The Millenium House Discovery

Straight out of the darkest depths of the underground comes a new project from Brawther and Tristan da Cunha ... dropping tracky house hammers for DJ abuse only . This is a low res vers .... full release will be end of September. Keep em peeled for the new Dungeon Meat label with it's first execution coming soon.

Remember ... if you can't take the Meat .... stay out of the Dungeon.

DUNGEON MEAT - THE FUCK OFF TRACK  (My Love Is Underground 015)

A1 : Dj Steaw "Horizon"
B1 : S3A "Acid Test"
B2 : Jay Ka "We Call It Ass-Id"

Published by copyright control.
(P) & (C) 2013 Phonogramme / Syncrophone
Mastered by MB Professional Mastering www.mathieuberthet.com

PHONOGRAMMELTD2/ Various Artist (Dj Steaw, S3A, Jay Ka) "Acid MF" [Snippets]

Tim Deluxe - Transformation

2All over my face 08

Order your copy from the Houndstooth store: http://bit.ly/50fathoms or iTunes: http://smarturl.it/50fathoms 

Roughing up accessible sounds has been a theme throughout @Marquis-Hawkes' career, and nowhere has it been so clear than on his debut for Houndstooth.  

Four upfront house jams, each demonstrating a different side to Hawkes’ production talent, take in jazz-inflected deepness, disco flavours, quirky cyberpop through to futuristic funk. Think Prince meets Neneh Cherry, held hostage by Gene Hunt’s relentless 909 selections. 

Despite the variety of influences on display, a contiguous thread is maintained, something also reflected in his DJ sets, their all-encompassing yet coherent nature winning over fans far and wide.

DJ support ranging from Eats Everything, James Zabiela, Ben UFO, Jackmaster, Move D and Craig Richards.

The 12" is mastered & cut to 180g vinyl by Matt Colton.

Order from Houndstooth

Marquis Hawkes - Can't Find A Reason

Head High - Burning (Keep Calm Mix)

available on "Interstate 101" compilation by Djedjotronic

Water Rave

Styles come and go, but real house music abides – a rule that is as true in Paris as anywhere else. The mighty DJ Gregory might have had the most hype for his Africanism series that inadvertently inspired the UK Funky movement, but before and after that he has continually demonstrated understanding of the purest principles of house. In advance of our bumping basement house broadcast from Paris, we've already spoken to the younger generation of the scene in the form of DJ Molly – now get reacquainted with the O.G., via this first track from his upcoming collection of faultless club tools made in his Point G guise.

Point G "Balea" - Boiler Room Debuts

<p>Having delivered standout releases for Renaissance, Bedrock, Great Stuff, Get Physical and Primate and garnered the support of DJ Hell, John Digweed and Hernan Cattaneo Wehbbas Full Circle LP is preceeded by this EP containing the brilliantly executed big room techno of The Speech (including a remix from Samuel L Session) and Another Lights with its rousing piano hook.</p>

Wehbba - The Speech (Samuel L. Session Remix)

Wehbba - The Speech (Original Mix)

Our Free Music Monday today is from Après, a new, young producer I’m really excited about. It’s a housey roller with a classic feel as Après plays homage to one of his earliest influences, Frankie Knuckles and I’ve been playing it loads on the radio. Enjoy… 

Facebook http://facebook.com/apressounds
Soundcloud http://soundcloud.com/apressounds
Twitter https://twitter.com/apressounds


FMM: Après - Chicago

4 Hours To Stuttgard - S3A

Inner City ‎– Big Fun (Remixes) (Part 1) from 2003

Get Yours

Inner City - Big Fun (Agoria Remix)

Jovonn - Back To House

Omar S - day

This is LaTourette Remix http://www.indieshuffle.com/something-a-la-mode-paris-makes-me-feel-like-dancing/#!

Something A La Mode - 5AM (LaTourette Remix)

Big Fun - The Classic Magic Juan Mix Remake

“The idea behind the mix is to present two different insights into my musical repertoire. Tracks I like to play in the club and tracks I like to play at home. From old school to new school.”

Robert Dietz - 2012

Forward thinking electronic exponents Arkitekt announce their first compilation release after a selection of parties in London, Leeds and Birmingham promoted their sound. Focusing on the more forward thinking strains of house and techno, their musical mandate has been to gleefully plunder the underground elements of the modern dance clime, with stripped back grooves riding against warm melodies and textures.

The first man stepping up the Arkitekt palette is Robert Dietz. The German DJ cut his teeth on the Frankfurt arena of Deutsch dance, coming from no-where in 2009 to ensnare one of Beatportal’s Artists to Watch. Since then his rise has been apocalyptic and relentless, recording for stellar imprints such as Cecille, Cadenza, Deep Vibes, Running Back and Saved Records. He’s crafted a trademark sound, built on pure house and infused it with the sensibilities of contemporary club culture.

