Take Control', the latest single from UK producer Alan Fitzpatrick features the creative genius of his 10 year old son, Mylo Fitzpatrick. 

Kettle drum kicks and a rolling low end are paced by claps and a spritely swung hat line. Melodics build the tension to the first break where a female voice tells us to ‘let the music take control’. Fully responsive, nuanced acid and far away trance pads act as a brief oasis of calm before the final drop explodes from the speakers.

Premiere: Alan Fitzpatrick Feat. Mylo Fitzpatrick - Take Control

Watch the set and get the full tracklist at:
https://boilerroom.tv/recording/carl-cox-45-min-mix?utm_source=soundcloud&utm_medium=description&utm_campaign=tracklist

Carl Cox 45 min Boiler Room Ibiza Villa Takeovers DJ Set

There’s no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. 

The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola’s Music On at Amnesia. Anyone who caught him play the main room this season will agree – his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola’s handpicked him to perform on 8 separate occasions, more than any other artist this season. 

Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn’t be better for Capriati to unleash ‘Self Portrait’, his sophomore LP. 

Already ingrained in the consciousness of techno lovers this year thanks to ‘Fratello’ and ‘Awake’ the pair of searing dancefloor slayers that were released in June as the album’s first singles, ‘Self Portrait’ goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors. 

Tracks such as ‘Electrolytic’, the album’s atmospheric opener evokes mood with a barrage of steely synths, gritty drums and industrial beats, while ‘Self Portrait’, the typically reflective album title track is an understated ambient gem led by warm trickles of melody that pairs nicely with ‘Naked’ which exhibits the producer’s deft skills for moulding sparse stripped back minimal that kicks along with cheeky vox and shuffling percussion. 

He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover ‘Easy Come Easy Go’, while the masterful ‘Basic Elements’, chugs along with rattling industrial percussion before giving way to a sublime wall of melody that’s just the kind of genius fare that gets his diehard fans raising Italian flags inscribed with ‘JOSEPH CAPRIATI KING OF TECHNO’ regularly at this gig. And with an album this good, who are we to argue?

Joseph Capriati - Always And Forever - Drumcode

Alan Fitzpatrick - 1992 (DC123)

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D-Unity - Sensation

Never Tired (Techno Edit)

Never Tired (Techno Radio Edit) [feat. Nanou]

2000 and One - Kawasaki [PURE098]

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

‘Bang The Box (Slam remix)’ retains the all-conquering vocal of the original, but plunges the track down into propulsive depths with more aggressive percussion and atmospheric synth stabs. 

Richie Hawtin provided the following comment on the remix: “Released in the early 90s, the original Jack Master EP was a pseudo-name that I used to record fun classic Chicago inspired tracks that were made for my DJ sets.  Slam’s new updated take on the original, uses the original voice sample (that’s actually mine) and reworks the track into a full throttle stomping jack track perfect for todays dance floors!”

Soma Track Series Vol 3 (Soma467d)
JACK MASTER – Bang The Box (Slam Remix)
Published by UTK Prod Inc. (SOCAN)
p+c 2016 Soma Recordings Ltd
A Richie Hawtin production

More exclusive music

Premiere: Jack Master 'Bang The Box' (Slam Remix)

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Trance, Init? - Drumcode - DC173

Alan Fitzpatrick’s We Are The Brave label has been busy laying down foundations for the past twelve months. The run-away commercial success of their debut single “We Do What We Want” was just the start, and have since been setting the standards.

The label boss himself makes his welcome return to the label this October, with Magnetic Dog. The original comes laced with slicing hats, crispy yet superbly deep thundering kicks and a cheeky dose of acid thrown in for good measure.

Alan wrote the original back in 2016 and waited for that special remix to finalise the package. Always a supporter of Marcus Intalex and his productions, under his Trevino moniker he delivered a masterfully deep rework, taking down the tempo and achieving a euphoric cut of the original.

Magnetic Dog

PRE ORDER

AlanFitzpatrick - Magnetic Dog

Burrows is back! Following last year's hit "All Your Dreams", Gary returns to Respekt with a worthy successor in "Burning". Fusing his trademark rave influences with uncompromising drums and a DnB-inspired break, Burning is pure fire.
The remix comes from Dave Sinner, who dials back the tempo and cranks up the groove for a wicked, percussive re-think.
As if those two weren't enough, Gary also provides the relentless "Reaper One" and the shuffling acid of "Can't Hold Back" to complete the package.

