These are some assorted random experiments that aim to poke at different facets of our music cognition to see how they unwind.

Music Cognition Odds and Ends

flat major scale

Not Flat Major Scale

Phases of this example -
1) starts off in orgone[11], LLsLsLs mode, moves around by half step within that mode
2) abandons the MOS in order to obtain more consonant harmony, shifts the base chord from 7:9:11 to 4:7:9:11
3) once you have some basic "resolution," whatever it is, just go crazy and use it everywhere, setting the tonality up in a bunch of disparate keys, a la Bach. Of course, since we hate 12, we won't do it by rotating around the meantone circle of fifths - in this case we'll do a 5625/5488 comma pump instead

Tonality, Patterns in 11-EDO

This is mostly goofy experimental music theory stuff to see how different microtonal scales sound - no real musical compositions here (yet)

Music Cognition Odds and Ends

Mike Battaglia