is the song by artkelle made only for this playlist? 😭 what’s the track name plsssss 

friends.queerbase.at/donate/?lang=en

Imagine you are a queer refugee and there’s a place you can go. A place like Queer Base where queer refugees find the respect, love and support of a community ready to fight the system. A community center that allows you to be who you are and gives you the ressources you need to live your life in freedom.

Together with Queer Base we took over the airwaves at Radio 80000 with so many amazing artists around the globe, that join our cause to support the Legal Advice Team of Queer Base .

We proudly present you following artists that joined us for the day

11:00 - 12:00 Amy.G.Dala (Stuttgart)
12:00 - 13:00 Borusiade (Berlin)
13:00 - 14:00 Rumi Von Baires (Vienna)
14:00 - 15:00 Nala Brown (Rotterdam)
15:00 - 16:00 Ms. G (London)
16:00 - 17:00 Seven Davis Jr. (San Francisco)
17:00 - 18:00 Joyce Muniz (Berlin/Vienna)
18:00 - 19:00 Bawrut (Madrid)
19:00 - 20:00 Younger Than Me (Berlin)
20:00 - 21:00 Each Other (New York)
21:00 - 22:00 Brame & Hamo (Berlin)
22:00 - 23:00 Shcuro (Lisbon)
23:00 - 24:00 DJ Sweet6Teen (Cologne)

All artworks by Daniel Rajcsanyi

Each Other - FM pres. Queer Base Takeover @ Radio 80000 26/06/2021

let pass

Abstract and mysterious vibes by Simonas artkelle. A narrow and careful selection of sounds and melodies will take you for a walk to a deep forest with rare flowers.

@artkelle

TL:

Linkwood – Solar Panel
V.A. – 3 (Chain Reaction – CR-02)
Forest Drive West – Phase Shift
artkelle - ???
Joy Orbison – Yl She’s Away
Cameo Blush – Red Tarn
Nathan Melja – Synesthesia (Pariah Remix)
Pearson Sound – Blanked
Lone – Mouth of God
Tom VR – Fast Track To Bliss
Blue Maxx – Mercury 3
Ross From Friends – The Daisy
Overmono – Echo Rush
Black Loops – Ode To Ipse
PFM – One & Only
Jack Herer – Trying Too Clever (Djrum Remix)

artkelle - Minimal Mondays Mix 59

For the next premiere on @DarkScienceElectro we turn to @Datawave, who should be on your radar by this point in the game if you have been paying attention to my output as Dark Science Electro on social media sites. I've been screaming (from the Electro mountain top) about how fantastic this newcomer's work is and it looks like he is getting some traction with a new full-length release on 

@Talahachi is a UK-based record label focused on rhythmic electronic music, operating from the science department of North Middlesex Technical College and they have been active since 2014. With their new release we see the first full-length release from @Datawave. This Belgian producer has arranged a collection of tracks that truly highlight his flexibility within the Electro music genre. The name 'Telesto' comes from the name of a small moon floating in the orbit of Saturn, which plays into the theme of the release which is centered around an imaginary future in which a long-abandoned orbiting weather station starts transmitting signals again. The track features classic 808 drum programming as well as lush pads combined with sparse, stop-n-go bass lines. Subtle supporting synths bring additional depth to the track by way of dreamy atmosphere. The album is released on September 30th.

Purchase here: talahachi.bandcamp.com/

Additional resources: 
https://www.discogs.com/label/708117-Talahachi
https://www.facebook.com/Datawave01

Frontier Lab

Buy Album

PREMIERE: Datawave - Telesto (Talahachi)

A1 - Air Liquide - This Is A Mind Trip
B1 - Air Liquide - Die Singende Saege
B2 - Air Liquide - Zeitgeber 3

This is not a mind trip, this is a body journey! 
This is not a mind trip, or is it? 
The Intergalactic Research Institute for Sound is proud to present fresh music from the legendary german duo Air Liquide. Active since 1991, Dr Walker and Jammin Unit have released more than 50 records with their band Air Liquide. 

This is their first official outing since 2004, but that does not mean that these two were hiding somewhere for 15 years. Jammin Unit stayed busy with his Jammin Masters – mastering studio and Dr Walker was heavily involved in the Liquid Sky artist collective and they kept making music sometimes undercover, or on remix duty/coproducing with Coldcut and Ninja Tune and other high profile artists. 

“This is a Mind Trip” nods to the 94’s Love Parade, Dr. Motte, and things that could ring nostalgic for some. However there is no nostalgia in these three tracks. Air Liquide was always looking towards the future and this hasn’t changed despite the hiatus between the releases. 

We’ll spare you more useless chatter about a new take on techno, because this is a mind trip and not a body journey! 

And this trip is damn good! 

