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Sabroso « Tchatch-A » - SailThewaVz feat. AVERA

collide

Collide

‘a divinis’
Wastes & Sequences.
2021 live performance.

Chaotic music engineering franchise.

Tools :
DFAM (clock), Marbles, A 160-2.
- DFAM vca out > Overseer.
- Rings > Overseer.
- Nebulae > Sisters > FX Aid (#29 reverb cloud).
- Basimilus.
Ochd, Rnd Step.
Buff Mult, Sinc Defero, Mutes.
A-138s, Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Tribalopod Cyberdactyl [wastes & sequences]

This is a recording of a spontaneous living room jam with my good friend Hilario when he and his wife visited us at home in Amsterdam in 2016. I had forgotten the recording but my friend Hilario found it somewhere on the shelf. This was the first time we played live together instead of long distance collabs. 
After a little editing here is the track with the memory of this wonderful visit of my friends.

The title comes from the conclusion we came to when we noticed that neither of us could see well without glasses anymore :)

Artwork: unknown

8 Eyes

this is the end of page 15 !!! Thanks to all participations! Page16 soon!!!

decay of the flesh part1

In the cursed halls of Castle Ravencrest, a jester named Grimshaw weaves a web of manipulation through his seemingly innocent performances. By day, he entertains the court with acrobatic feats and clever wordplay, but as shadows lengthen, he whispers poisonous secrets into noble ears, turning ally against ally.

Speaking in Riddles

https://soundcloud.com/velvetsomethingsuperdark/sets/cold-city-soundtrack
-----------------------
Snow*Omen/Velvet Something Superdark collaboration.
Music: Snow*Omen @snow_omen (Recording of an improvised live performance. Electric guitars: VSS & Y.A., voices & rustling paper: Y.A.). Field recording (seagulls), mixing and production: VSS. All sounds Snow*Omen and VSS. Image: Möckernbrücke Subway Station, Berlin, at night (videostill: VSS).

Cold city wires us up
to the crispy 
winter lanes
to the chimes and bells of rust
we are fragile...

Cold City: Riverside

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by ABT- Ambient Backing Tracks and all credit goes to him for the music track creation which I have listed below. Check ABT- Ambient Backing Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: ABT- Ambient Backing Tracks
YouTube site: https://www.youtube.com/channel/UCNjV5B10UlG35HSKYJNKiOw
Backing Track Title: Soft Inspiring Backing Track (F minor) | Ambient Backing Track #249
YouTube Track channel: https://www.youtube.com/watch?v=HL3Qrj8KMFI
BandCamp site: https://cyrilmichaud.bandcamp.com/

Date: 1/20/25
Song Title: A Romantic Conversation
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 with HSS configuration
Color: White Jackson DK1
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Archetype Rabea X
Preset: Airy Guitar Pad
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

A Romantic Conversation

Cast of Characters:
Stonerjazz-- @user-911083679 -- narration of questions
Surfers Like Us– @user-411502040 –Artur– guitar
mistermark-- @user-432503709 -- Mark -- piano, organ, clavinet, synth, synth effects, harmonica, jaw harp, flute, VST instruments (horns, upright bass, guitar, fiddle, strings), drums, percussion, vocals and lyrics, production
Llanpsych -- @llanpsych -- Tez – guitar and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, slide, sitar, and production
J.J. Terrell–@j-j-terrell –electric piano, organ, synth, bass, drums, vocals, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, percussion, and vocals
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- guitar, bass, madolin, keys, banjo, lap steel, sitar, and vocals

Huge thanks, too, to the other featured musicians to whom we're very grateful to for sharing their music and talents with us this past year. They are the fuel that drives the EC into new musical realms. They include:

CGMANESS-- user-419254289-15129531
TEA R. SEA-- @tea_are_sea
STEVE'S PLANET-- @steve-vervaet
JOHN ANTHONY-- @john-anthony-871225464
ELPIVERSE-- @elpiverse
SCOTTY (ONE MAN VERITY SHOW)-- @one-man-verity-show
ROY ROY-- @user-967672349
MARK FOSELLA-- @mark_f_2019
FRANS BEELAARD-- @user-936947521
THE MYSTERIOUS DECIBEL-- @themysteriousdecibel
DAVID MARCONI-- @david-marconi-917184705
RON LEWIS-- @ron-lewis-779503933
JEFF ROBERTS -- @jeff_roberts
JAMES TOBUREN (WITCHES OF THE ALAMO)-- @witchesofthealamo

Well folks, it's that time of year again. It's time for the Eclectic Collective to take stock of the fruits of the year previous, and reflect on what making music together means to all of us. We hope you all take a chunk of time and indulge in our thanks to you. We wanted to address every one of our SoundCloud friends with our voices as an intimate way to connect with each of you.
This has become a tradition within the EC now that we've made it to our second (and a half) year of making music together. For the second time, JJ asked our friend and sometimes collaborator Jeff (Stonerjazz) to ask some interview questions of us. Then, we all came up with the answers and sent them to JJ to assemble the project.
This motley music machine we've created, that manages to release a new song every Friday, wouldn't mean anything if no one was listening. Which is why we want to extend our very sincere thanks to you for tuning in and supporting our efforts, and inspiring us with the amazing music you share as well! With that, we hope you enjoy hearing us voice our thoughts over the highlights of our musical year as much as we enjoyed a year rich in music and comradery. Happy New Year!
Here's a breakdown of the time stamps for each of our individual questions and answers:
1:28 TEZ Q1
2:20 TEZ Q2
2:37 TEZ Q3
4:42 KEN Q1
7:36 KEN Q2
13:04 MARK Q1
18:42 STEPHEN Q1
23:21 JOSH Q1
27:36 ARTUR Q1
32:00 J.J. Q1

The 2024 Eclectic Collective Rockumentary

Music. It means everything for me. 
Passion, keen desire, emotion. 
For me it's like the canvas for a painter. 
When I produce music, I can be alone. I do the lawyer. 
I can express myself. I can be lost in my vagabond thoughts.
 I write my feelings in sounds. 
Music is a language that everyone of us speaks, but it has a different meaning for all of us. 
Love, pain, getting loose, wanna rock wild or to be fakmetal.
 And when I play my music and it finds understanding ears, 
when the crowd goes crazy... they screamin' and shoutin'...
 at that moment, I feel that the world is mine.

Me&U

Me & U feat. Chris Lawyer-Kokanostra

LA VOKO, AŬSKULTI 's first album is out now: tutmonda.bandcamp.com/album/la-voko
João Svayam - bass, drum map, keyboard, djembe, other percussion
Jörg S. - tenor saxophone @joerxworx

AŬSKULTI is a collaborative project curated by Johano Nadabindu (aka João Svayam ) from the TUTMONDA sound label. Its main focus is to unite musicians from all over, showcasing their talent, language, and creativity on tracks that are primarily improvised.

PAŜO POST PAŜO, SAVITA was born out of a beat, an improvised groovy bass loop, and some vst piano and rhodes also improvised. After that João sent the track to Jörg, who added the saxophone tracks! And voila! 


PAŜO POST PAŜO, SAVITA

musical noise for the circumspect!
aka a guy with a couple pedals.

Collide

Mike Sawicki

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