An open collaboration, but you must credit me and copy it to me so I can add it to my playlist. My open collabs sometimes sound finished but if you listen you will hear that there is space for something important…space for a lead instrument and for vocals, maybe a melodic bassline?

Honourable Composition

Honourable Composition (Open Collab)

A country techno creation for Disquiet Junto 0582 X Techno. The Assignment: Make a new subgenre. 
This is a new mix of a Creatures Once band jam. Every once in a while the country, western, bluegrass, and folk sounds that surround us up here in the Pacific Northwest sneak into our creations, and it can be fun to indulge. Amazing guitar and harmonica playing from band mate Monstrosus(https://www.youtube.com/@monstrosus13). The first mix of this jam was shared for Weekly Beats last year and it was more of a hip-hop vibe. I used some fun dog GoPro footage for the video (https://www.youtube.com/watch?v=xq0BoIesOwA&ab_channel=CreaturesOnce). Here's my attempt at a techno mix. I may have strayed too far from the parent genre here, but it was fun to make! It was also fun to read about existing sub-genres and listen to some great tracks this week. Its been while since I've listened to some techno, and it was energizing. Every time I would search for a sub-genre idea I had, like jazz, or lo-fi, I would find some examples already out there. There's some many sub-genres of techno and other electronic genres. That's a great sign. I nice wide open field for creativity.

More on this 582nd weekly Disquiet Junto project, X Techno (The Assignment: Make a new subgenre), at: https://disquiet.com/0582/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0582-x-techno/

Nickel in My Pocket -(Country Tekno Mix) - [disquiet0582]

With limited time, I almost didn't participate in the remix project this week, but decided to share what I came up with. I think that most of the time it's better to share what's made than to let it stay hidden. Made a quick decision to play with the lovely track "Merle Bardenoir, Sonic Search & Forelight - Unknown Eden [disquiet0593]" https://soundcloud.com/merlebardenoir/merle-bardenoir-sonic-search-forelight-unknown-eden-disquiet0594?si=6da2d114fd5c4d2ba392dca4c39f7c61&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing.
Ended up focussing mostly on a flute theme that I liked, and building something around that. Lovely collaboration from the three creators of that original. 

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Unknown Eden - Threemix - [disquiet0594]

morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Haiku by Catherine LoFrumento https://twitter.com/Catherin03

Picture by Alessandro Capuzzi https://unsplash.com/@aleeecap

nawak

Mornings flutter (naviarhaiku491)

a tiny phrase on a palm sized thumb piano started this little cacophony- of sonic forest reflected in the rippling water of a lake..

AtTheForest'sEdge(NaviarHaiku491)

This creation is for the Disquiet Junto Project 0598: Mixmaster Mic.
The Assignment: Record the same sound with multiple mics; mix the results.
The sounds: improvised on the F integral handpan for 15 minutes based on a rhythm that came into my head while riding the stationary bike and watching Picard. Then improvised on the Cajon for 5 minutes based on the recent memory of the previous handpan session. 
Mic setup for handpan: condensor mic, cardiod dynamic mic, zoom handheld stereo recorder, gopro camera, organelle device set to a chorus effect at 50% wet, magnetic contact pickup attached to the handpan. For Cajon: The two microphones and the organelle. 
Process: stacked all the tracks and muted sporadically. Then muted more and more. Cut a few sections of the session for length. 
Thoughts: This was a great way to add some variation to a recording. I enjoyed the process and much of the results. I hope to use the process, or one like it, again. 
Fun things I heard: the sound of the floor creaking, the dog barking, my feet stomping. Happy accidents when the cajon and pan kind of lined up well even though they weren't played together.

More on this 598th weekly Disquiet Junto project, Mixmaster Mic (The Assignment: Record the same sound with multiple mics; mix the results), at: https://disquiet.com/0598/

The image to the “cover” of this project is from an 1880 U.S. patent.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0598-mixmaster-mic/

Mixmaster Mic Percussion Improv - [Disquiet0598]

Made in response to Disquiet Junto Project 0617: Haunt Scape
The Assignment: Halloween is coming up. Do your thing.
There is just one step to this project: Halloween is nearly here, so make some haunted sounds for people to play for trick-or-treaters.