It’s a pedigree which has made him one of the most versatile and in-demand DJs on the planet. He delivers achingly next level voyages in the underground basements of Shoreditch, Berlin and Eastern Europe but also has the ability to seduce mainstream arenas like Awakenings, Electric Zoo, Exit Festival, Ushuaia and Pacha with his underground aesthetic. And it is that intoxicating template that is evident all over this double disc spanning mix.

Disc 1 focuses on the more underground and techier side of Robert’s tastes, aptly titled ‘Club Hours’. It fizzes along with a sea of clicks and whirs as it ripples from the gentle menace of the 2012 update Butane’s ‘A Rave Mistake’ into the shuffling tones of Trickski’s brilliantly monikered ‘Brazzavillage Dance Commando’.

Elsewhere tracks from killer producers such as Davide Squillace, Sascha Dive and Ricardo Villalobos take the mix slowly into deeper realms of energy, before it ends on a flourish with the mechanical Detroit edge of Ben Nevile’s ‘Awshashen’.

Disc 2 is a more expansive affair with the deeper side of the Dietz spectrum in full effect as he takes the listener ‘After-hours’. The synth stabs and tribal percussion of ZPH ‘Popshit‘ lay the battle lines down emphatically for where it’s heading, delivering a mix to work just as well on the headphones as it does on the dancefloor.

There’s gorgeous deep house of an atmospheric nature from Boo Williams with ‘Peaking Point’, the melancholy grooves of Dale Howard’s ‘Bubbz’ and the Underground Resistance meets basic Channel vibes of Leonel Castillo’s ‘1974’. The sublime wonder of Lil Tony’s ‘Employee Only’, a lustrous concoction of soaring melodies and robotic clicks, brings the collection to a glorious end.

Following the release of the compilation, Robert will be back on the road, taking in performances at some of the world’s premier clubs. Heading first to Asia, Robert will be touching down in Singapore for a show at Zouk before then making his way onto Tokyo to play Ageha. Next up he will jetting over to the Americas with gigs in Santiago de Chile, Caracas and then New York for Halloween. Robert will also be making appearances in Moscow and London so don’t miss your chance to experience this ever evolving artist in the flesh.

9 Leonel Castillo - 1974 (CLIP)

Rachel Row - Follow the Step (Kink Beat Mix) Hacke & Peter Edit

Tom Trago's new 12", the album sampler to the upcoming album The Light Fantastic. Featuring the dancefloor stomper "Two Together" which was co-produced by Steffi, "True Friends" featuring Breach on the vocals and the non-album track "Avenido". Big TIp! 

Tom Trago is back, giddily dancing out of the studio into the dizzying light of a European summer. Tucked under his arm are the masters for his third album, The Light Fantastic.

Since his most recent appearance on Rush Hour last autumn, Trago has spent most of his time in the studio. Over four memorable months, he constantly jammed, recorded, tweaked and produced tracks, until he had enough strong material to put together what might just be his best full-length to date. 

Along the way, he was joined by an impressive guest list of guests and collaborators from Amsterdam and beyond, all of who were roped in after “popping into the studio to hang out”. 

You’ll have to wait to hear the album, but the good news is that there’s an enticing teaser of what’s to come in the shape of this formidable three-track taster. One of the tracks, the chiming, loose-limbed, bass-heavy workout “Avenido”, is exclusive to this 12”.

When he sat down to make The Light Fantastic, Trago was keen to recapture the essence of his early work, and particularly the melodic warmth, kaleidoscopic chords and robust grooves that characterized his 2009 debut album, Voyage Direct. This time, though, he wanted to rely less on samples and apply the lessons learnt from four years of largely acclaimed production work. As a result, The Light Fantastic oozes a gleeful sense of fun, whilst retaining the depth and definition that has always been a hallmark of Trago’s work.

The two album tracks featured on this sampler confirm the rich dividends that this new approach brought. “True Friends”, featuring the combined talents of Brit-in-Amsterdam Ben Westbeech and local hero San Proper, bristles with loved-up positivity, all bubbling electronic melodies, fuzzy vocoder vocals and jaunty, bottom-end bounce.

From the Rush Hour site: 
Then there’s the small matter of “Two Together”, an extra large helping of the kind of loopy, feel-good deep house funk with which he made his name. Expertly teased, tweaked and produced, it sees nagging hooks, darting synths, jazz keys and disco stabs riding a relentless, full-throttle groove. Co-produced with Berlin-based Dutch producer Steffi, it’s nothing less than a wide-eyed late night rush. If it doesn’t have you tripping The Light Fantastic, nothing will.

The Millenium House Discovery

Jules Becci Photography