We will never agree on Soul Coughing but i love your re-imagining of your songs. So happy! Thank you. 

Another fine example of Good Goose and his top notch production skills- Doughty's voice carries through wonderfully as well.

His lyrics are superb...many may find nonsensical, but I totally get it! ;) as all us m.doughty fans. Futhermore, his positive outlook is refreshing. His music is FUN to dance to...FUNK ON!!!!!!!!!!!!!!!!!!!!

From Mike Doughty's album of reimagined Soul Coughing songs, "Circles Super Bon Bon...". Available Now.

Get the album:
iTunes: http://georiot.co/21yW
Amazon: http://georiot.co/3uUN
Direct: http://merchdirect.com/mikedoughty
From a local record store: http://recordstoreday.com/Item/9005084461

Download this track for free from WXRT:
http://wxrt.cbslocal.com/2013/08/14/mike-doughty-the-idiot-kings-free-download/

Download

The Idiot Kings

City of Sound is available everywhere & features 8 LIVE bonus tracks!

iTunes & Amazon - http://bit.ly/1lP6fTn
Artist store (Special Bundles) - http://bit.ly/1qNU1eq
Amazon limited edition vinyl - http://bit.ly/1lP76DN
Barnes & Noble - http://bit.ly/1z5qhyp

www.therevivalists.com

Concrete (Fish Out Of Water)(Live at Harvest The Music)

DOWNLOAD

Concrete (Fish Out Of Water) (Live At Harvest The Music)

BULLHORN Players/Sounds Album Featured Tracks:

Rock Fort Rock Feat. Roman MC & Kazman [Skatelites cover]
Resonate Right
So You Think
Roll Off The Top

‘Resonate Right’ Music Video:-
http://youtu.be/Izmm4h_CwUg

BULLHORN 

Players/Sounds Album Tour

Officially releasing their second LP Player/Sounds with a fourth and final single, ‘Rock Fort Rock’, Brisbane party starters BULLHORN are heading out to herald summer on a huge East Coast tour, as well as premiering a brand new clip for first single ‘Resonate Right’ — the perfect visual representation of the good times and happy vibes that BULLHORN are renowned for bringing to the main stages they frequent.

‘Rock Fort Rock’ — an homage to the Rockfort Rock rhythm previously immortalised by legendary Jamaican ska band The The Skatalites — has been reimagined in a way only dynamic new wave brass band BULLHORN could handle, with their trademark West End reggae-hip hop signature style injected into lyric and verse by BULLHORN frontman Roman MC and special guest, the inimitable Kazman from fellow genre-movers and Brisbane royals Dubmarine. 

An acoustic force of nature with a lineup including seven horn players, one drummer and one monster MC, and a sound born from a mix of funk, soul, hip hop, jazz, reggae and dance music, the combination of BULLHORN’s high energy shows, brilliant musicians and remarkable musical arrangements never fails to inspire and get the audiences moving on the dance floor. Formed in 2011 and rapidly establishing themselves as a tight, well organised group, with catchy grooves and an upbeat sound, new album Players/Sounds flies that flag with no exception. 

The namesakes of the album ‘Players’ and ‘Sounds’ — coupled on the album to represent 1st and 2nd movements — are an instrumental work that showcases the band behind the man; an introspective look at the extensive possibilities of BULLHORN’s unusual line up, exploring all the talents of the band’s many members. First single ‘Resonate Right’ — showcased in BULLHORN’s new music video — is an upbeat, good time soul track with an irresistible hook that’s all about finding happiness within yourself, featuring Roman MC and Brisbane musical gadabout-genius Laneous, who also guests on second single ‘Roll Off The Top’, a catchy hard-hitting hip hop tune with an infectious groove.

Changing it up again for third single, ‘So You Think’, [produced by Brisbane rock stalwart Skritch who has performed with acts such as Beasts of Bourbon, Tex Perkins’ Dark Horses, Mary Trembles, Gota Cola, and Broken Head as well as producing some of the hottest new sounds such as Inland Sea, HITS and Los Huevos] BULLHORN honoured classic drum & bass and jungle genres; the combination of Roman MC’s deep thought-provoking rhymes, the smooth blend of seven horns, and the energetic live drum & bass rhythms creates something inspiring and exhilarating. This track showcases perfectly BULLHORN’s merging of the old with the new, organic instrumentation with the concepts of electronic music.

The eclectic, yet beautifully fluent, eleven track Players/Sounds includes a diverse mix of genres from hip hop, funk, soul, reggae, jazz and drum & bass, perfectly capturing the band’s aberrant but distinctive sound: fans have little to no chance of successfully standing still when this powerhouse hit the road during September, October and November on the official Players/Sounds tour. 

