Pre-order now: https://mindrecordsjapan.bandcamp.com/album/anthem

Psychic Liberation presents “Friendly CSA Compilations Parts 1 & 2”. A compilation in two parts consisting of artists orbiting the PL canon from around the world in an effort to raise funds for Roots Unbound Friendly CSA.

Roots Unbound (RU) is an abolitionist grassroots organization based in Brooklyn offering nature-based programming centered around food justice, therapeutic horticulture and ecological disinvestment to people in the NYC area with a focus on supporting and uplifting people impacted by the carceral system.

Friendly CSA is a cooperative, agricultural initiative that was mobilized to respond to the food apartheid within New York jails and prisons. Roots Unbound sends care packages of harvested produce that are
chosen by incarcerated folks via a newsletter sent out every month, by growing and collaborating with local New York City land stewards. This CSA is provided at no cost to the recipients, funds raised for this CSA will be used towards packaging, postage, printed materials for newsletters, and a P.O. box.

To find out more information and donate further :
rootsunbound.org

opencollective.com/rootsunbound/donate
credits
releases May 7, 2021

Mastering : Glyn Maier
Image :Nick Klein
Layout : RJM Vanderheyden

Friendly CSA Compilation Part 1

BUY/DONATE

ALEX SUAREZ- Three Shapes Dances

Greatest Hits, Archive 2010-2015

IVVVO - Insecure

As the first katharsis release of 2022, we present you the debut EP “Distance” by Rome-based artist chantssss. This release frames a deep introspection for the listener by exhibiting a granular sound collage based mainly on aquatic sounds but also on solid objects broken up to tiny pieces until they transform into a liquid semi-percussive state.

Throughout the four tracks of the EP, we are enveloped by a transforming layer of fluid noise, that momentarily resembles the slithering of a snake, which is also graphicly represented by the artist alias. This is no coincidence, as the artist is connected to this theme by their experience of being bitten by a viper while capturing aquatic field recordings in the mountains.

On “Distance”, chantssss premieres his artistic expression by employing intertwining multi-sensory atmospheres of nature combined with generative synthesis and field recordings. The single “Your Next Online Healing” will be premiered on the 3rd of February, a week before the full EP releases on February 10th.

Distance

chantssss - Breath

Jung/Frye - "Phantom Acid" will be out 7. 7.2022 on SUPERPANG (CD & Digital)

Phantom Acid

SUPERPANG

Jung/Frye - "Phantom Acid" (SUPERPANG)

sonic nectar emerging from a crossover of creators

This compilation by non-binary, trans, and female artists anoints a ritual through its very release, at its heart a queer cross-section of sound. It’s character is neither boxed nor defined, it explores the sonic in electronic form outside convention in genre. It oozes out from fixtures and settles at an irreducible essence, while constituted by disparate strands of voice and identity. The soaring scratch inherent to Plum , clu unfurls a portal of sound-waves, carrying the listener somewhere beyond time. Though its practice, in collective creation, as archaic as prehistory. The album is a celebration in itself, the tracks free to exist together. Each one both intimately and eerily coalesces one’s senses, extraterrestrial in its notes. Not a prototype, but alive in its becoming as it meets the listener.
☂︎
...

Photo and Words by Dasha Vzorov
Mastering by Kiri Stensby
Curated by Paria Almasi

Axine M - grind3

@yyyooouuuttthhh
ALL TRACKS WRITTEN AND PRODUCED BY FLORENT HADJINAZARIAN IN ST FONS, FRANCE.
INSPIRED AND DEDICATED TO "MELANCHOLIA DER ENGEL"
MASTERING BY DANIEL MUMBERSON
DESIGN BY MON


Bringing on the cold rush, seven tracks, all 3:33 long, Hajj’s sound is among the most distinctive in his field on ‘No Soul, No God, No Devil, No Existence’. Influenced by Marian Dora's 2009 film 'The Angels' Melancholia', the album is perhaps best defined by the stark negative ecstasy of its highlight ‘Drag Me Into the Void’, presenting Hajj as a master of collage-like structure, in possession of a compelling grasp of atmosphere. It stands out from much of the contemporary french music we’re aware of for its oblique rejection of club muscularity in favour of more unusual, weightless pressure and suggestively gestural arrangements. That’s not to say it’s not ripe for certain moments in the club, it just doesn’t give them readily.

