Disintegrating Sand - EP

Disintegrating Sand

Indefinite Pitch PREMIERES. Edition 631

Laima Adelaide - Far

V/A - Approaching The Illusion
[ABT-VA001 | Art Bei Ton]

Produced by Laima Adelaide
Mastered by Giovanni Conti at Artefacts Mastering
Artwork by Elcid VS

Released by Art Bei Ton from Berlin, Germany
Release Date: January 16, 2024

Following their 5th anniversary, the Berlin-based event series Art Bei Ton is kicking off its label with a first VA release ‘Approaching The Illusion’ featuring 7 tracks from Ambient to Hypnotic and Deep Techno.

The goal is to promote diverse international artists involved with our community and curate a sound reflecting different sides of our scene.

Opening the VA with a dark and ritualistic Ambient track composed by the Sardinian artist TVS, the journey follows a shamanic path by touching some euclidean rhythmics with the downtempo beat from our Art Bei Ton resident Mown.

Approaching a hypnotic dimension with Laima Adelaide’s unique atmospheric production, the VA follows up with a psychedelic tune from the Leipzig-based artist Vanta.

The collaboration between Feph and Mr. Tron offers another aspect of the hypnotic sound, with some more driving and uplifting vibes.

Wrapping up this first release, the Berlin-based artist Andrea Cossu brings us to an unusually long and trippy journey through some mental whispering voices. The Indian producer Synister (IN) takes the listener into a dark and dystopian momentum through a powerful Deep Techno groove.

Laima Adelaide

https://soundcloud.com/amlia
https://www.facebook.com/laimaadelaide0
https://www.instagram.com/laimaadelaide

Art Bei Ton

https://soundcloud.com/art-bei-ton
https://www.facebook.com/artbeiton
https://www.instagram.com/art_bei_ton

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Approaching The Illusion

Buy & Support

Indefinite Pitch PREMIERES. Laima Adelaide - Far [Art Bei Ton]

Manuele Chiaravalloti is Mod21 an italian specialist in profound and elaborated techno we’ve been following for a long while. For this album he delivers the best of his abilities in production, diving deep into the most intricate realms in the genre.

What do we do now is the beatless introduction to this sonic journey setting the pace for Anthropology of failure introducing the beat but still meditative and liquid.

Doomsday Clock goes straight into danceable business, using effected continuous synth lines over a clean groove that grows in intensity as the beats go by. Several layers of pads add space to the sound in this dreamy techno number.

On Cold silence the beat goes busier and percussive elements are the main element making this one the perfect dj tool.

Black heart is electric and stripped down, using a few crispy synthetic elements to keep the tension although there is no kick in the equation.

Escalation of violence introduces a bit of distortion and roughness on the rhythm but preserving the mental approach on sequences and textures.

Beyond the edge of an habitable world slows down the pace and uses hypnosis via repetition to reach the appropriate state of mind in the first hours of the club.

 It gets into your brain follows, giving exactly what the title suggests, with an erratic synth line flowing over a relentless groove. This one will cause some brain damage when listened to on the proper sound systems.

Come on honey, it's real money funny title for a serious brain melting exercise that reminds us of the sound of early minimal heroes like Basic Channel. Man is a tool goes in the same direction, focusing on the dub side.

You were the good one Qerndu changes directions drastically, diving into scifi alien areas, obsessive and tooly.

The virtual denies tactility, removes the beat and reduces the sound elements to the minimum getting closer to the end of this sonic journey.

Last track, Loyalty does not end with death acts as an electronic lullaby where harmonies and lush pads are the starring.

Bandcamp

Preview: Mod21 "Before And After Humans" WU90

"Synthopia" marks the debut vinyl release from Wabi Sabi Audio Imprint. This album traverses diverse spectrums of hypnotic and deep sounds, offering a glimpse into what listeners can expect from future Wabi Sabi releases.

Featuring a lineup of authentic artists showcasing their craft without boundaries, from the opening track by Mary Yuzovskaya to the closing piece by Tuber, "Synthopia" invites listeners on a journey through elegant and hypnotic soundscapes".

Synthopia

Maranta Lemon

Support

A2 - Tauceti - Maranta Lemon

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Marek Bartůněk - Rapid Descent [PM002]

Platform Minimal Presents Marek Bartůněk - The Viking Program. 

With Remixes from Âsan, Forward Memory & Inzajeano. 

In the vast expanse of our cosmos, each human encounter forms a constellation—a fleeting alignment of stars illuminating the darkness of our solitude. We traverse these celestial bodies, orbiting others, drawn by the gravity of shared experiences and emotions. Yet, how often do we land upon these planets—these people—only to find barren landscapes devoid of the life we once imagined? The air is thin, and the soil yields no harvest. Every planet we visit remains dead. 

This is not a physical death, nor the finality of existential cessation, but a death of potential, of growth. It is the realization that those we once thought vibrant have remained untouched by the currents of time, unchanged by the flux of experience. In these moments, we confront the stillness of their being and the immobility of their thought. The life we anticipated finding in their presence is a mirage, a projection of our desire for meaning and connection. 

Roland Barthes spoke of the “death of the author,” suggesting that the interpretation of a text lies in the hands of the reader, not its creator. In the same vein, we might be complicit in these lifeless encounters. As the readers of others’ lives, we impose narratives upon them, expecting evolution, change, and enlightenment. When we find none, when the text of their existence remains unaltered, we are confronted with our disillusionment. It is we who have authored the expectation of their transformation, and it is we who must reckon with their inertia. 