Gary Burrows - Burning (Original Mix)

Konrad - Old Story

LEX & HAROLD  X - TASE
First collaboration,enjoy
FREE DOWNLOAD

X-TASE

ARTIST -  NICOLE MOUDABER
TITLE -  ROAR EP
LABEL - INTEC DIGITAL
RELEASE DATE - 28TH JANUARY 2013
FORMAT - DIGITAL

For the latest release on his legendary Intec Digital imprint, Carl Cox has re-enlisted the talents of the ‘Queen of Techno’ Nicole Moudaber, who returns to Intec Digital with the deadly ‘Roar EP’ in January 2013. The pair has a long-standing relationship which has seen Nicole become both a regular guest at Carl Cox’s ‘Revolution’ night at Space Ibiza and also deliver her inaugural release for Intec Digital in 2011.
 
The ‘Roar EP’ witnesses Nicole continue 2012’s fine form. The previous 12 months saw her release two killer EP’s on Drumcode, alongside outings on Kling Klong and Leena Music. Now Nicole steps into the New Year with two trademark powerful and percussive techno tracks.
 
First up is title-track ‘Roar’ on which Nicole’s signature hard-hitting drums remain constant and commanding throughout. On top of this tough base Nicole gradually adds other elements such as a shimmering melody, brooding synths and an echoing vocal, which expertly serves to build the atmosphere and tension in the track to boiling point about six minutes in, upon which the track breaks back down into it’s percussive groove - definitely one for peak-time dancefloors.
 
Next up on a funkier techno tip is ‘Brooklyn Hangover’. While the track is again centred on tightly-programmed tribal drums, the overall vibe is much more playful as melodic stabs are given a prominent position resulting in an infectious and engrossing techno cut.
 
The ‘Roar EP’ once again demonstrates Nicole’s considerable talents and shows why she is considered one of the leading producers on the scene. It is sure to strengthen her already solid foundations for what is set to be a landmark year production-wise for a rising star.
 
Tracklist:
A1. Roar
B1. Brooklyn Hangover

Selected Feedback -

Adam Beyer – “Roar´s been massive for me throughout the year! So its time for me to test Brooklyn Hangover.”
Marco Carola – “Nice grooves again from Nicole again… support from me!”
Alan Fitzpatrick – “I’ve been hammering Roar for months.. such a good track!!”
Stephan Bodzin – “ROAAAAARRRR!!!! Yeah what a killer tune!!! 100% support for Nicole.”
Joel Mull – “I’m Most Definitely Hearing the Roar!! Grrrrraaaaa... Brooklyn Hangover will be me on 1st of Jan. 
Cari Lekebusch – “Roar is ROARRRRING for me!! Gonna give it a spin for sure.”
Samuel L Session – “Roar is actually something a little different from Nicole. I like it!!”
Carlo Lio – “Always support for my girl Nicole… always bringing it! Roar is dopeeee!”
Oliver Huntemann – “I got the Brooklyn Hangover. That's the beat I like. Pumpin' and straight. My favourite.”
Gregor Tresher – “Nicole’s tracks have been a mainstay in my sets for the past year and here are two more going straight into my recordbox (playlist that is nowadays).”
Tassilo – (Pan-Pot) – “Love Love LOVE Brooklyn Hangover!! Support from me! ”
Pig (Pig&Dan) – “Oh yes!! FAT grooves from Nicole again. Can’t wait to spin these tonight ”
Sian – “HUGE! What more can I say? Will be playing both of these. ”
Edu – (Vicious Magazine, Spain) – “Strong and powerful! Roar is the winner here. Thanks so much.”
Partysan Magazine, Germany – “Rooooaaaaarrrrrr!! ”

 
For all Media enquiries please contact:
USA  - Betty@plexipr.com and Adam@Plexipr.com
Europe/ROW - Ben@beatnikpr.com and Oli@beatnikpr.com 

Alan Fitzpatrick - 1992 (DC123)

Milan Trivić

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