😔😔😔😔 why did they remove  these  songs 😔😔😔😔😔😔

the sounds of what is a living hell ,but the song has a heavenly sound to is

as of ot as a lush place like the overworld but as if it was on to of a massive volcano that erupted turning into that way it is

with  the peaceful  sounds is is what is left of its lushness like it adapted  ,because  the warped forest  and the crimsom forest

Lena Raine - Infinite Amethyst (Minecraft 1.18 Music).mp3

Lena Raine - Stand Tall (Minecraft 1.18 music)

Minecraft: Trails & Tales

Relic

Lena Raine — Ancestry

Minecraft: The Garden Awakens

Infinite Spooky Amethyst

Title:
Crackle

Dates:
28-Apr-2024 (inception), 01-May-2024 (finalised), 28-May-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Photography by Zachary Freund
Astrophotography by John Holgate

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/crackle
YouTube Video:
https://youtu.be/WeRj2nls07A

Description:

Midnight Run Through The Port Hills
	
Valley run,
Moon light night,
Tree shadows sweep by.

Forest behind,
Sweeping bends ahead.

Tension builds,
Revs increase,
Hill climb begins.
City lights flicker below.

Sky lights appear,
Ascending light beam,
Hatch silhouette,
Galaxy engulfs,
Silence,
Darkness.


Behind the scenes music notes:

The main motivation behind Crackle is the Just Intonation (JI) tuning used, taking all the harmonics from octaves 0 to 5, octave reduce, remove duplicates and re-order in ascending order. This resulted in a 29 frequency ratios (not including in the 2/1 octave). These 30 frequency ratios were then transposed by JI perfect fifths (3/2 ratio) to expand the scale in violin style ready for a four string violin. When applied to violin, this means there are 30 notes per string spanning one octave.

The scale outline (** full details see my social media and BandCamp **):
Scale Index(i), [string number], JI Equation, Cent
0[1], 1/1, 0c
1[1], 33/32, 53c
2[1], 17/16, 105c
3[1], 9/8, 204c
4[1], 37/32, 251c
5[1], 19/16, 298c
6[1], 39/32, 342c
7[1], 5/4, 386c
8[1], 41/32, 429c
9[1], 21/16, 471c
10[1], 43/32, 512c
11[1], 11/8, 551c
12[1], 23/16, 628c
13[1], 47/32, 666c
14[1], 3/2, 702c
15[1], 49/32, 738c
16[1], 25/16, 773c
17[1], 51/32, 807c
18[1], 13/8, 841c
19[1], 53/32, 874c
20[1], 27/16, 906c
21[1], 55/32, 938c
22[1], 7/4, 969c
23[1], 57/32, 999c
24[1], 29/16, 1030c
25[1], 59/32, 1059c
26[1], 15/8, 1088c
27[1], 61/32, 1117c
28[1], 31/16, 1145c
29[1], 2/1, 1200c
30[2], 3/2, 702c
31[2], 99/64, 755c
...
59[2], 3/1, 1902c
60[3], 9/4, 1404c
61[3], 297/128, 1457c
...
89[3], 9/2, 2604c
90[4], 27/8, 2106c
91[4], 891/256, 2159c
...
118[4], 837/128, 3251c
119[4], 27/4, 3306c


It was then time to start playing around with the scale. The reference note used for this scale was not as per a concert pitch violin, rather concert pitch middle C, then some differing octave transpositions for the various string tracks.

The string sections were played on a 64 note midi controller, the Ableton Push2, so only a subset of the full 120 notes could be played at once. Played "organ style", as chords, well beyond double stop capabilities of a single physical string instrument. These tracks provided the basic harmony and melodic concepts.

Next the Soma Pipe (hardware synthesiser, here accepting the human voice as input) was played to provide improvised lead and percussive parts. The lead parts used various Pipe algorithms (Filtera, Harcho, MadDelay and Synth), the tuning was not necessarily strictly as per the table above, but rather improvised live tuning, where I as the performer, used my ears and emotions to guide the tuning choices. Some of the Pipe parts used a digital amplitude modulation device (Max for Live, custom programmed, the NOF_AENV Release 06). This amplitude modulation tool, used two simultaneous sine wave modulations with JI frequency ratios.

A wave table synthesiser in Ableton Live was used for the string section and for one additional instrument.

** See BandCamp and Social Media links for video production notes. **

Artist Links:
Norman Freund; Social media: https://www.facebook.com/norman.freund.545; YouTube: https://youtube.com/@normanfreund; Music: https://soundcloud.com/norman-freund, https://normanfreund.bandcamp.com

John Holgate; Social media: https://www.facebook.com/blundering.fool.3; YouTube: https://www.youtube.com/@quedecree; Music: johnholgate.bandcamp.com

Zachary Freund, Social Media: https://www.facebook.com/zac.freund.9, Instagram: https://www.instagram.com/zac_freund

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