Zeezout Winter Festival(March) 2018

Artistes : @cleavincent @baccussocialclub
Sortie : 8/6/21

Tsugi Premiere : Cléa Vincent - Samba (Baccus Social Club Edit)

Celebration of motherhood...The song is to encourage my children to eat the fruit of life,, like it was their last fruit ...everytime.   To quench the thirst of life in every breath they take. Polepole.. slowly but surely ...feel the blessed up joy!!!! 

POLE POLE by Mim Suleiman 2004

TODD TERJE & THE OLSENS - Firecracker

Me and my buddy Nathan Homan played our first b2b set at the very last Warehouse event, opening for Call Super, Manamana and Luc Mast, which turned out to be a great match. We enjoyed every minute of it and we hope you do too :)!

Nathan Homan b2b Tjade @ Warehouse Weekender - 25/11/2016

patrickcowley.bandcamp.com/album/afternooners

Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in between 1979 and 1982. Some of these recordings are demos from the album "Mind Warp".  All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

Afternooners

Patrick Cowley - Surfside Sex

Album out Friday 20 October on LP/CD/MP3/Tape
https://professorrhythm.bandcamp.com/album/bafana-bafana

Bafana Bafana

Professor Rhythm — Via Botswana

Our office neighbour @thomashayat is taking us on a journey through electronic sounds in this week’s podcast, merging bass-heavy percussion jams with chicago -even acid- bangers and detroit techno into a clubset-inspired, mellow and wavy but yet nudging and gripping mix. By combining new releases from his favorite labels and Amsterdam locals (Beraber, Ocke Weeda), a homegrown electro tune (with Taupe), and a range of productions from the early 90’s, Thomas invites us to join him on a spontaneous ride through his well-selected assortment of records.

Zeezout Podcast 055 | Thomas Hayat

Live recorded on DAT Tape in Bordeaux 01-12-2017 

For the first 2018 issue of our mix series, we invited Amsterdam based Nachtbraker (aka ‘night hawk’ in Dutch!) for a sample of his tunes. Dig in & check out what he’s been up to recently…

Been touring a lot in Europe, and recently had my third Asia tour, which was amazing! Also still really happy with the EP I released in september last year. My collaboration with San Proper on one of the tunes is doing really well, and its nice to see people picking up on that.

This mix was recorded at Void Club in Bordeaux, France, 1st of December 2017. It was at a party from Electrocorp who invited me a while ago to play for them. They’re good friends, and the vibe that night was wicked. I used two CDJ2000’s, 2 Technics SL 1210’s and an Allen & Heath Xone:92 mixer. The mix was recorded on DAT tape. I picked the middle 1,5 hour of a total 2.5 hour set.

Its a live recording of my gig in Bordeaux. I was playing till close and the vibe was on fire from beginning till end. I like this recording a lot because I got to play a variety of tunes, and the people really followed my lead in there. Going from some minimal house to electro breakbeats, deep flowing house to an old Joris Voorn tune and somewhat more raw tunes.

Up next…

I’ve been working hard on finishing a new EP which is due early march on my own label Quartet Series. Finished a couple of forthcoming remixes on Heist, Dirt Crew and for a Dutch brass band. A tune on a vinly only sampler for finish label Common Labour is also coming in February.

Got some nice gigs coming up, playing DGTL opening night alongside my all time heroes Floating Points and Theo Parrish for instance. Also finally get to play with Jeremy Underground at Claire Amsterdam. Planning a new Latin America tour soon as well.
@feelmybicep
http://www.feelmybicep.com/fmb-mixtape-91-nachtbraker/

download from iTunes

FMB MIXTAPE 91 - NACHTBRAKER

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L.I.E.S. Takeover - Terekke - Saturday 24th February 2018

Red Light Radio 15.02.2018

Weirdo hip-hop from Rye Wax imprint West Friends on their new VA series.

Read more & buy: http://www.stampthewax.com/2018/02/27/premiere-the-pump-girls-get-on-it-pump-boys-edit
Listen on Youtube: http://bit.ly/pump-boys

POLE POLE by Mim Suleiman 2004

MIM SULEIMAN

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