I don't always enjoy the scary things, but I really enjoyed making some scary music. I jammed for about an hour on some hardware gear with this prompt in mind. Later that night, I walked around the house recording my creeky wood floors and rusty doors. Then cut for length and added some effects and edits in Live. 
While I was making these sounds, my wife Monica created this digital collage image. We enjoyed this simultaneous creative process and plan on doing it again. She wrote about this here: https://waxingphotopoetic.substack.com/p/circle-of-tree-thieves-creaking-in?r=7wafc&utm_campaign=post&utm_medium=web

More on this 617th weekly Disquiet Junto project, Haunt Scape (The Assignment: Halloween is coming up. Do your thing), at: https://disquiet.com/0617/

The cover image (enlarged, type added) is from Wikipedia:
https://en.wikipedia.org/wiki/Skull#/media/File:3d_CT_scan_animation.gif

That image is credited to Arielinson and used thanks to a Creative Commons Attribution-Share Alike 4.0 International license: https://creativecommons.org/licenses/by-sa/4.0/deed.en

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape/

Tree Thieves Creak in the Hollow - A Haunt Scape [Disquiet0617]

Dreaming about you

got bars? 🎤

👉 https://omozen.studio/

Peace! 🙌🖤



no more

“Voice of the Pulse” is a living sound map.
A collection of 30 sonic microceremonies woven in 2:11 minutes of trance, rhythm and presence.
Each track resonates with the body's wisdom, inviting you to move, breathe and remember.

This is the pulse that lives beneath language.
The rhythm that precedes thought.
A sequence of organic beats, earth-born textures, and ancestral percussion speaking directly to your cellular memory.

The voice here is not lyrical.
It’s elemental.
Whispers, breath, echoes — they guide the rhythm rather than narrate it.
The composition is ritual, not structure.
Time becomes spiral. The drum becomes body.

“Voice of the Pulse” was designed in E minor with Dorian resonances, recorded in 432 Hz, tuned to the rhythm of Earth.
It opens the solar plexus, grounds the breath, and expands the skin’s awareness.
These are not songs.
These are frequency portals.

Every beat invites you to dissolve identity and merge with vibration.
Let the pulse carry you. Let the silence between sounds become the voice within.
This is the path of sonic resonance.
This is how we remember.

---

“Voice of the Pulse” es un mapa sonoro vivo.
Una colección de 30 microceremonias en 2:11 minutos de trance, ritmo y presencia.
Cada track vibra con la sabiduría del cuerpo, invitando a moverse, respirar y recordar.

Aquí el pulso existe debajo del lenguaje.
El ritmo antecede al pensamiento.
Una secuencia de golpes orgánicos, texturas telúricas y percusión ancestral que habla directo a la memoria celular.

La voz no es lírica.
Es elemental.
Susurros, respiraciones, ecos — guían el ritmo sin narrar.
La composición es ritual, no estructura.
El tiempo se vuelve espiral. El tambor se vuelve cuerpo.

“Voice of the Pulse” fue diseñado en mi menor, con resonancias dorias, grabado a 432 Hz, y sintonizado con el ritmo de la Tierra.
Abre el plexo solar, arraiga la respiración y expande la conciencia de la piel.
No son canciones.
Son portales de frecuencia.

Cada golpe invita a disolver la identidad y fundirse con la vibración.
Dejá que el pulso te lleve. Que el silencio entre sonidos sea la voz interna.
Este es el camino de la resonancia sónica.
Así es como recordamos.

Echoes of the Body (2)

The poet Paul Valery said in a poem, The deepest thing in man is the skin. The skin is the surface that others see or touch; it is a presentation of the self to others. And that is where we believe, feel and suffer everything that happens to him. As if this were the great organ of sensibility.

Watching the Sprinklers

As deep as the skin

As Deep as the Skin

Creating eclectic music and enjoying the journey. 
I participate in Weekly Beats (as miraclemiles) and the Disquiet Junto. 
This account has my solo and Creatures Once band music.

Mixmaster Mic Percussion Improv - [Disquiet0598]

August Miles and Creatures Once

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