Meraki – The Art of Pouring Soul, Creativity, and Love into Everything We Do

Every keystroke is a breath of the soul, every harmony a reflection of pure passion. 
Meraki is born from the impulse to infuse heart into every note, transforming emotions and thoughts into sound. It’s a journey of devotion, a silent dialogue between the intimate and the infinite, where music is not just heard, but deeply felt.

Meraki

Pine Straw and Time Travel

This piece unfolds like a breath made visible — structured, intentional, yet deeply human in its fragility. In the opening, we see repetition rooted in the lower registers, almost mechanical yet comforting, like the steady rhythm of a clock marking each second with devotion. These patterns seem to echo the mundane rituals of life, the unnoticed beauty in routine, the sacred silence of presence.
As we move forward, a gentle escalation begins. Notes rise, one after another, reaching toward something unseen. There's a yearning here — a soft insistence — as if time itself were stretching, holding its breath. Then suddenly, the lines splinter upward: sharp bursts of high notes like thoughts breaking through stillness, or memories surfacing with urgency.
Midway through, this breath becomes restless. The motif repeats with variations, suggesting reflection, perhaps even inner conflict. The density increases, not chaotically, but like a mind trying to grasp something just beyond reach — a moment, a feeling, a forgotten truth.
Then comes the climb again. But it’s not the same as before. This time, it carries wisdom, as if the breath has learned from its own rhythm. The final ascent is quieter, more deliberate, like a farewell exhale — tender, aware of its own impermanence. And finally, the descent: a peaceful surrender, a return to stillness, where time no longer counts — it just is.
Written and composed by Jessica Bains Brown & Francesco Adornetto

A Breath In Time

LYRICS

When I think of you it's new
When I think of you it's oh so good and blue
It's when I am empty and full
When I think of you it's soooo
Actually I can't stop
Actually I can't stop

Thinking of you
Thinking of you
Thinking of you

When I think of you it's new
When I think of you it's oh so good and blue
It's when I am empty and full
When I think of you it's soooo
Actually I can't stop
Actually I can't stop

Thinking of you
Thinking of you
Thinking of you

When I think of you I get so blue
So blue
Just thinking of you
So blue thinking of you
I wish I could be happy
When I thought of your face
But it's something now I can't erase
Can't erase thinking of you
Thinking of you

Thinking of You

My spy movie take on a song I composed a few years back.

What's the Use?
Music and Lyrics: Mike Krath

Lyrics

What's  the use if you have money?
What's the use if you have fame?
What's the use if you have all this with no one to share it with?
And if you do share it,
What's the use if murder's not in your game?

And so I look forward to many days with this woman,
With this woman by my side,
But if she refuses,
What's the use of her living?
The swamp will dispose her body in due time.

What's  the use if you have money?
What's the use if you have fame?
What's the use if you have all this with no one to share it with?
And if you do share it,
What's the use if murder's not in your game?

What's the Use?

Artist: The Communards
Album: "Communards"
Original release date: 1987

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from this DJ/Producer, I invite you to activate the # TFR tab.

The Communards - So Cold the Night (TFR Tribute Mix)

Artists: Marvin Gaye & Tammi Terrell
Album: "United"
Original Release Date: 1967

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from this DJ/Producer, I invite you to activate the # Valdemossa tab.

Marvin Gaye & Tammi Terrell - Ain't No Mountain High Enough ( Valdemossa Disco House Remix)

Music, lyrics, vocal & ac. guitar: Grave
Drums, bass, el. guitar & mix.: PJ Project

Hidden Doors

here is another beautiful composition made by 4 hands with Roberto for the occasion of a family party, I hope you like it🙇‍♂️🌇🤝


https://music.youtube.com/watch?v=k83jlIM08eQ&feature=shared




Lyric and Music by
Roberto Gambacorta
Arrangement by LinOnyx
 
I GOT THE POWER IN YOU
 
IVerse]
I see the spark ignite the flame
You're a wildfire in the game
No one can dim your shining light
You're a comet streaking through the night
 
[Chorus]
I got the power in you
Feel it burning strong and true
Every step you take
You prove
I got the power in you
 
[Verse 2]
Your voice echoes
Breaks the chains
Thunder rolling through the plains
You rise higher
Touch the skies
With every fall
You still rise
 
[Chorus]
I got the power in you
Feel it burning strong and true
Every step you take
You prove
I got the power in you
 
[Bridge]
Stand tall
Let the world hear
There's no place for doubt or fear
Every heartbeat screams your name
You're the spark
The fuel
The flame
 
[Chorus]
lgot the power in you
Feel it burning strong and true
Every step you take
You prove
I got the power in you


I Got the Power in You (feat.Roberto Gambacorta).mp3

Power Bomb

Mystical Rift

I’m a keyboardist who unfortunately has developed arthritis in my hands so I’m not as accurate as I used to be.

But needless to say, my main tool for composing is still a keyboard or the keys of my MacBook Pro.

I find writing lyrics to be the easiest first task.  From there the music follows.

My son recently introduced me to A.I. and taught me how to do covers of my previously released music. While this is fun to see how your original music sounds in different styles and voices, I can see how it can stifle creativity.  Plus you can’t go on concert with an A.I. cover.  A.I. basically relegates you to a song-writer, but not a performer.

I don’t see any problems using A.I. as a tool.  It’s here to stay.  But recommend proving yourself first as a  composer and/or lyricist before using it.  Plus, in my mind,  it’s more fun to come up with your own works first even leaving out canned loops when you do it.

What's the Use?

Mike Krath

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