String Trio || 𝒜𝓇𝒾𝒶𝒹𝓃𝑒

Performed by Quatuor Bozzini (Clemens Merkel, violin 1; Alissa Cheung, violin 2; Stéphanie Bozzini, viola; Isabelle Bozzini, cello)

Sept 22, 2023, Montréal, CA @ Salle Bleue

Recording engineer: John Klepko

String Quartet No. 2 “Three Busy Monsters” (2023)

crescent (OST "Do Ciebie, żyjącej" reż. Z. Szor)

https://www.teatrpolski.pl/werter.-inspirowane-cierpieniami-m%C5%82odego-wertera.html

Instrukcja Całowania ("Werter" Jaremko/Górniak Teatr Polski)

Original soundtrack to "Przyziemnie/DOWN TO EARTH"

https://foql.bandcamp.com/album/przyziemnie-down-to-earth-radio-play-ost

curators: Bogna Stefańska and Kuba Depczyński
5-episode experimental podcast commisioned by Łaźnia CCA

Within the series of podcasts called “Down to Earth” we are making the effort to understand the climate catastrophe. We are listening carefully to numerous voices, stories and theories in order to understand what in fact we are dealing with, and what we can do about it. We don’t need to prove that the danger is real. We are aware that this catastrophe is multidimensional, taking place here and now, its consequences being faced by many people on the whole planet, including Poland. Within “Down to Earth” we are composting the hitherto humanistic matter to obtain productive ground for cultivating new ideas. Perhaps they will help us find the answer to the question of how to live in a world which is irretrievably changing.


www.laznia.pl/rezydencje/przyziemnie-seria-podcastow-o-katastrofie-klimatycznej-134/


Each of the episodes features both the invited experts in sociology, psychology, philosophy, economy, political sciences or social activism, as well as artists who speak about the influence the climate crisis has on their artistic practice, and how creative tools can be used to act on behalf of constructing our common future on this planet.

To Będziemy - Przyziemnie​/​Down To Earth (radio play OST)

(miała być częścią jednego takiego spektaklu, ale ostatecznie została częścią animacji Z. Szor i chyba nie jest jej tam najgorzej)

kąpiel (lubię ją)

Track from album: Hubert Kostkiewicz - "Four Guitar Solos For Bemma Bar"
POINTLESS GEOMETRY 2024 / POINT#58
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 90 copies / C-27 cassette

Recorded by Hubert Kostkiewicz / @hubertkostkiewicz
https://hubertkostkiewicz.bandcamp.com
https://www.instagram.com/discomfort_booking
contact: discomfortbooking@gmail.com

Recorded live at Bemma Bar, Wrocław 6.10.2023 
Recording, mix and mastering by Maciej Pyziak
Artwork by Ewa Głowacka / https://www.instagram.com/ewa.boyka

Hubert Kostkiewicz - guitar and a modest kit consisting of two effects and a looper.

This album is dedicated  to Bemma Bar as much as to any place we create to play and learn about new music, nurture community ties and host each other. Without a club infrastructure, there is no live music and without live music, an important aspect of social life disappears. We need a new cultural policy that responds to the problem of the vanishing of non-commercial spaces. We need somewhere to create and cultivate our culture.

Four Guitar Solos For Bemma Bar

Hubert Kostkiewicz - Guitar Solo 1 / POINT#58

PREORDER! VINYL LP / CASSETTE / DIGITAL
https://pointless-geometry.bandcamp.com/album/mi-osz-k-dra-their-internal-diapasons

POINT#62 marks 10 years of Pointless Geometry on both the Polish and international scene. This release is particularly special, as it is also our very first vinyl. Over the past decade, we've been pushing boundaries, experimenting with sound, and building a community around adventurous music. And we're not stopping here—this is just the beginning of a new chapter. We’re excited to take our catalogue to new heights in the years to come. Thank you for being part of this journey!

MIŁOSZ KĘDRA "THEIR INTERNAL DIAPASONS"

Composition, recording of the pipes by Miłosz Kędra
Recorded in Poznań 2024
Mix by Miłosz Kędra & Julia Bartczak
Mastering by Piotr Rychlec
Artwork by OGMILAN G1
Photography by Tobiasz Brakoniecki
Pointless Geometry 2025

Miłosz Kędra - airborne / POINT#62

Krakow-based artist Martyna Basta crafts a delicate yet haunting sound. Classically trained in guitar, she left academia at 18, replacing her instrument with synths. Her debut album, Making Eye Contact with Solitude (Warm Winters), marked her as part of Europe’s experimental wave. Since then, she has blended electronics, modulated voice, and field recordings with acoustic elements like guitar and zither, shaping her distinctive electro-acoustic style.

BRDCST w/ Martyna Basta @ Kiosk Radio 06.04.2025

CREDITS

march 24th, 2017 @ hibernian hall (roxbury MA)

music by Castle of our Skins
choreography|dance by Lexy Lattimore
design by Kreyol

IMAGE CREDITS

*Nicholas Hlobo: Tyaphaka (detail), 2012
Rubber, ribbon, hosepipe, packaging material, 150 x 400 x 10000cm
© Nicholas Hlobo. Courtesy of Stevenson Cape Town and Johannesburg

Tyaphaka (a ball or water with an eye) [2017 ::: for CooS, music | Lexy Lattimore, dance]

From album PASZKA - ROZMNÓŻKA
Listen and buy  (digital / cassette): www.pointless-geometry.bandcamp.com

Music by paszka / www.instagram.com/pa.szka / www.facebook.com/paszka-216507042243881
Recorded in 2019
Master by paszka and Duy Gebord
Artwork and design by Dorotka Kaczmarek / dorokaczmarek.tumblr.com

POINTLESS GEOMETRY 2019 / POINT#36
polish audio/video cassette label
Release date: 01.10.2019
Limited edition of 50 copies / C28 cassette

String Trio || 𝒜𝓇𝒾𝒶𝒹𝓃𝑒

Miłosz Kędra

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