I am always glad that you stop by and take the time to come.
Thank you as always.
A circle of peace.
Waves crashing on the shore. An unchanging loop.
When they are calm, they give a sense of security, and when they crash powerfully, they give courage!
Is the sea breeze whispering something? A repeating loop of peace!
As if inviting us, the waves scrape away the sand under our feet along with our memories of the past, urging us to focus on the present!

Loop of Peace

The long awaited "SPAZI FUTURI" is RM's second LP for iDEAL and it is a massive, varied journey down one of Italy's most underrated electronic music composers. Riccardo Mazza is extremely skilled in making complex recordings where beats and atmospheres play naturally together. Mazza is also member of filth noise crew Lettera 22 which is a band we deeply love too. Edition of 300 copies. Design by Allon Kaye. Available SUMMER 2018!!!!!!!!!!!!!!!!!

RM - SONNO DROGATO (from "SPAZI FUTURI" iDEAL161 LP)

purchase lp: www.secondeditions.org
release date March 01 2019

005 - Karl Fousek - Chapter 3 (from In The Forest)

Martina Lussi - Higher Energy

Selections from 100 Models of Hegikan Roku is the second in an ongoing series of archival records of the unheard music of Swedish composer, philosopher, poet, mathematician, and visual artist Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows last year’s Selected Early Keyboard Works and anticipates Blank Forms’ publication of Poësy Matters and Other Matters, a two-volume collection of Hennix’s writing.

Upon her return to Sweden from New York in 1971, Hennix sought to form a large ensemble inspired by her encounters with La Monte Young and recordings by the Theatre of Eternal Music. She enlisted her brother Peter Hennix, Hans Isgren, and a dozen Swedish jazz musicians she had previously worked with, naming the group and its pieces of music after the time and days of the week according to the Angus Maclise calendar (e.g. “The Pointed Time Bus”). Frustrated with the jazz musicians’ inability to comprehend and play the intervals of just intonation, she pared the group down to the trio of herself, her brother, and Isgren and christened the live-electronic ensemble The Deontic Miracle. 

In 1976 The Deontic Miracle performed Hennix’s original compositions, alongside works by La Monte Young, Terry Riley, and Terry Jennings, as part of Brouwer’s Lattice at the Moderna Museet in Stockholm. With Hennix on amplified Renaissance oboe, live electronics, and sine wave generators, her brother on amplified Renaissance oboe, and Isgren on amplified sarangi, the recordings presented here of the group’s first and only public concert see them channeling late period John Coltrane and the sopranino and soprano saxophone playing of La Monte Young and Terry Jennings in the Theatre of Eternal Music. With titles taken from Japanese Gagaku, “Music of Auspicious Clouds” and “Waves of the Blue Sea” are expansive drone improvisations, breathing with the pulsating lull of cicadas’ organic sonic latticework. Now accessible for the first time, these recordings by what Hennix has called “the most rejected band ever formed in Sweden” continue to fill gaps of silence from a figure whose work has until recently remained flickering at the margins of some of the most enduring cultural developments of the 20th century.

Catherine Christer Hennix (b. 1948) started her creative career playing drums with her older brother Peter growing up in Sweden where she saw jazz luminaries such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform at the Golden Circle. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstudion (EMS), where she helped develop early synthesizer and tape music. After traveling to New York In 1968, she met Fluxus artists Dick Higgins and Alison Knowles and developed fruitful collaborative relationships with many composers in the burgeoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath, and she would later study intensively under him. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invitation) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage. She currently resides in Berlin, Germany, where she is active as a composer and writer.

The Deontic Miracle: Music Of Auspicious Clouds (excerpt)

Mark Vernon "The Consensus Is To Delete"

MAR051 Mark Vernon "An Annotated Phonography of Chance" LP

order:
https://misanthropicagenda.bigcartel.com/product/mark-vernon-an-annotated-phonography-of-chance

www.misanthropicagenda.com

https://youtu.be/cT23W3UFPHk

An Annotated Phonography of Chance

Mark Vernon "The Consensus Is To Delete"

Six-channel sound installation for "hibernatemode" by Su Yu Hsin. Fenko Catalysis Chamber, Taipei, Taiwan, 2019

Project Details: aloisyang.com/hibernatemode
Su Yu Hsin: www.suyuhsin.net

“ But the sleep of a hibernate object would instead be a state of perfect sleep, in which an entity would be real but simply without relation.”

Aiôn is a Hellenistic deity associated with time, ex. season, breath, sleep (dream) etc, even Deleuze describes Cinematic time as aiôn which stretches out to become an intangible past and future, or Chronos (Chr), the ever-present that expresses only the here and now. In Geology, aiôn uses for eternity time which could also refer to four aiôns that make up the earth’s history. Aiôn is defined in Astronomy as Trillion years. Thus, we could say hibernatemode is in aiôn where an entity breaks relation with outside.

Su Yu Hsin composes essay film through philosophical and scientific approach to overlap and juxtaposition image with events, ex. Fukushima Daiichi nuclear disaster in 2011. Australian scientists’ microscopic investigation of antarctic moss reveals atmospheric record of Earth in its layer of cells. She uses found footage, data and facts to visualize relational geographic analysis. Hibernatemode comprised of 2- channel video and six channel sound installation. She collaborates with Sound artist Aloïs Yang to constructed nature in exhibition space.

Hibernatemode(Exhibition Soundscape Excerpt To Stereo)

Song preview:
1. Spiel im Wind
2. Geruhsam
3. Mitgewalzert
4. Fernwärme
5. Gerne

The first part of Hans-Joachim Roedelius' Selbstportrait (Self-Portrait) series was originally released under the title 'Sanfte Musik' on Sky Records in 1979. Now, some forty years later, a new instalment has arrived in the form of an album entitled 'Wahre Liebe'

Selbstporträt Wahre Liebe

Buy CD/Vinyl/DL

Roedelius - Selbstportrait Wahre Liebe (preview)

Full Set Download * Support me * name your price–  http://aloisyang.bandcamp.com/track/x-ola-yin-plays-panning-time-space-live-at-torhaus-wehlen
 
Xïola Yin is the opposite yet not contradict side of Aloïs Yang.
This project focuses on deconstruction of existing works and recordings, random access and blending memories. Exploring the unstable and unpredictable outcomes of digital environment, through bespoke software instrument and live improvisation.
Performance video: youtu.be/2IPBNBOXwkY

Xïola Yin– Two Birds, One Man, In Between Spaces (Live at Torhaus Wehlen Excerpt)

16 July 2020

Track commissioned for the exhibition ‘Now Accepting Contactless - Design in a Global Pandemic’ V&A Dundee as part of a mix by David Blamey for British Earways to be played on a loop in the gallery.

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A couple of months before lockdown, the housing block where Tom White lives got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world.

Composed of archive and site specific sounds. 
London Spring 2020

Medina Vibrations (2020)

Houston, Texas based experimental noise and sound art label, created in 1998 by Gerritt Wittmer.

Mark Vernon "The Consensus Is To Delete"

Misanthropic Agenda

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