Written & produced by Air Liquide 
*This Is A Mind Trip feat. Mary S. Applegate (Drums & Synths by OMSK Information) 
Recorded and mixed at Strunkelpotz, 2018 
Mastered at Jammin Masters, Berlin 
Photo by the great Yorck Dertinger 
Published by Freibank Musikverlag 

AIR LIQUIDE 

Formed in 1991, Air Liquide is a “mythical” electronic music act composed of Ingmar Koch and Cem Oral. After meeting in Frankfurt during a jam session, they started to collaborate and released Neue Frankfurter Elektronik Schule, soon followed by their first LP Air Liquide. Throughout the 90’s their records explored many new themes in electronic music influencing the genre for the next decades. They notoriously performed with American poet Mary Susan Applegate who contributed with vocals on some of their songs. After Let Your Ears Be the Receiver in 2004, the duo separated and did not release any new music under their Air Liquide guise until 2018. 
credits
releases October 27, 2018

Air Liquide - This Is A Mind Trip (IRIS004)

Although Cleveland maintains something of a low profile, recent years have seen his catalog blossom with quality releases on labels like Hivern Discs and ESP Insitute. On May 10, the Luxembourg-born, Brussels-based producer is set to return to Hivern Discs with 'nDSi,' a double EP that finds him taking a more stripped-down approach. Ahead of its release, we debuted the bucolic melodies and machine gallop of "DX6" on Red Bull Radio's First Floor, our weekly look at what's new in electronic music.

@clevelandmusicpage
@hivern_disc
http://redbullradio.com/shows/first-floor-shawn-reynaldo
http://redbullmusicacademy.com

HVN054 nDSi (320 mp3 mstrd promo)

Cleveland "DX6" [First Floor Premiere]

ORDER: https://safe-trip.org/products/hoshina-anniversary-hakkenden-single

Colleagues in Japan provided us with sample product of the following audio artefact – file number ST015 – believing that it may be relevant to the Safe Trip Institute’s ongoing research in this area of study. After rigorous testing and analysis, we would like to offer the following observations:

The artefact contains two related pieces of music, which appear to be the work of a high profile pseudo-scientist known as Hoshina Anniversary.

If you listen carefully to the first piece, “Hakkenden I”, the first thing you will notice is how the lead electric piano line and repetitive electronic motifs – known in colloquial slang as “acid lines” – follow the same melodic pattern, as if Hoshina Anniversary was sending the same powerful psychokinetic instructions to a number of instruments at the same time.

In contrast, “Hakkenden II” is darker and more hallucinogenic in tone. The use of restless, arpeggio-style bass and creepy-sounding chord sequences suggest that Hoshina Anniversary momentarily lost control of his psychokinetic powers before wresting back the initiative as the recording progressed (the return of the melodies and instrumentation heard in “Hakkenden I” in the second half of the piece supports these findings).

We invite colleagues the world over to analyze and test this audio artefact further in order to increase our understanding of this thought-provoking item and its unusual Japanese creator.

Hakkenden

Hakkenden II

order: https://safe-trip.org/products/trans-4m-arrival-amma-mixes-single
https://safetrip.bandcamp.com/

1. Trans-4M - Arrival (Remix)
2. Trans-4M - Amma (Moon Mix)

Following our discovery of the audio artefact known as “Sublunar Point” in scrubland outside Antwerp, Belgium, we asked colleagues to scour the area for related materials. We can now confirm that a further audio artefact was unearthed and brought to the Safe Trip Laboratory for testing. The summary of our findings is as follows:

• Using electro-acoustic analysis, groove deconstruction, psycho-lunar testing and carbon-nuclear sub-division, we were able to accurately date the two musical compositions contained within the canister of audiotape. We cannot 100% confirm our suspicion that they were created by the same siblings behind “Sublunar Point”, but the balance of probability suggests that they were.

• The first work has been given the title “Amma (Moon Mix)” in tribute to its unique properties. We initially found no response to any of our tests, including patented methods such as tape biopsy and note sequencing. However, when a full moon was hanging in the sky, the musical work was audible both inside and outside the lab.

• We attempted to match the “Oracle Genome” sequence extracted from the work using our extensive database of audio artefacts that have been made available to the public via the Safe Trip Laboratory’s openness programme. We discovered that this particular work was identical to one that emerged from Belgium in 1993.

• To ascertain the optimal frequency of the second artefact discovered on the unearthed tape, our researchers handed copies to 23 members of the public and asked them to listen to the works at wildly different speeds. After reviewing the data, we were surprised to discover that the optimal frequency was 23,000 Hz. Curiously, this a frequency that only dogs can hear.

• Fearing our research methods were not getting results, a second team of human “guinea pigs” was assembled in a dark room, played the work on a loop for 17.4 hours and then asked to say the first word that came to mind. All 47 of the respondents said the word “Arrival”. This is therefore the name of the work, which we believe is a very special, unheard composition created at the same time as “Sublunar Oracles”, the long playing artefact mentioned earlier.

