Name: Gabriel's horn(Minilogue,FM) by Metatron'sCube
Duration: 2 min 43 s
Description: A horn like patch im messing with on the minilogue

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
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Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
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First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
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A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

Endless - Cronaca di un lungo Febbraio

It only took a year, now she off the bit drugs... but she still on food stamps...

She on Food Stamps (Instrumental off the Bit Drugs Mix)

UnBoxed March 2024
“Aliens stripped me out of my spacesuit.They were fascinated by the sight of my nakedness.They became excited and aroused. They eagerly licked and probed every curve and crevice of me with their long slimey vibrating blue tongues. . . and let me tell you, dear listener, I loved it, I loved it, I loved it!”

[ d o w n l o a d a b l e ]

Spaced Out Alien Encounter EXPLICIT MIX

In the quaint suburban, preciously one square mile neighborhood of Willowbrook, a peculiar phenomenon unfolds beneath the facade of everyday life. Here, amidst the picket fences and neatly trimmed lawns, lies a secret known only to its inhabitants: the ability to walk through walls. It's a gift that defies logic, a quirk of reality that shapes the lives of those who call Willowbrook home.

Willowbrook

Close your eyes and listen. Feel the exhilarating wave of energy pulsing through you.
Inspired by SUNNYBECK.

Origins

HIGH

I Need love

His eyes crossed my eyes
Like a laser ray
I've been projected somewhere
Else than on the Earth
Help
I need love
Help
I need love
 
With him I feel like dancing
Barefoot in the light
I feel like walking on the sea
Planing in the air
Help
I need love
Help
I need love
 
Like the Earth needs the Sun
(I need love)
 
Like the stars need the stars
(I need love)
Like the sky needs the sea
(I need love)
Like the summer needs the winter
(I need love)
I need love (x7)
 
As i need music
As I need light
As i need water
As i need air
Just a little love
I need love
Just a little love
I need love
Like the bird needs wings to fly
(I need love)
Like the moon needs the night to shine
(I need love)
I need love

Besoin d’amour - France Gall cover

Flames of the Heart

Dualone

A horn like patch im messing with on the minilogue

Gabriel's horn(Minilogue,FM)

Synth porn, wobbly noises, acid trance, and general electronica
Video on YouTube:https://www.youtube.com/user/MHBIV/videos

Gabriel's horn(Minilogue,FM)

Metatron'sCube

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