In his reflections on seeing, John Berger reminds us that “the relation between what we see and what we know is never settled.” When we meet those from our past, what we see is coloured by the knowledge we have since acquired—the awareness of our becoming, our transformations. We have journeyed and changed and look to others to affirm our evolution. But what if they are blind to their potential? What if the world remains flat to them and the stars are fixed in the sky? 

To encounter these static souls is to confront the possibility that they are always dead. It is to acknowledge that not all who breathe are alive in the truest sense. Some are mere echoes, reverberating in the chambers of our memory, lacking substance in the present. They are the shadows on the cave wall, the ghosts of what might have been unanimated by the light of experience. 

Thus, every planet we visit remains dead, not because they have failed us, but because they have remained themselves. They are the fixed points around which we orbit, measuring the progress of our voyage through the contrast of their stasis. In this realization lies the paradox of human connection: to see others is to acknowledge their limitations, and in doing so, we come to see ourselves more fully. The death we observe in others reflects the death we fear in ourselves—the death of growth, change, and the capacity to become more than we are. 

To leave a planet behind, then, is not an act of abandonment but of survival. It is to recognize the necessity of moving forward and finding those rare celestial bodies where life does flourish, the soil is fertile, and the air is filled with possibility. Only in these living encounters can we continue to evolve, learn, and truly inhabit the brief span of our years. 

Platform Minimal / PM002

Mastered by Beau at Ten Eight Seven Mastering 
Artwork & Copy by Inzajeano

𝑴𝒂𝒓𝒆𝒌 𝑩𝒂𝒓𝒕ů𝒏ě𝒌
Soundcloud : https://soundcloud.com/marekbartunek
Bandcamp : https://marekbartunek.bandcamp.com
Instagram : https://www.instagram.com/marekbartunek_/

𝑷𝒍𝒂𝒕𝒇𝒐𝒓𝒎 𝑴𝒊𝒏𝒊𝒎𝒂𝒍
Soundcloud : https://soundcloud.com/platform-minimal
Bandcamp : https://platformminimal.bandcamp.com
Instagram : https://www.instagram.com/platform_minimal/

The Viking Program

Rapid Descent

Support & Buy

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Marek Bartůněk - Rapid Descent [PM002]

Our next premiere is from a fresh label coming out of Medellín, Colombia with label head @red_noisedj debuting the inaugural release. With title track 'Medium' we have a chunky hypnotic groover with heavy percussions shifty leads and grimy textures. A super promising release that is sure to be the start of a wonderful project.

Purchase here:
https://10-24.bandcamp.com/album/medium

Follow the label here: 
@1024r
https://www.instagram.com/ten_twenty_four__/

Follow the artist here: 
@red_noisedj
https://www.facebook.com/RedNoiseCol/
https://rednoisedj.bandcamp.com/



AF Premiere: Red Noise - Medium [1024][OUT!!02.12.24]

Various Artist
The Nighttime Planet Vol: 5
Out:01/31/2025
Promo & Distribution by Triple Vision. 
Ref: PSKDS 014
Format: Digital. ℗ 2025 Psychoskunk recordings.
Mastering:12+1 Studio Mix & Mastering.
Artwork by : Monic Moren (Arte Cretino).

Info Artists release:
The new chapter of “The Nighttime planet series” formed by various artists. 
Two tracks by the Italian techno bangers: Dez and Tracy. Dez formed epic techno duo in the 90´s called: Random Noize from Napoli, and Tracy is the owner of Sonntag Morgen from Milan. Other track by the Argentinian talent Alderaan (Decay of Reasons-Danza Nativa) one of the most prolific techno artist in Sudamerica  and complete the release with the sound by the veteran Spanish artist David Reina with releases by Axis -  Warm Up, etc..

	1.	Tracy - La Sfera.                            134bpm.
	2.	Alderaan - Collision.                      132bpm.
	3.	Dez (Random/Noize) - Egoriferito. 140bpm 
	4.	David Reina - Juxtapose.              136bpm 

Support by: Oscar Mulero,Lakej, Ángel Molina, Tommy 47, DJ Sufflemaster, R/D/V, Takaaki Itoh, Slam, Justine Perry, Dax J, Antonio de Angelis, Null Forms, NX1, KWartz, A4 and more…

www.psychoskunk.net
https://pskmusicmedia.bandcamp.com/album/the-nighttime-planet-vol-5
https://www.junodownload.com/products/tracy-alderaan-dez-the-nighttime-planet-vol-5/6947319-02/
https://www.beatport.com/es/release/the-nighttime-planet-vol5/4901156
https://www.traxsource.com/title/2447425/the-nighttime-planet-vol-5

The Night time Planet Vol 05 PSKDS 014

cascada azul

Retrograde

[FRS011]

@centeno.dj returns to FRERES with a work that combines intense grooves and deep bass lines, Centeno delivers a release that reflects the maturity of his sonic quest. As part of this edition, we also have an exclusive remix by @kernel.panic_ar , adding another dimension to the proposed journey

The Cordoba-based producer, with releases on labels such as Duplicity, Diffuse Reality, Concepto Hipnótico, and Xelima, and with music that has already been played in clubs such as Berghain, Tresor, Bassiani, and De School, now joins the FRERES catalog to leave his mark.


Date release: 24-10-2025

Tracklist:

1.Adulto Solo Por Crecer(Original Mix)
2.Interno(Original Mix)
3.Secuencia En Espera(Original Mix)
4.Unico Plan(Original Mix)
5.Adulto Solo Por Crecer(Kernel Panic(AR) Remix)

Mastering Freres Recordings
Artwork @edg.q46
Distribution @triplevisionrecorddistribution

Disintegrating Sand

Mike Parker

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