MKG 021

Mixed at "Les Studios du Futur de l'Audiovisuel"

Pandore

WhoMadeWho - "Ember EP" out on Get Physical May 18th 2015. DD and limited clear vinyl. 

WhoMadeWho - Ember (Radio Edit)

Rather

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Tripaloski

Stereodynamic Pancake (2017)

Viby soft Synths, Open Air Flair and having good times ... <3

Parck

Merci für alle und alles.
Ich verbeuge mich.

gιиα ѕαвαтιиι @ Bucht der Träumer* 2019《Cap Cavala》

First Project I did on my new MacBook, using Ableton Live Lite to test the performance (its pretty damn good). I enjoyed the soundscapes I discovered, so I sticked to them and built a track - enjoy it!

Matrei

Written & produced by Julian Stetter & Azhar Syed
2013, Humming Records/Rough Trade

http://www.vimesmusic.com
http://www.facebook.com/vimesmusic

  Buy on iTunes

House Of Deer

Listen to the tracks submitted in the feeder sound II OPEN CALL for producers: https://www.feeder.ro/2020/05/12/feeder-sound-open-call-tracks/

Between 12th of May and 12th of June, the jury composed by Ema Remedi, Tripmastaz, Dudley Strangeways, Hendrik, Miss I, Primărie, Jay Bliss will listen, select and award 3 tracks. The lucky WINNERS will be announced on the 15th of June.

Terry Benedikt - Losing Control
Track description: This track is very close to my heart. It was not a very conscious process of composing it, things just unfolded and I let them be. All I knew was that I wanted it to sound original. The sketch of it was made during a spontaneous all-night session when I couldn’t sleep, sometime in February 2020 in Berlin. Losing Control aims to embody how life can be lived by most of us in these daring capitalist times, always at the edge of getting your shit together.
Control can take many forms. The losing of it as well. Losing control of awareness, losing control of patience, love, peace, order, you name it. I wanted to convey a feeling of selflessness which is then relieved towards the end of the track with hopeful warm pads, which make the losing of control feel almost pleasurable. Because consciously losing control can also be a very good thing indeed.
I tried to keep the percussions very raw and edgy to underline the roughness of control being lost. Friends told me that the lead synth, in the beginning, sounds like a Super Mario game. Hadn’t thought of it but now I can’t get this picture out of my head anymore. Unlike many of my previous tracks, this one still makes me happy after listening to it more than 100+ times. Therefore, I chose to submit it for the open call and I hope it triggers something in you too.

Artist biography: After diving into the electronic music scene in Barcelona with the Kommuna crew, Terry now returned back to his hometown Berlin with the ambition to perfect the crafts of DJing, composition and event curation. Being part of the Love Foundation network taught him how to bring like-minded people together to acknowledge the importance of music in life. Recently he co-founded the Berlin-based event series Orbiting Souls next to his dear friend zodya, which aspires to become a music label and multidisciplinary platform in the very near future. Other interesting projects, such as the launch of a new festival in Poland, are in the pipeline and will be shared very soon.

Portfolio link: @terrybenedikt
Current city: Berlin, Germany 🇩🇪
3 releases you enjoy the most: Kamasutra – Running Away (Wildflower Records / Italy / 1993); Chris Korda ‎– Akoko Ajeji (Perlon / Germany / 2019); Litia~Loe ‎– Life Love Dance (Façade Records / US / 1994)
3 Romanian artists you follow: Alexandra, Dragos llici, Miss I
3 international artists you follow: Laurine, Rubi, Francesco del Garda
Most played album: Stevie Be Zet – Archaic Modulation (Recycle Or Die, Germany, 1993)

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The feeder sound II project is organised by Save or Cancel team, composed of Cristina Popa (random) and Andrei Racovițan (ubic), through feeder.ro and is co-funded by AFCN, Thematic area: Digital art and new media. The program does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the program or the way the program results can be used. These are entirely the responsibility of the beneficiary of the funding.

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Mío Ma

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Damian Amapola

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