Techno House Trips - 4

Conjunction Anto

Irreversible

Astral

The Hatchet

Serpent

Days Gone

Cloud Nine

Realm Of Consciousness Pt. IV

Amor

Voices From The Dawn

Modelo EP

Modelo

The Bender

Changes

"Musique Pour Enfiler Des Perles" is the third EP by Poison Gauchiste, aka Eric Labbé, following "Musique Pour Faire Différentes Choses" and "Musique Pour Monter En Haut". It is the result of a slow maturation process, shaped by summer idleness and long winter evenings over the past two years. The EP features five compositions that, as always, blend quirky influences with distinctly personal oddities.

Caution: several of these tracks contain rhythms that might inspire dancing — though it’s unclear whether listeners will actually follow through, given the spells of languor and melancholy that occasionally drift onto the dancefloor...

BUY on BANDCAMP

PREMIERE : Poison Gauchiste - Sept petits pas vers nulle part

Orginal_Making A Difference_AkkiD_UnMastered

One thing that I'm keenly aware of, as a music producer who used to be a nightclub dj, is that a lot of the Interbay tracks, even those designed as "dance" tracks, are still Interbay-enough to confuse some dj's and some dancefloors.  My everpresent need for novelty can strip away the hypnotic pull of a groove that never ends.  No matter the dance music genre, the sense of being able to lose yourself as the music goes on and on is usually present in most dance songs (maybe not dubstep.)  I tend to switch things up, too much and too often, for the types that close their eyes on the dancefloor and just letting the groove to take them somewhere.  

It's a fair cop.  But this might be the exception that proves the rule.  Without losing its inherent and intrinsic Interbayness, "Fathoms" manages to also exude that "we just turned the machines on and let them run" vibe that most people expect from their dance tracks.  

This is a song about deep house while not exactly being a deep house song.  (It is also a potentially happy ending version of the story of rich people who board a submersible that claims to be able to take them down deep enough to see the wreck of the Titanic...only to blink out of existence when the ship proves to be unworthy.)  Even if the BPM of "Fathoms" is well within the range you could expect from deep house, there's also enough synth arpeggiation to throw the trance hat into the ring.  (Can you have deep trance?  Probably...I have probably missed quite a few genre identifications since retiring from dj'ing and record store managing 21 years ago.  And yes, you're right.  I'm an old.)  

This might be my purest dance track yet, whatever the genre you feel most comfortable putting it in.  I hope you like it as much as I do.  

The only way to find out is to listen.  Then you can give it a righteous like--and I hope you do!  

And if you feel so moved as to repost it, share it, add it to a playlist, or comment on it--you are absolutely welcome to do so.  That'd be really cool if you did!

There are new Interbay tracks dropping here on SoundCloud, EVERY SINGLE DAY (so far!--and we're closing in quickly to the 500 straight days of dropping a track on SoundCloud milestone!)  The only way to keep up with this insane posting schedule is to follow the page--that way, you won't miss any new drops along the way!  

Hope you'll check out tomorrow's Interbay drop.  We can both discover what it'll be together, as of right now, I'm not sure what you're going to get!

"Fathoms" *SoundCloud Exclusive*

All I Need to Get High

All I Need to Get High (Ae:ther Dreaming Dub Remix)

Cloud Nine

Mind Against

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