Hercegovina - Insurgent 1

Tok Tru

riddclumps - EP preview

Hi I made this song to thank people for being cool = )

Metafloor

Take from the album 'Music Promenade/Unheimlich Schön' released as LP and Download

Luc Ferrari' Music Promenade' (excerpt) (REGRM 022

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

Slippery (demo)

Greg Fox - From The Cessation Of What

From Contact.
Learn more here: https://smarturl.it/rvngnl59

https://www.igetrvng.com

Contact

From the Cessation of What

Greg Fox - From The Cessation Of What

We're glad to present the fifth solo release by Alejandro Palacios, a musician, visual artist and publisher from Chile. He is known for his participation in numerous bands from Santiago and as a multitalented collaborator for a wide range of musical and artistic projects. Equis I Griega Zeta is the second part of a trilogy that started with Atifambersapel and continues to speak the same mysterious and unique language, both in his untraceable lyrics as in his whimsical arrangements.

Alejandro Palacios intertwines basement ethno-pop with dubby lounge folk at ease, creating an engaging circuit of influences and poised compositions. We can hear traces of Arthur Russell’s soothing diction, Gainsbourg-esque crooner vestiges and spaghetti western guitar licks. The trumpet playing stands out in the musician’s distinctive jazz-oriented manner, whose brightness and dazzling reach can be heard in his mobile ringtones album Black Ring Tunes (Infinito Audio, 2017). Weaving the album in an elegant noirish fashion, Palacios achieves to captivate us in a striking, yet playful way. At times dark and peculiar, his rendition can also be vibrant and compelling, even laid-back and humorous to the extreme of hitting a cat meow button countless times. Equis I Griega Zeta is a delightful constellation of songs that appeal both to the mind and body, enjoyable at tea hours and the dancefloor alike. We’re left fulfilled and looking forward to the following release of this fantastic trilogy, wondering how such a balmy and curious journey will wind up.

Equisigriegazeta

Alejandro Palacios ~ Guarilias

When they go under, how they navigate’ is the debut release of multidisciplinary artist Helena Pulkkinen.
On her EP Pulkkinen builds a captivating world through intricate compositions, juxtaposing her own voice with electro-acoustic ambiences. Across the EP’s five songs ‘When they go under, how they navigate’ emanates emotions which travel seamlessly from haunting to alluring and yearnful.

Written, produced and mixed by Helena Pulkkinen
Mastered by Joni Judén
Cover art by Gabriel Boicel

riddclumps - EP preview

Mike Kitcher

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