2019

Zero mix

Deas - Zero mix

Ced.Rec - Back On The Dark Side [Wicked Waves Recordings]

Patrick Arbez, Tomo

Bandcamp: https://bit.ly/3Rn1ViC
Beatport: https://bit.ly/3RqGFsl

Master: Wicked Waves Mastering.
Designer company: Binaural Media.
Genre: Dark Techno Industrial.
Catalog number: WWR328

Back On The Dark Side

Ced.Rec - Back On The Dark Side (Patrick Arbez Remix) [Wicked Waves Recordings]

"Rotating Frames" is the new EP for PoleGroup by our very own duo Exium. Four tracks of modern and obscure techno, fuelled by heavy sub-bass action.

"Monopoles" opens fire with massive bass frequencies and continuous hat lines, joined by an obsessive sequence that mutates while it moves around the arrangement.

The approach of "Magnetic Flux" is deeper than the previous track, starting with flanged sequences and a subtle bass drum. Bell-like sounds grow from zero until drones and atmospheres appear from the slight breakdown.

"Rotating Frames" goes straight to the point and rises the tempos a bit, continues with the flanged and phased sequences and relies on a more percussive vibe.

"Early life" is the last number here: robotic FM sounds, effected noise hits, continuous synth lines and a constantly growing structure.

Tracklist:
Vinyl
A1 - Exium - Monopoles
A2 - Exium - Magnetic flux
B1 - Exium - Rotating frames
B2 - Exium - Early life

Digital
1 - Exium - Monopoles
2 - Exium - Magnetic flux
3 - Exium - Rotating frames
4 - Exium - Early life

https://polegroup.bandcamp.com/


Preview - Exium - Rotating Frames - PoleGroup032

Release date (vinyl & digital): 15th of April 2016

Token’s 60th release comes from label mainstay Ctrls, whose tight bond with the imprint continues with this seventh exclusive EP. Following last year’s Two Worlds EP, Nonuser takes Ctrls club focused sound to new heights, delivering rolling percussion alongside twisting, distorted leads and thundering bass lines.

The EP opens with Vocabulary. A rigid percussive framework provides the perfect, albeit heavy backdrop to the track’s distorted, detuned pads and tightly enveloped, morphing lead.

Nonuser’s title track takes dancers into slightly more bizarre territory. Its unrelenting kick drum propels staccato, cut up hi hats alongside a sporadic melody that falls slightly outside the grid.

The release ends with The Wave, a subtler track. Timbre rich chords fade in and out over a thick and rolling low end. Uneven claps complete this atmospheric production, which ends dissolving into the chords and drones built up over the preceding five minutes.

Tracklisting
A1. Vocabulary
A2. Nonuser
B. The Wave 

www.tokenrecords.com
www.facebook.com/tokenrecords

Nonuser

TOKEN60 - Ctrls - Nonuser

Cd compilation to celebrate 5 years of the label.
Pre order: https://involve-records.bandcamp.com/album/5-years-in-love-with-involve-cd

Jeroen Search - The Regions Beneath

First 300 records in red/black marbled Vinyl.

FORMAT: 12" ONLY

ALL TRACKS WRITTEN AND PRODUCED BY MARKUS SUCKUT.
ALL RIGHTS RESERVED.

SCKT06

Constructivism EP

Slam - Mellifluous (Original Mix)

Mastered by Walter Coelho
W&P by Patrick Siech
Distributed through Wallroom GmbH.

Our Exile

Tribunal

A1 - Patrick Siech - Tribunal - 2 Min

pre-order:https://polegroup.bandcamp.com/album/unknown-landscapes-vol-6-selected-and-mixed-by-lewis-fautzi-polegroup53cd

Unknown Landscapes Vol 6 / Selected and mixed by Lewis Fautzi

Tracklist

1 – Christinne – 3652 – 0:00
2 – Fanon Flowers – Closer To The End – 01:00
3 – Nørbak – Vobe – 03:15
4 – Shifted – Untitled -  07:00
5 – S.e.r.e.s – Lifeforms – 10:20
6 – Refracted – Particle Zoo – 13:25
7 – Reeko – Gate H01 – 17:30
8 – Oscar Mulero – Complex Dimension – 21:00
9 – Kwartz – Induced Paralysis – 24:30
10 – Vertical Spectrum – Kurza Łapka  – 28:45
11 – Bas Mooy – Mussen – 32:00
12 – Wrong Assessment – Ernst – 35:10
13 – Lewis Fautzi – Deception Transmission – 39:06
14 – Exium – Plasma Oscilations – 43:00
15 – Michel Lauriola – Shadow Movements – 47:50
16 – Kike Pravda – Zero Gravity – 50:50
17 – P.E.A.R.L. – Infinite Stars – 54:50
18 – Alien Rain – Reign 3 – 59:50
19 – Svreca – Nida – 61:57
20 – Eric Fetcher – Senyals – 65:00
21 – Pris – Fever – 67:15
22 – Adriana Lopez – In Mist – 72:10

