicate melodies weave through to suggest a new horizon.
Olttaoff’s Zerithor invites listeners into an introspective labyrinth where, beyond the chaos, doors to unknown potential quietly open.

Zerithor

this came from the first drum take recorded in my new downsized studio. kids needed larger rooms and my partner, Monika Jean, moved in, so sacrifices had to be made. most of the drums are gone. what you hear on this track are odds and ends i could squeeze into a corner. floor tom as a kick, broken hi hat that wont open, etc etc. surprisingly i tend to enjoy frankenstein drum sets more than full ones. the whole "making something out of nothing" spirit tends to inspire me most. 

the soul is one

Wonderful guitars by Per: https://soundcloud.com/user-474544459
Thanks again from both of us for your fantastic collaboration, Per!

Starless Moonchild feat. PJ Project (aka Little Man)

"The sound of the falling snow is our music." - Natsumi Andō.

A composition inspired by the impromptu moments in our lives that create the most wonderful memories.

A companion piece to "The Forgotten Dance."

Winter Waltz

Texte dit et écrit par La Gazelle
Musique : Lorzha la Succube

MON ÎLE

I’ve run out of things to say 
It feels good that way,
Nothing profound,
Nothing sound.

Like a cat in a well,
No one can tell,
Til it bubbles over.

I was mad yesterday,
When she had her way,
But it wasn't to last,
Not a chance,

Ding dong dell,
Dad's in the well,
But you won’t hear his voice,
Not now, not today.

Like a flood in a well,
You can’t tell it's there,
Till it bubbles over.

Dad's in the Well

I think it’s just the music playing over the end credits of the old film (obviously titled "In case nothing happens") our two friends (assuming they really are our friends) were watching before falling asleep. So there’s nothing to worry about: nothing has happened. It’s not a real alien invasion, nor is it the end of our civilization. Or maybe it’s not a film at all, but a live breaking news broadcast? If that were the case, and if something really had happened, I still don’t think we should be sad or angry, desperate or ready to run away. Let’s stay positive! (all talk, of course...).

This is the sixth in a series of eight easy, acoustic, rather short (except for this one), and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. Since the perspective has changed, the meaning of the music had to change as well, so I moved from an acoustic guitar base to a piano one.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again

Composed by Michele Ansani (2022-2025). I reworked on the chords and melodies from an old track I didn’t like, which had remained only in draft form: https://soundcloud.com/michele-ansani/slowness.
All the ambient noises and female vocals are taken from public sound archives.
Posted on SoundCloud: 2025, November 25.

In case nothing happens - part 6 (dawn again)*

Starbreaker Theory is a collision of cosmic atmosphere and industrial grit—an album built from starfield static, metallic rhythm, and gravity-breaking riffs. These tracks move like machines drifting through deep space: heavy, radiant, pulsing with quiet danger.

It’s the sound of a dying sun humming its last melody… of solar debris orbiting a forgotten station… of a mind pushed past the event horizon.
A soundtrack for the moment you realize the universe is far bigger—and far darker—than you imagined.

Cold cosmos. Hot engines.
Steel and stardust fused into one.
This is Starbreaker Theory.

Starbreaker Theory

SIGNALBORN

Whisper

Happy Time

«Antonio». Op. 90. (2017).

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

Dad's in the Well

Mike Krath

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takechee

Mike Krath

Heliopolis 5

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