1979

Clari 1

Floatation

Tente

Majadahonda at Dawn

did another mixdown of this thing, practicing mixing in ableton

string (mixed down again like I care this time)

Challenged myself with this one to use the bits of the studio I don't normally get round. Forced myself to make some patches from scratch for the TX81Z which was a lot of fun and the TX802 which I didn't really enjoy and didn't end up using. I did do the old trick instead of assigning multiple voices to the same patch and detuning it which gave me the massive woolly bass. The pad and stabs were from the TX81Z and I liked the pad so much I resampled it on the emax and layered it with the original. The filters on the emax sound like birds screeching when you crank the resonance which gives a lovely ambience. I fucked about with some reverse reverb on the stabs which is always fun. The drums were all off the S1100 with heavy use of the FX board which started to smell a bit like burning while I was recording so I'm going to swap the PSU out before it catches fire.

The distorted synth in the background was the x0xb0x and the lead cat noises were the sh-101, sure what else would they be. The heart beat kick was the xbase-09 which is my favourite kick machine. Everything in the room was retuned by oddsound into carnatic scales but every couple of hours I'd have to check the 101 and the 303 hadn't wandered too far off piste as the studio warmed up.


Heavy use of the space echo and quadraverb, as always ;-)

FM FREQ OUT

Solo Suono is the first collaboration between saxophonist Filippo Ansaldi and electronic musician Simone Sims Longo, both based in Cuneo, Italy. Solo Suono is an album between acoustic gesture and electronic treatment, beyond the classical while starting from the classical. Breath, amplified mechanics, residual sounds, expressive freedom, and different forms that integrate electroacoustic composition. Passing through looped gestures, electronic processes, and concrete sound explorations, it investigates textures that blur the line between organic and synthetic, emphasizing subtle timbral shifts, evolving patterns, and the interaction between chance and structure. Fragile, immersive, and at times meditative, the music opens a space where the listener can inhabit both the immediacy of performance and the expanded sound world of electronic manipulation. 

Solo Suono is a phrase open to multiple interpretations, a naïve description of music.

Sax: Filippo Ansaldi
Electronics: Simone Sims Longo
Mastering: Anton Jechiel Kossjanenko
Artwork: Daniel Castrejón

cassette & digital

Dodici

Ever No Way

Bandcamp (Lossless) : https://antiquasar.bandcamp.com/track/redshift
Streaming services :

No melody ambient, F#minor 60 bpm

℗ 2026 Void
© 2026 Void

Redshift

Elegant ambient soundscapes for boutique hotels, luxury lobbies and refined spaces. Slow, cinematic and timeless — music that enhances atmosphere without demanding attention. Continuous flow, no vocals, loop-friendly. Produced by Ricco Music.

Marble lobby morning4

"The ÆND is not outside… it begins within."

“The ÆND Within” draws the listener deeper into an inner temple of sound. Vast luminous synth horizons unfold slowly, shaped by deep melancholic harmonies and a flowing arpeggiated bass that gently guides the journey forward. Subtle low-frequency resonance and evolving textures create a hypnotic, immersive atmosphere, both intimate and expansive. The track becomes a quiet portal, leading from the outer world into an infinite inner space.

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„The ÆND Within“ führt den Hörer tiefer in einen inneren Tempel aus Klang. Weite, leuchtende Synth-Flächen entfalten sich langsam, getragen von melancholischen Harmonien und einem fließenden Arpeggio-Bass, der wie ein roter Faden durch die Reise führt. Subtile Tieffrequenz-Resonanzen und sich entwickelnde Texturen erschaffen eine hypnotische, zugleich intime und weite Atmosphäre. Der Track wirkt wie ein stilles Portal vom Außenraum in eine unendliche innere Welt.

The ÆND Within

BOOKING: warren.morris@theplayground.co.uk

Majadahonda at Dawn

µ-Ziq

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