Shifted - Untitled - PoleGroup53CD

ARTIST: ELLEN ALLIEN
EP TITLE: UFO
LABEL: UFO Inc.
CAT. NO.: UFO1
BARCODE, PHYS.: 4260600220178
BARCODE, DIGITAL: 4260600220123
FORMAT: 12“ / DIGITAL
RELEASE DATE: January 28TH 2019
DISTRIBUTION: CLONE / THE ORCHARD

Ellen Allien launches her UFO Inc. label with an EP that features the epic "UFO" after it has been on heavy rotation in her recent DJ sets. From "UFO" to the powerful belter "Körpermaschine" on the flipside, the UFO EP perfectly captures the energetic hardware sound of Allien’s new imprint, which will be dedicated to a rough and raw approach to contemporary techno.

Ellen Allien - Körpermaschine

Ryuichi Sakamoto - Energy Flow (U-Zhaan Rework)

Stream / Buy / Download: https://mindtrip.fanlink.to/MT20

Incepted over a decade ago, the career of Buenos Aires-born, Barcelona-based techno producer Pfirter has mostly been bound to the dancefloor and its direct vicinity ever since. Yet, through a complex meshwork of profound atmospheres and passive-aggresive rhythmic experiments, the Argentinian producer has always made a point of infusing his compositions into the kind of long-lasting dubby flavours and penetrating ambient emanations that go well beyond the mere 'banging' attributes and other calibrated apparatus of sorts generally attached to club-focused electronics.

Pfirter's uniquely broad-minded vision finds a further compelling expression on his highly anticipated debut long-player, 'The Empty Space', due out early 2019. With over fifty records under his belt, including original EPs, splits, remixes and compilations on various labels, the MindTrip head honcho was yet to go the full-length route, a key step towards further artistic accomplishment he's now taken with eleven cuts that defy the unflinching 4/4 orthodoxy.

Here Pfirter weaves his wide array of influences across a pulsating delta of dark grooves and shape-shifting atmospherics, steering across sonic rapids with poise and panache. From the false quiet of gloomy lakeshores and riverbanks to post-industrial cityscapes, through barren no-go zones and tiny basements packed to the rafters, the album takes you for a much immersive odyssey across Pfirter's own ''empty space'': a concept he explains to be not a place but ''a state of focus and attention purely into music and creation, which relates a lot to meditation in a way''.

Inspired by physics, sci-fi and Lovecraftian flicks, amongst many other things, Pfirter's inaugural LP is a Protean object by essence, recorded during night sessions to keep his creative flow as pure as possible and not suffer the usual daytime distractions. Multi-faceted yet cohesive, 'The Empty Space' is also a record that revolves around the experience of the voyage itself rather than the destination, hence its favours for transformative processes and mutant constructions. Propelling its listener in a world of multiversical audio geometry and whelming ambiences, Pfirter creates a totally idiosyncratic headspace away from the techno's usual norms and standards. Variations instead of translations, in-between flux instead of clot-like hits.

Don't get this wrong, 'The Empty Space' has its dancy sequences - there's plenty of them actually, but it's also innervated by graceful moments of freedom and sudden drifts into pensive musical terrains that the single 12'' format can't waste time bearing into the limelights. Tracks like 'The Empty Space', 'Note To Self', 'Isolation', 'New Physics' will sure make an instant impact on the floor but then the second half of the album clearly veers off into something more personal for Pfirter, putting on display a much deeper introspective facet of his craft that largely sublimates the whole. A work of maturity anchored in the vibrancy of the moment, 'The Empty Space' throbs with a vital pulse that acutely transcends all categories and genres, as Pfirter adroitly recombines techno's DNA into something truly and definitely his own.We are really happy to welcome such a young and furious spirit on the label, and we do believe his tunes work best if you play them out loud.
This is MindTrip!

Digital / Vinyl

Pfirter - Note To Self [MT20]

Straight outta Copenhagen. The young Danish duo Code Walk delivers the first release of the year for Peder Mannerfelt Produktion. Six tracks that encompass a perfect balance of attitude, speed and atmosphere. Expect the unexpected and expect to hear more about Code Walk in 2019.

