Exael/uon

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ANM035 Exael — Bundle

A2 from "On The Lands Of Mercy" CS. 
Pre-order at https://male-activity.bandcamp.com/album/on-the-lands-of-mercy
Release : March 22, 2018 on Male Activity

Appropriate Savagery -  Poisoned By Disgust And Boredom [Male Activity]

Severin, aka Jens Konrad Barrett of Lyra Valenza, drops his physical and emotional debut EP, exploring the topic of social media stalking.

Find the full review here: https://secretthirteen.org/severin-safe-following-distance-petrola-80

Safe Following Distance

Severin - A Distance In Between - Petrola 80

Taken from the compilation "Essential NK Drones" on https://soundcloud.com/full-body-massage-records 

Excerpt of a live performance at Galerie Hier + Jetzt, Leipzig – October 13, 2018 
Additional tape manipulation and mixing in December 2018

http://store.windowmagic.pm

Essential NK Drones

Mere

WAV/FLAC

Mere ~ taken from the compilation "Essential NK Drones"

https://wouwiuwa.bandcamp.com/album/yeknesak-3

zero energy

Mark Vernon "The Consensus Is To Delete"

MAR051 Mark Vernon "An Annotated Phonography of Chance" LP

order:
https://misanthropicagenda.bigcartel.com/product/mark-vernon-an-annotated-phonography-of-chance

www.misanthropicagenda.com

https://youtu.be/cT23W3UFPHk

An Annotated Phonography of Chance

Mark Vernon "The Consensus Is To Delete"

deadpan robotic

Track commissioned for the exhibition ‘Now Accepting Contactless - Design in a Global Pandemic’ V&A Dundee as part of a mix by David Blamey for British Earways to be played on a loop in the gallery.

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A couple of months before lockdown, the housing block where Tom White lives got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world.

Composed of archive and site specific sounds. 
London Spring 2020

Medina Vibrations (2020)

Opening track from the upcoming Grøn album "Aldrig mere vinter"

Pre-oder the album here: http://infinitewaves.net/products/678178-grn-aldrig-mere-vinter

Digital pre-order here: https://groen.bandcamp.com/album/aldrig-mere-vinter

Grøn "Blegt forår"

morphaqin #1

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Max Eilbacher (excerpt)

Houston, Texas based experimental noise and sound art label, created in 1998 by Gerritt Wittmer.

Mark Vernon "The Consensus Is To Delete"

Misanthropic Agenda

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