We invite colleagues the world over to analyze and test this audio artefact further in order to increase our understanding of this mysterious and thought-provoking item.

Sublunar Oracles Remixes

Arrival (Remix)

BUY compilation : https://lesyeuxorange.bandcamp.com/album/driving-blind-vol-1

BUY track : https://lesyeuxorange.bandcamp.com/track/yardley-mineralised

Yardley - Mineralised (Les Yeux Orange)

The fourth multi-artist EP from blog-turned-record label Innate takes the imprint’s inherently warm and far-sighted sound into new intergalactic directions, offering up a quartet of cuts from established producers and rising stars: all inspired by dreams of cross-cosmic travel and the alluring weightlessness of deep space.

While all of Innate’s previous releases have tended towards the futuristic and otherworldly, EP number four explores the label’s love of stargazing electronic music much more explicitly. It features tracks that tend towards the timeless, mixing shimmering, life-affirming melodies, starburst electronics and twinkling chords. 

The A-side is all about deep, melodious and spacey electro, with tracks coming courtesy of two artists who are at very different stages in their musical careers. Up first is Steven Brunsmann AKA Aroy Dee, an experienced and much-loved Dutch scene stalwart making a rare appearance away from his acclaimed M>O>S Recordings label. “Leegte”, his sole outing of 2020 so far, is impressively immersive with Brunsmann cloaking a jaunty bassline and lo-fi electro beats in sumptuous aural textures and glassy-eyed chord sequences. The second slab comes courtesy of Innate label regular Gilbert, whose dedication to the more melodious and ear-catching end of the machine soul spectrum has been such a feature of the imprint’s releases to date. “Furthest Planet” may well be his most inspired musical workout yet: a deep electro roller whose lilting lead lines, shimmering electronics, yearning chords and tumbling acid lines are little less than life-affirming.

Over on side B, the sound subtly shifts towards the vibrant, multi-coloured sci-fi shimmer of techno in its purest form. First to make his mark is label newcomer Jonski, an alternate alias for fast-rising Bristol electro producer Zobol (real name Jon Chimielewski). “Venusian Surface” is classic star-gazing techno, with vivid chords, echoing synth squiggles, bubbly TB-303 motifs and alluring lead lines rising above a classic tech-funk bassline and bustling machine drums. To round of a great EP in style, Innate turns to effervescent Welshman DJ Guy. Fresh from inspired outings on Unthank and Other World Music, the Cardiff-based producer slams down a sweaty, energetic and forthright techno stomper. “Aphelion Orbit” boasts some brilliantly breathless, jacking drum programming – all machine-gun snare fills and snappy handclaps – but it’s the celestial shimmer of the accompanying chords and melodies that lingers longest in the memory. It’s a perfect conclusion to Innate’s most melodious and action-packed release to date.

PREMIERE : Aroy Dee - Leegte JA

PBR Streetgang return to their home imprint KURTZ to deliver their latest EP ‘Sendeturm’, accompanied by a remix from Paranoid London’s Johnny Aux.

Long-standing members of the house and disco landscape with releases via the likes of Skint, Crosstown Rebels and Futureboogie amongst many, Bonar Bradberry and Tom Thorpe, aka PBR Streetgang, continue to evolve and impress as one of the most consistent and diverse duos on the scene. Holding down residencies at the likes of Pikes in Ibiza, whilst making stand-out appearances at the likes of Glastonbury, Printworks and Love International – a festival which holds a special place within this latest EP – the duo launched their vinyl-focused KURTZ imprint in 2019 in impressive style, gaining support from the likes of DJ Harvey, Bicep, Soul Clap, and the late great Andrew Weatherall. Following a brief hiatus, the duo now return to home turf with possibly the strongest release on the label to date as they unveil their ‘Senderturm’ EP, welcoming Paranoid London member and electro-favourite Johnny Aux on remix duties.

Opening cut ‘Zoot Module’ welcomes a moody, low-slung slab of electro with haunting riffs and eerie synth lines which hold your sonic gaze front and centre, whilst title production ‘Sendeturm’, named after the lookout tower above the Love International site, takes listeners on a dreamy beat-less ride through melancholic tones and showcases an ode to a summer lost in place of beauty.

On the flip, Johnny Aux’s interpretation of ‘Zoot Module’ welcomes his signature rough and raw dirtbox sound which buries its way under your skin to reveal a pacey, true body mover, before closing proceedings via the blissful and rich ‘Thru The Shutters’ – a production imagined as the final track in the early hours of a Sunday morning dancefloor and a hypnotic closer that shapes up proceedings in emphatic fashion.

Sendeturm EP (incl. Johnny Aux Remix)

PREMIERE : PBR Streetgang - Zoot Module (Johnny Aux Remix)

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artkelle - Minimal Mondays Mix 59

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