Code Walk - 'Distance'
A1 - Distance	
A2 - Touch	
A3 - Streak	
B1 - Red	
B2 - The Same As Me	
B3 - Monitor

Cat #: PMCW001
Label: Peder Mannerfelt Produktion
Format: Vinyl / Digital
Distribution: Boomkat

Release date: Feb 15th 2019

Code Walk - Touch

OUT NOW: lnk.to/redaxesPH84 
A Sound Test
B1 Shabak Shalom
B2 Kookoo Papa

Following their hugely well-received, refreshingly outlandish debut EP for Phantasy, Israeli club outsiders Red Axes return to the label with another three-track delight of leftfield dance entitled ‘Sound Test’.

Debuting on Phantasy in 2018, ‘Sipoor’ by Red Axes was massive. The release received critical acclaim, not to mention heavy support within the club realm from DJs like Call Super, Jennifer Cardini, Ewan Pearson, Fort Romeau, Massimiliano Pagliara, Chloe, and many more.

Highly soughtafter by those who’ve heard Erol Alkan unleash it in recent months, ‘Sound Test’ kickstarts Phantasy Sound’s 2019 - a rolling tool for a dance floor sliding into another dimension, constructed around a dramatic, numeric countdown. A minimal, skeletal build builds (and builds!) throughout to one of the most out-there breakdowns in recent rave-blotted memory, as the Axes slowly but surely rebuild their house to even more outlandish new proportions. Ten, nine, eight, seven...

‘Shabak Shalom’ quickly snatches the record back from outer space and drags it deep into the basement, zoning in on the gritter, strobe-ready sound that defines the duo’s most club-ready work. All of the Axes’ weapons of choice are deployed as unusually as per usual; militant drums, battered electronics, fucked- frequencies, wiry post-punk guitar lines and lovingly drowned traditional instruments blend to create their own special, slightly-menacing interpretation of hi-NRG.

Finally, on the unapologetically sprawling and immediately effective closing number, ‘Kookoo Papa’, Red Axes demonstrate their inherent talent, if proof were ever needed, of conjuring rolling, simmering tension in otherworldly shades. Those who enjoyed the cartoonish motor FX of ‘Teroof’ will be delighted to find themselves found into an even wackier race this time round, hitting on the origins of Chicago jack, acid meltdowns and screeching no-wave.

Buy link: lnk.to/redaxesPH84

Label: Phantasy Sound
Cat No: PH84
Artist: Red Axes 
Title: Sound Test
Release date: 01.02.2019

A1 Sound Test
A2 Shabak Shalom 
B1 Kookoo Papa

Subscribe: bit.ly/SubscribeRedAxes

Follow Red Axes:
Facebook: www.facebook.com/redaxesmusic
Instagram: www.instagram.com/red_axes_we_are/
Soundcloud: @redaxes
Spotify: open.spotify.com/artist/5Owm9QgL9…15TZaU6BV7RQlnPg
Beatport: www.beatport.com/artist/red-axes/208430

Buy 12" + Download

Shabak Shalom

Live DJ Set at KHIDI in Tbilisi, GEO
08.02.19
🀄️

Parallx DJ Set at KHIDI | Tbilisi, Georgia | 08.02.2019

1998

https://www.discogs.com/release/26582

Planetary Assault Systems - Dungeon

MindTrip music, Founded by Pfirter 2006. 
Reinvented and relaunched in 2012 under the new name MindTrip.

MindTrip Music was the creation of Buenos Aires born Juan Pablo Pfirter in 2006. The digital-only label acted as a springboard for upcoming Argentinian artists and of course, Pfirter himself, introducing those talents to the rest of the world. Over the years, the fledgling label allowed Juan Pablo the ability to experiment and play with music, sounds and textures and develop his own sense of direction and focus. Collaborating and drawing influence and experience from fellow MindTrip Music artists like Jonas Kopp, Flug, Markus Suckut, Psyk and Monoloc, both the label and Pfirter grew in symbiotic proportion. But after 6 years and 48 releases, Pfirter felt the need for change.

Having released on CLR, Stockholm LTD, Stroboscopic Artefacts & Figure, Pfirter’s brand of hypnotic music has touched dancers and listeners the world over. Not only limited to the clubs, Pfirter’s productions have delved deep into the experimental side too. This is the focus and framework of the new label. 
Juan Pablo reinvented and relaunched the MindTrip imprint, showcasing the full degree of his sound. The label changed its name from MindTrip Music to
just MindTrip, releasing vinyl as well as digital utilising a bespoke artwork profile.
This is MindTrip music!


Pfirter - Note To Self [MT20]

MindTripRec

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