Name: On the Fence by Milo Greene
Duration: 3 min 27 s
Description: From the new album “Control” out now on iTunes: http://smarturl.it/milogreenecontrol

this is so wonderful!!!! can't wait til January

Love where you guys are going with this one // Blogged @ http://letyourearsdecide.blogspot.com/2014/11/freshvibesmonday-51.html

Gosh! I love all their voices but Marlana's special! Amazing job!

From the new album “Control” out now on iTunes: http://smarturl.it/milogreenecontrol

On The Fence

On the Fence

Empty Streets : Produced by Dave Weingarten and Ghost Beach. Mixed by Nic Hard 

FREE DOWNLOAD @ http://www.ghostbeachmusic.com/

Lyrics:

I know a woman
she’s as cold as stone
and she hides in the shadows
of an empty road
I tried to break her
But she couldn’t be broke
And we walk together
On this empty road
But I need a lover not just an other
Not just some body to spend the night
You want my reasons I couldn’t tell you
And if I did it wouldn’t ease your mind
I need a heart beat
To keep me on my feet
Pretty girls
Born in the 90’s
They don’t know much of 85
They’re alive im barely breathing
Wanna remember what that feels like
I need a lover not just an other
Not just somebody to spend the night
Don’t need an answer don’t need a reason
Things come apart baby that’s alright
I need a heart beat
To keep me on my feet
Walking on empty streets
I give up
Walking on empty streets
Cause there filled with the faces
Of people I never meet
I run through the valleys
Between buildings and concrete
All I hear are the echo’s
Where there once was a heart beat beat beat beating
(Chorus x2)

Ghost Beach - Empty Streets

Don't You Give Up On Me is the first single from Lissie's new album ‘My Wild West’ – out February 12, 2016
Pre-order My Wild West from iTunes (http://po.st/LissieiT2) or my official store (http://po.st/LStore2) to get instant downloads of Don't You Give Up On Me plus Hero!

Watch the lyric video for Don't You Give Up On Me: http://po.st/DYGUOMlyric

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Don't You Give Up On Me

Ellie Goulding - On My Mind (cover) - Atlas Genius

Illiterate Synth Pop

Lights Burn Out

We Belong Together

Youthful and wistful, 'Blue Jean Baby' aspires to a life beyond a smalltown existence.  Alternating between debonair bouyancy and vivacious urgency, the track sees ILUKA finding release in personal freedom and the open road.  Produced by JeanPaul Fung (Jinja Safari, Bluejuice, Last Dinosaurs), 'Blue Jean Baby' wears its heart stitched proudly to its sleeve, liberated by a future of unbridled wayfaring.

Produced by Jean-Paul Fung;
Mixed by Tony Espie;
Mastered by David Walker.

Find ILUKA online at:
Website:	http://www.ilukamusic.com
Facebook:	http://www.facebook.com/ilukamusic
Twitter:	http://www.twitter.com/ilukamusic
Instagram:	http://www.instagram.com/ilukamusic
YouTube:	http://www.youtube.com/ilukamusic
Tumblr:		http://ilukasdelirium.tumblr.com

Blue Jean Baby

New single 'Damage Done' out now - https://wma.lnk.to/DamageDone

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Damage Done

iTunes: http://geni.us/TrembleiTunes
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Tremble

Dancing available now https://awal.lnk.to/Dancing

Dancing

“Nantucket! Take out your map and look at it. See what a real corner of the world it occupies; how it stands there, away off shore, more lonely than the Eddystone lighthouse… all beach, without a background… Nantucket is no Illinois.”
When Herman Neville penned these words in 1851, he envisioned Nantucket through the eyes of a weary whaler at sea. Yet 157 years later, his words resonated with two young men landlocked in the Midwest. Michael LoPresti and Aaron Smith could empathize with the whalers of Neville’s Moby Dick. Their music was their Nantucket, beckoning them to break away from their day jobs and go back to what they loved.  It was this longing that gave way to The Lighthouse and the Whaler.

In June 2008, Michael (lead vocals, guitar, mandolin, keyboard) and Aaron (violin, guitar, keyboard) met in a field Ohio to take photos with a friend. Taking up their instruments – a violin and a guitar – the musicians had an impromptu collaboration session as the photographer snapped his shots. By the end of the day Michael and Aaron had written their first song, aptly titled “The Field Song,” which was released in December 2008 on a four-song EP entitled A Whisper, A Clamour. The band’s blend of ethereal folk and sweeping harmonies quickly caught the attention of Paste, which featured “The Field Song” on its acclaimed CD sampler. The band also earned early praise and recognition from Under the Radar and FILTER, which in July 2009 declared The Lighthouse and the Whaler its “Unsigned Band of the Month.”

While holding odd jobs as graphic designers, grocery clerks and freelance musicians, the band worked for its rightful place in the Midwest music scene, adding Michael’s younger brother, Matthew (percussion), to the full-time line-up. Their college friend Mark Poro (vocals, guitar, mandolin) soon followed, along with his musical collaborator Steven Diaz (vocals, guitar, keyboard, percussion).

Pursuing a do-it-yourself approach, the band booked itself regional tours through the East and West Coasts, sharing stages with notable acts including Sufjan Stevens, The Temper Trap, Carolina Chocolate Drops, A.A. Bondy, Via Audio and Hallelujah the Hills. During these shows the band showed off its multi-instrumentalist approach, impressing crowds at House of Blues, SXSW, Rock N Roll Hall of Fame, The Living Room, Schuba’s and other venues with what MTV describes as “really cool, melodic folk rock… and a live show you’ve got to check out for yourself.”

The Lighthouse and the Whaler was also busy preparing its debut, self-titled LP, just as it was named “Best Indie Artist” at the 2010 Cleveland Music Awards. Described as “colorful, eccentric and fantastically triumphant,” the album showcases the band’s ability to take seemingly simple instrumentations and layer them into something powerful and strong. “Windows” and “Of the Heavens and the Earth” offer punctuated melodies and sustained harmonies, while “Under Mountain, Under Ground” is marked by “sweet harmonies, a resonant barroom piano, and propulsive percussion to an exuberant climax” (KEXP). The lyrics, which hint at the band’s studies in philosophy and theology, provide room for fans to interpret and correlate the music with experiences in their own lives: struggles, triumphs, good ties and bad.

And while Neville’s protagonist looked out longingly for a home that was out of reach, The Lighthouse and the Whaler is wasting no time chasing down what really matters. “We’ve equated music to be something by which people can really be changed and moved,” explains Michael. “There’s something beautiful in music and powerful in music and when faced with a choice of this or other things – other ways to make money or other ways to fill our heads – we would choose this every time.”

Under Mountain, Under Ground

Adult Contemporary: http://smarturl.it/MG-AdultContemporary

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bookings: dave@highroadtouring.com

On the Fence

Milo Greene

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