BULLHORN PLAYERS/SOUNDS ALBUM TOUR 

Fri 12 Sep @ Sooki Lounge, Belgrave VIC
Free entry 
sookilounge.com.au

Sat 13 Sep @ The Spotted Mallard, Brunswick VIC
w/ Purple Tusks
$5 on door
spottedmallard.com

Sat 20 Sep @ Armidale Club, Armidale NSW
$10 on door
thearmidaleclub.com

Sun 21 Sep @ Hoey Moey, Coffs Harbour NSW 
Free Entry
hoeymoey.com.au

Fri 3 Oct @ Caloundra Music Festival, Caloundra QLD
w/John Butler Trio, Pete Murray, Tina Arena, Wolfmother, Ballpark Music, The Beautiful Girls, James Reyne, Skunkhour and many more
caloundramusicfestival.com

Fri 10 Oct @ The Annandale Hotel, Annandale NSW
Free Entry
annandalehotel.com

Sat 11 Oct @ The Marble Bar, Sydney NSW
Free Entry
marblebarsydney.com.au

Fri 17 Oct @ Motor Room, West End QLD
w/ Mr Speaker & The People Party
Free Entry
motorroom.com.au

Fri 31 Oct – Sun 2 Nov @ Island Vibe Festival, Stradbroke Island QLD
w/ Finley Quaye, Archie Roach, The Black Jesus Experience, King Tide, Toothfaeries, Hugo n Treats, Paua and many more
islandvibe.com.au

Fri 7 Nov @ Beach Hotel, Byron Bay NSW
w/ Mr Speaker & The People Party
Free Entry
beachhotel.com.au

Sat 8 Nov @ Solbar, Maroochydore QLD
$10 on door
solbar.com.au

Thu 13 Nov – Sun 16 Nov @ Australasian World Music Expo, Melbourne VIC
www.awme.com.au

Thu 20 Nov – Sat 22 Nov @ Mullum Music Festival, Mullumbimby NSW
www.mullummusicfestival.com

Sun 30 Nov @ Harrigan’s, Gold Coast QLD
Free Entry
harrigansdriftinn.com.au

www.bullhornband.com

Media Enquiries: Heapsaflash
+61 [0]7 3300 0826
admin@heapsaflash.com.au
www.heapsaflash.com.au 

Management Enquiries: Steve Buchanan
+61 422 392 105
bullhornemail@gmail.com


Resonate Right

From The Insane Warrior album, 'We Are The Doorways'. A strictly instrumental affair, the release was loosely inspired by horror and sci-fi film scores of the 70s and early 80s. At times jazzy, psychedelic and introspective with blissful ambient passages, the record still maintains the attention to groove that rjd2 is known for and serves as the soundtrack to a film that does not yet exist. Unrestrained, open passages - often without rhythmic elements - recall the work of both Eno and John Carpenter. The Insane Warrior's 'We Are The Doorways'  presents yet another unique landmark in the ever growing catalogue of RJ's Electrical Connections.

The Water Wheel (The Insane Warrior)

© 2015 Wax Poetics Records

Full-length debut album on iTunes:
https://itunes.apple.com/us/album/bones-beeker/id1052079305

Bones & Beeker is a Minneapolis duo that combines hip-hop-production sensibilities with classic, harmony-focused singer-songwriter musicianship.

Bones & Beeker features singer/guitarist Anthony Newes and producer/multi-instrumentalist BK-One, flanked by bassist Chris Bierden (Poliça and Pony Trash) and guitarist Nate Collis (Atmosphere and Attracted to Gods).

Self-titled long player to be released late 2015 on Wax Poetics Records, distributed by Sony RED.

“This music makes me wanna make more children. It makes me feel like things are gonna be alright.” 
–Slug (of Atmosphere)

Go to waxpoetics.com for more info:
bit.ly/1M7m1Wn

Bones & Beeker "Each Time I Die" (Wax Poetics Records)

No Pity

❯ Download ❮

Vulfpeck — Funky Duck (Skogsrå Mix)

Live Art

Stomping Grounds (Live Version)

Go By Richard, Not By Dick

The Magic Clap
its like a hotwire, baby,
when we put it together
when the sparks fly
we'll ignite the future forever
this is the last kiss martin ever gave to coretta
its like a paparazzi picture when i flash my beretta
i got scars on my back
the truth on my tongue
i had the money in my hand when that alarm got rung
we wanna breathe fire and freedom from our lungs
tell homeland security
we are the bomb

hurry up, get in, close the do'
this here the meeting for the overthrow
waitin on that concrete rose to grow
doin lines that aint quotable
countin up all that dough you owe
you aint sposed to know its opposable
we are not disposable
muscle up kid
we got blows to throw
til the folks have risen
there'll be no decision
we make the motor move
they chauffer driven
right now we can't shine right like a broken prism
i figured out the 14th is a broke amendment
good evening
tonight we bring to you
worn out streets that'll sing to you
.45 shells that'll dance to the beats
stomachs so loud it'll cancel the speech
checks that vanish if you blink an eye
grace gettin locked in the clink to die
a salary cap on a birth certificate
notarized lies that burst in triplicate
morning prayers for the car to start
a man and a whiskey in a heart-to-heart
hope in a track suit to flash and run
while agony chases with a badge and gun
poetry shouted from the squeal of the bus breaks
hands in the air try to feel for an escape
flash in my eyes like candid snaps
when we slap back it's the magic clap


Sorry To Bother You

The Magic Clap

The Coup- The Magic Clap

Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays with elements of cinematic soul, Afro-funk, deep disco, and boogaloo in all the right ways.  After spending a few years together the group, named after a favorite Nigerian boogie record (and pronounced “ee-KAY-bay”), delivers a driving set of tunes featuring a mighty horn section anchored by tight, deep-pocketed grooves.

“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound.  Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that.  The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. – Marlon Bishop, WNYC

The Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says.  “Our sound has grown to incorporate our influences without overtly representing any one in particular.  It just sounds like us,” he adds.

Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008.  From there, Ikebe has emerged as a compelling voice on the progressive local scene.  After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009,receiving high praise from critics and fans alike.  The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone.  “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs.  This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.

The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing.  The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape.  At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.

The Idiot Kings

MikeDoughty

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