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Szenzus

Power Rangers Mystic Force Full Theme Song

Edition of 300 orange vinyl:
https://shallnotfade.co.uk/album/minobu-ep

With his second contribution to the Lost Palms catalogue, Swansea-based producer Tom Vernon takes us by the hand and leads us with him on a contemplative journey through Japan’s rural landscapes and their urban surroundings. 
 
Following the success of his debut EP released on Shall Not Fade’s sub-label Lost Palms, Tom Vernon returns with a blissed-out 5-tracker. Taking its name from the ancient temple district at the foot of the Japanese mountain, Minobu EP sees the emerging producer fuse field recordings with the stylistic tropes of house and broken beat, creating intricately woven tapestries imbued with memory and place. 
 
The wistfully amorphous opening track ‘Onjuku’ captures the stasis of a declining-population seaside town, taking its cue from the futile whine of the tsunami warning system that echoes daily through its empty streets. On ‘Minobu In The Train’, the EP discovers its pulse, translated into the shuffle of maracas, reverberating cymbals and a hypnotic piano melody that New Zealand brothers Chaos in the CBD would be proud of. With instrumental-sounding percussion, a modest, throbbing bassline and the ambient backdrop of Tokyo station, ‘Unexpected departure’ takes jazz-infused broken beat as its reference point, and sees the EP at its most transportive. Bringing things to a close are the complex drum workouts and acid-tinged melody of ‘Route E52’ and the more upbeat deep house track ‘Could This Be’ with low pass filtered funk-infused melody that oozes sex appeal. 

Minobu EP drops 22nd April via Shall Not Fade.

Onjuku

BUY RELEASE

PALMS049 // Tom Vernon - Minobu EP

Return

Herbst-Blues

*Read More: http://boltingbits.com/marenn-sukie-the-theme/
*Watch on YouTube: https://youtu.be/85tp2OGOEkA
*Buy it: http://bit.ly/2rj6LCc

Bristol based collective @Banoffee-Pies celebrates their 5th release on Limited Series imprint.

@MarennSukie aka Chris Roth serves up a drum theme, aptly named ‘The Theme’. Inspired by sample based albums like Bonobo’s ‘Dial m for Monkey’ and Calibre’s ‘Second Sun’, Roth employs a sample based approach to music making. In this instance chopping and mixing some dusty jazz-funk samples, layered behind a pulsating chord pattern and covered in chambers of delay and echo. Stepping up to the plate and taking a big old slice, Roth effortlessly slides in amongst a stellar cast which includes Seb Wildwood and Jon Sable. An explorative and interesting EP from Banoffee Pies, one which captures the imagination and soundtracks sultry summer days.

Limited Series 05

PREMIERE : Marenn Sukie - The Theme

Listen to all tracks from ‘Utility’ in full at https://sambarker.bandcamp.com/album/utility

On his debut solo LP ‘Utility’, Barker [@voltek] turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process.

‘Utility’ is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation.

Listen now in full

Barker | Utility

Barker | Paradise Engineering

Electron Central [Swirlings LP, Hausu Mountain 2020]

Second Language

Second Language (Kid the Moon)

* Read more: https://boltingbits.com/hi-saberhagen-tytb-hi-sabs/
* Watch on YouTube: https://youtu.be/ZaJlqbO5aSg
* Pre-order: https://hiandsaberhagen.bandcamp.com/album/the-blood-i-suck

Hi & Saberhägen are back. Originally coming to our attention via Glasgow-based Huntleys + Palmers in 2015, the duo has put out a steady stream of a couple of releases per year since then. With a brief hiatus in 2019, while only releasing a single track and focusing on solo projects, the duo are back with their first full release in two years.

Not taking themselves too seriously on social media outlets, we've noticed their music almost juxtaposes their carefree attitudes and has a sober maturity about it. "The Blood I Suck" EP is another addition to an already strong discography. Titled after... well, apparently after a booze-filled night of banter, the name of the record again shows you the contrasting sides between their personalities and the music itself (or at least so it appears). Continuing to merge live instrumentation with careful sampling and easy-going melodies, this EP encompasses what we've come to love about their music.

Today we're shedding light on the closing track "TyTB". A slowly evolving, late night journey, it fuses elements of various genres to produce a unique piece in true Hi & Saberhägen fashion. Building up slowly to reveal a dusty, lighthearted sample, the bulk of the track is a lot more somber in mood. Yet somehow, this direct contradiction in musical styles blends to create the perfect atmosphere.

PREMIERE: Hi & Saberhägen - TyTB

Melbourne’s 30/70 join forces with London and Australia’s South East elite beat-makers to deliver ‘Fluid Motion: Remixed’ on Rhythm Section International.

After the fruits of 2018’s luminous and lifted ‘Elevations’ iteration, we were keen to see how the rich, soulful and instrumental layers of last Summer’s ‘Fluid Motion’ LP could be reimagined by some of the key players in our mutual musical scenes. So, we invited a selection of our nearest and dearest to create their take on the track from the record that spoke to them most.

The ‘Fluid Motion: Remixed’ EP expands the album’s effortless eclecticism but offers energies more suited to the dancefloor that we’re missing oh so much. The first single comes from fellow label affiliates SAUL who kick things off with a bouncy breaks flip of N.Y.P., transforming it’s tender tones into a bright and lively party starter. It’s followed up by Peckham’s hazy house producers, Athlete Whippet, who inject ’Tempted’ with foot-stomping percussion and a moody electronic groove. We then move to the Southern Hemisphere with Close Counters, who serve up an ‘Impermanence’ rework that journeys from sweaty bruk stylings to a sunny club chug. Setwun amps up the heat of Allysha’s pacey lyrical performance in title track ‘Fluid Motion' with squelchy low-swinging synths, showcasing his signature fusion of dance and funk. From Sydney’s self-proclaimed ‘Soulstranaut’ to “the Dilla of Deptford” (STW), Maxwell Owin chops up ‘Tempted’ with a vigorous chasing tempo, twinkling glitches, a plunging bassy breakdown and seductive whispers to propel his gritty-city sonic aesthetic into a far-flung atmospheric nebula.

The Fluid Motion remix project sees the musical worlds of SE16 and Melbourne meet once again, proving it to be an alliance that just keeps on giving.

Fluid Motion: Remixed

Tempted (Maxwell Owin Remix)

11/08/20

Episode 4 in my "Handpicked" series on @reprezentradio.

Tracklist in download link.

"Handpicked" is a space for me to bring in guests who I consider to be the originators behind the style they make. This month I'm pulling in an artist who's been the soundtrack to every summer for me. A true icon in the downtempo house world, https://soundcloud.com/dialogg

The show has been shortened for your convenience. In future, if you wish to hear the full 2 hours please tune in to reprezent.org.uk at 11pm BST on the second Friday of every month.

If you can't make that though don't sweat, I'll be putting them up here.

As always, stay up to date on my insta.

Tracklist Download

Handpicked - Episode 4: Aleksandir

bandcamp

Eamon Harkin - Once Is Maybe Enough (DJ Sports Remix)

bookings & abuse: minorscienceminorscience[at]gmail.com
promo: minorsciencepromo[at]gmail.com

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Second Language (Kid the Moon)

Minor Science

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