Ritual

Baila Chibiquiban

Obi Agye Me Dɔfo

Obi Agye Me Dofo

http://www.mrbongo.com/product/a-night-at-the-jazz-rooms-compiled-by-russ-dewbury-cd-1236

21 years after starting what is the world’s longest running consecutive club session – the Brighton Jazz Rooms – comes this celebratory compilation album on Mr Bongo Records presented by its founder Russ Dewbury.

Musically the Jazz Rooms did not follow any fad or fashion. Rather it created its own and this has been the key to its success and is reflected in the album's track selection. If it's good, it gets played at the Jazz Rooms.

Over the years, just about everybody in the scene has manned the decks at the night. Luminaries include Gilles Peterson, Baz Fe Jazz, Paul Murphy and guests from all over the world such as Rainer Truby, Kyoto Jazz Massive, Espen Horne and many more. Legendary US keyboardist Weldon Irvine described it as "an international brotherhood" while Straight No Chaser Magazine called it "a legendary affair that all should attend."

Originally signed to BGP Records as A+R chief, Dewbury was instrumental in the rediscovery of artists including Jean Jacques Perrey and Terry Callier, who he subsequently managed. His own albums include the compilations Africa Funkand Club Africa on Strut Records and Freedom Time and Jazz Bizniz on Counterpoint Records. His last compilation Pulp Fusion/Africa Funk released on Harmless Records achieved significant sales around the globe.


Sarah Webster Fabio - Sweet Songs

punani

The Truman Show

A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.

Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.

For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.

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