Great song, energy and vivacity ... enjoyed!

mike-krath dark🔥, i can help get more eyes on you, check page

80s style rock/shred mess around track. Most of the solos and the main riff in this were originally ideas I wrote back around 2009/2010.
This was only supposed to be around 3 minutes long but whatever lol.
Most of the song was recorded on my fender strat.
All rights reserved

Street Legal

Premiere mouture pour cette animation que l'on peut encore admirer ici : https://www.instagram.com/vaskange/reel/ChuFLtMDZhB/?locale=en_EN&hl=en

Endless Robot Story

Me and Stephen @texmex-shaman decided to keep exploring this heavier, industrial kind of direction on our latest one here. He created some amazingly weird noises with the guitar! Blows my mind...

Smash and Grab - A Texas Tea Production

What a pleasure to do a collab with John again- his initial ideas and title helped me to enhance and add to this ambient track we have created together with a definite prog rock feel- we really hope you enjoy it ( you may have already heard it on John's page!) thanks as always for listening! 

Crying In The Wind

I uploaded this a week ago but made critical errors in the mix in my haste. I hope this is better.
This is an acknowledgement of those we have loved and let go of. What might have been?

Wistful

Moving Down

Rooftop Party

#orchestral #electro #bjork #symphonic #experimental

NATURE

Here for your enjoyment is the third and final track in the Alice Trilogy.
Part Three:
A whole variety of films and television programmes have been based on Alice's Adventures in Wonderland (1865) and its sequel, Through the Looking-Glass and What Alice Found There (1871). The first film ever made was in the UK in 1903. It was a silent live-action short. The United States quickly followed and became prolific with Alice productions. A certain Walt Disney directed a series of silent animated live-action shorts from 1923 to 1927. Over the years, films have been produced in Australia, Brazil, the Czech Republic, France, Germany, Italy, Ireland, Japan and the USSR. 
Trivia: The character of the “Mad Hatter" is thought to have been inspired by the phrase "mad as a hatter." It refers to mercury poisoning in hatmakers during the Victorian era (traces of arsenic have also been discovered). Another theory was of an eccentric furniture dealer in Oxford named Theophilus Carter. Carter's flamboyant style and the use of mercury in hat-making during that time add further intrigue to the Mad Hatter’s origin. 
finally…
Charles spent his final years in Guildford, Surrey. He died there on 14th January 1898, aged 65 years. In 1982, a memorial stone dedicated to him was unveiled in Poet’s Corner in London’s Westminster Abbey.


Alice Trilogy

Alice No. 03 (Trilogy)

Let your vengeance breathe in silence. Do not confront. Do not explain. Let your enemies speak, shout, unravel—while you remain the stillness they fear. Guard your power like sacred fire. Every reaction is a leak. Every word, a crack. Hold your presence like a blade behind velvet—unseen, but always felt. Let them wonder. Let them spiral. Your silence is not absence—it is pressure. It is the mirror they cannot face, the echo they cannot silence. Speak only when the silence has done its work. One word, one truth—delivered like a final blow. Not to argue. Not to warn. But to end. Move like shadow. Be the storm they never saw coming. Be the silence that breaks them. Be a Shadowwielder.

Shadowwielder

AI cover of an analog instrumental I composed in 1988 with my Yamaha DX7IIFD and various rack mounts.

Shake It Baby
Music and Lyrics: Mike Krath

Lyrics

Don't you know,
our love (oh, oh)
our love should be on the radio (crank it up)
Where we (what?)
Where we (what?)
Hear it all day long (I've gone deaf)

Playing we shouldn't argue (no),
Playing we both are wrong (forgive me).
Playing our love can keep us (oh yeah),
Playing it's the thing that keeps us strong (oh yeah, baby, oh yeah). 

Our love should be heard in those dim streets (you turned me on),
Where we met a month not so long ago (I'll never forget),
Playing our love will keep us (oh, oh),
Playing our love will never go wrong (no, no baby). 

Shake it,
shake it baby,
Show me your loving ways,
Shake it. 
shake it baby (shake baby),
give me another shaking day.

Our love should be on the radio
Where we hear it all day long (all long, tell it). 
Playing we shouldn't argue (no, no)
Plahying we both were wrong (forgive me).

Shake it,
shake it baby (come on, shake it baby)
Shake your tears aways (wipe them),
Shake it (oh, oh). 
shake it baby (baby, shake it),
our love is here to stay.

Love, baby, love baby.
No goodbyes today,
 (x20)

Shake It Baby

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

Shake It Baby

Mike Krath

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