ဇော်ဝင်းထွဋ် _ သူရဲကောင်းတို့ကမ္ဘာ (320K).mp3

ဆုေတာင္း (မိစႏၵီ ft ရဲရင့္ေအာင္)

​မျှော်လင့်ခြင်းကွင်းပြင် - အငဲ

ကျွန်တော်နဲ့မ (၁) - (ရသ)

ကဥ္စနား - (မာရဇ္ဇ)

Same Horizon – The Perth Sessions is not a sequel so much as a deep breath taken after the first chapter. Where The Hong Kong Sessions captured the electricity of beginnings — distance, discovery, cultural contrast, and the thrill of becoming “us” — this second release turns inward. These are the same songs, but lived in longer. Re-recorded and remixed from a different place, both geographically and emotionally, The Perth Sessions reflects what happens when love settles, stretches, and learns how to last.
Across these nine tracks, the album traces the quiet evolution of a relationship that has moved from novelty to intimacy, from motion to meaning. The opening “All the Ways I Love You (Dreamy Tape Remix)” immediately reframes the story: love is no longer singular or fixed, but seasonal, expansive, and shaped by parenthood. Tape-warmed textures and softened edges mirror the lyric’s central truth — that love grows by making room. This theme echoes throughout the record: love doesn’t disappear when life gets fuller, it multiplies.
Several tracks wrestle gently with familiarity and routine, not as threats but as creative challenges. “Back to the Start Tonight”, “Everything We Know, Let It Grow”, and “Same Horizon (Every Night)” all circle the same question: how do you keep choosing each other when the mystery has changed form? Rather than chasing novelty, these songs argue for reinvention — for deliberately returning to the spark, reframing comfort as something alive rather than static. The Perth Sessions leans into this idea with warmer arrangements, slower tempos, and more reflective space, letting the listener sit inside the questions instead of racing past them.
At the emotional core of the album are the most personal songs. “The Way You Know Me” stands as a quiet confession of being seen and loved without performance — a love that understands silence, difference, and unspoken language. “You Came With Me (Through the Unknown Mix)” widens the lens, honouring the shared leap of migration, partnership, and building a family from uncertainty. Naming children, places, and sacrifices grounds the album in lived reality, turning what could be abstract love songs into something unmistakably human.
The closing stretch — “Us at the Beginning (Slow Retrospective)” and “New Ways to Know You” — completes the arc. These tracks don’t long for the past; they acknowledge it, apologise where needed, and then look forward. The album ends not with answers, but with intention: a commitment to curiosity, reinvention, and choosing love again in quieter, more deliberate ways.
Ultimately, Same Horizon – The Perth Sessions is about love after the story everyone tells you ends — after the move, after the kids, after the thrill becomes routine. It’s a record about staying, noticing, and relearning someone you already know. The horizon may be the same each night, but this album reminds us that depth, not distance, is where the real journey continues.

Us at the Beginning (Slow Retrospective)

Озеро мрій

R ZarNi - Honey

Don't Go - ရဲရင့်အောင်

ဆေးဆိုးပန်းရိုက်မျက်နှာ - ဇော်ဝင်းထွဋ်

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ေတးေရး - ေမာင္ေမာင္ေဇာ္လတ္ / ေတးဆို - အငဲ

Ah Nge - Page15

Don't Go - ရဲရင့်အောင်

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