Beginning like Biosphere doing dankest road rap with DJ Lostboi (anyone checked that Nedarb cut lurking on Æ’s Bandcamp purchase list yet?) in ‘Our Lady of Darkness’, he holds an immaculately dark-but-lush appeal from the K-hole nightmare of ‘Loosing U 4 Ever’ to the cosmic plangency of ‘Vox Tenebrae’, meting out discomfiting intro rap like a fantasy Croww x Ronce in ‘Heaven’s Calamity’, and like Spectre x Pan Daijing in ‘Do U Remember Bein Born’, while his ear for saliva-inducing textures comes to fruition on the voyeuristic vortex of ‘Burning Illusions’, perfectly distilling the cold rush on an original mix of the glorious ‘Drag Me Into the Void’.

Burning Illusions

mastered by charles verni http://charlesverni.com/

new music coming soon

new music

Taken from SBKT060: ABADIR - Ison
Release date: 28th September 2023

Limited edition vinyl + digital

Artwork: Luke Griffiths
Photography: Omar Elkafrawy
Mastering: Raphael Valensi
Special thanks to Amira Elmasry

For our 60th release, we are very excited to present ‘Ison’, a new album by ABADIR.

Growing up in Heliopolis, Cairo, I used to visit different churches with my parents for Sunday mass and on Christian holidays. Fascinated with the choir and chants by various sects, I absorbed all these different sounds into one hybrid memory, which was the main inspiration for ‘Ison’. Using segments and field recordings from Coptic, Syriac, Maronite, Greek Orthodox and Catholic choirs, I present my own vision of what can be described as fresh hymns, fictional chants, or parts of a contemporary Sunday mass.

This is not representational. This is not a cultural relic for the exoticizing gaze. This is purely personal; a fictional sound rooted in the present.

While ‘Ison’ is clearly different from my last album, ‘Mutate’, it follows the same approach of revisiting cultural surroundings for potential mutation. If Mutate’s clubby vibe was made “to make the floor burn”, Ison is intended to cure last night’s hangover.

Ison

ABADIR - The Seven Buildings Interlude

@0171music

"As we tend to sing together in our music, the left/right separation was an inspiring way to push ourselves far apart, and write a song about two people who can't be together. We wanted the music to replicate this yearning that things could be different - pushing pointlessly against a brick wall of separation. In the end the voices fade but elements of the stereo field start to blend again. There is a kind of sad final rest."

Different House - Separating Makes It Clean

Made of Industrial tones and decadent rhythm this MIND CLEAR 011 produced by Anthem 
is pushing at his most extreme layers future dub / trap and black metal, with an hypnotic modular synthesis 
for the wildest waves in our ears.

Picture by Gaspar Noé:



Full transparent 8" packed in beautiful half silver/half transparent sleeve. Ultra limited edition of 50 copies.

Pre-order here:
https://mindrecordsjapan.bandcamp.com/album/anthem

MIND CLEAR 011 - ANTHEM - DWERK

"If you had to live your life over and over again for eternity, how would you live it? What does making choices mean? The contingencies of a life unravel my senses."

Throughout the course of 10 tracks of ‘Wiederkunft Eternal LP‘, the debut album by German producer thirdworldlabour, a digitally cold climate dominates throughout while a specific kind of affectivity is captured in each track. The sound design ranges from emotionally brutal (within) and uncanny (diminished spirits) to blissfully divine (a seamless float to another dome). An emphasis of using chopped vocal samples together with choir-like ambience often creates an ethereal atmosphere which subsequently is shattered by seemingly primitive and at times overtly mechanistic drum programming. Repeatedly Cryogenic synth melodies are paired with unwavering percussion that evoke connotations of fully automated, industrial production processes (many fathers/ancestral transition). Whereas in other parts, steady vocal arpeggios prevail in a textural landscape which seems to dissolve itself into non-physicality (disintegration II).
Reflected in the works title, the album draws upon the concept of the 'Eternal Return' which has its origins in non-western philosophy. The concept relates to the notion of pre-determinism and assumes that time and space are infinite progresses in which the individual is living their life over and over again in a never ending recurrent cycle.
Wiederkunft Eternal examines said concept within the expressive potential of sound and specifically tries to investigate the relationship between hope and despair as central themes in human experience.

all tracks by @thirdworldlabour
mix & mastering by @wimdehaen
visuals & cassette design by Ver
instagram.com/psalmsofver/

MIND CLEAR 011 - ANTHEM - DWERK

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