Simply amazing track back in the day 🎶👌

D👏👏👏👏👏🔥🔥🔥🔥🙌🎚️🎚️🎚️🎚️🎚️💯

Iron Man 2 (2010) - Original Soundtrack

Director: Jon Favreau
Music by: John Debney
Screenplay: Justin Theroux, Stan Lee, Don Heck
Stars: Robert Downey Jr., Gwyneth Paltrow, Mickey Rourke, Don Cheadle, Scarlett Johansson, Sam Rockwell, Samuel L. Jackson, Clark Gregg

With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.

Iron Man 2 (2010) - Original Soundtrack

Hands down - One of my all time favorite soul acts
 #1 Song of the year for 1966 by the Billboard R&B charts
Written by Hayes and Porter
Memphis Horns killer riff

I just give it some  fine tuning and a little beat for todays soundsystems

A WAV DOWNLOAD IS AVAILABLE FOR SALE :)

Sam & Dave - Hold On! I'm Comin' (Funk Sinatra Re-Touch)

Should I Stay Or Should I Go? - The Clash

Thunderstruck - NC's Ultimate AC/DC Tribute Show's demo of Shoot to Thrill

Shoot To Thrill - AC/DC Tribute

one of my dj edits i did sometime back...

basically an ext. cut n paste edit  slowed down

fb: https://www.facebook.com/pages/Disco-Tech-Edits/217398738301224?fref=nf

Diana Ross - My Old Piano ( Disco Tech Low Pitch edit)

https://www.youtube.com/watch?v=9tJbqNRGSl0

Chain of Fools is a song written by Don Covay originally intended for the majestic Otis Redding. It is claimed that the song is an unauthorized rewrite of a gospel song named "Pains of Life" recorded by Rev E Fair & The Sensational Gladys Davis. Covay recorded his demo version of Chain of Fools while singing Gospel with his brothers and sisters. After listening to the demo Jerry Wexler, an Atlantic Records producer, chose to place the song with their rising female star Aretha Franklin in 1967 rather than with Redding as he felt a women’s voice would do more right to the song.

This retreat is done with respect to the original by RocknRolla Soundsystem

Aretha Franklin - Chain Of Fools (RocknRolla Soundsystem Edit) | 7" on Act Of Sedition Records

Coup de coeur pour ce track obscure français de 1984 que j'ai édité à ma sauce.

Patrick Howards - Sur les docks (Mag Spencer Edit)

Pino d'Angiò - Ma Quale Idea (Nassau Rework)

Boz Scaggs ‘Lowdown’ (greg wilson edit)

115 bpm

Previously limited vinyl only 2008.

This is a straightforward, no added elements extension of ‘Lowdown’ that I knocked together back in 2004, and which would later be shared on limited vinyl in 2008 as ‘Blue Eyed Boz’, issued on the same 12” as ‘Adriano Italiano’ to launch the GW Ruff Edits series. It’s popped up in a few of my live mixes down the years, and features in the East Village London mix on here from last December.

'Lowdown' was released in the UK 35 years ago, in September 1976. Between January 2006 and September 2007 I compiled a series called Time Capsule for Samurai FM, where, month by month, I revisited the tracks I used to play in the clubs exactly 30 years earlier. It was a real labour of love, for not only did I have to research and often re-source the music included (I had a load of records stolen in 1985, so there were big holes in my collection), I also wrote an accompanying piece every month looking at the records featured, and how my fledgling DJ career was shaping up. 'Lowdown' was a single I used to play at the time in my New Brighton residencies, the Chelsea Reach and the Penny Farthing. Time Capsule covered the period I was at the Chelsea and the Penny, leading up to when I took over at the Golden Guinea, where I’d spend 3 memorable years before embarking on my Wigan / Manchester adventure in the early 80’s. 

I’d hoped to take Time Capsule all the way through 1977, but the workload became too much and I found myself unable to meet the monthly deadlines, so I reluctantly had to stop at Sept 77, with the intention of getting back to it in the future if I ever have sufficient time on my hands. Even if this turns out to be all I ever manage to do, Time Capsule, as I left it 4 years ago, still stands as a snapshot archive from a key moment in dance culture, as the Disco era gained full momentum and the 12” gradually began to take over from the 7” in the affections of British DJ’s.

All the programmes, plus ‘First Impressions’, which inspired the series, can be accessed here:
https://www.mixcloud.com/gregwilson/playlists/greg-wilson-time-capsule/

Here’s what I wrote about ‘Lowdown’ for the Sept 76 Time Capsule:
“Regarded as one of the classic Blue-Eyed Soul singles, 'Lowdown' by Boz Scaggs, despite its popularity on the UK club scene, peaked at a somewhat disappointing position of number 28 on the British chart. By contrast, the single had reached number 3 stateside, with the album it was taken from, 'Silk Degrees', becoming an American classic, which sold more than 5 million copies and spent over 2 years on the chart! Picking up a Grammy for Best Rhythm & Blues song, 'Lowdown' was recorded with a team of session musicians, who would later form the nucleus of the hit band Toto. In the early 60's, Scaggs, who was Ohio born, had left his Texas home to briefly join London's burgeoning R&B scene, returning to record his debut solo album, 'Boz' in 1965. He'd later appear on the first 2 Steve Miller Band LP's, 'Children Of The Future' (1968) and 'Sailor' (1969), before continuing his solo career with a series of albums for Atlantic Records. However, it wasn't until he signed to Columbia that the commercial acclaim, which had previously eluded him, finally came thanks to 'Silk Degrees'.”

Greg Wilson – September 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Boz Scaggs 'Lowdown' (greg wilson edit)

The Game

Another One Bites The Dust (Remastered 2011)

This is the score to the Iron Man video by Ismahawk!

I Am Iron Man

Them - Grolia Dimitri From Paris re-edit

The Clash - The Magnificent Seven (Extended Rework Disco Tech Edit)

Creedence Clearwater Revival - Grapevine [The Reflex Revision]

Just messing about with stuff for radio show!!!

Diana Ross - It's My House (54 Mode Edit)

The Clash; The Magnificent Seven / Mischief Brew Re-Edit

When dj’s and producers discovered they could use two turntables or a reel-to-reel tape machine to extend and manipulate a 7-inch mix, a new musical landscape was discovered. Whether it was the 1950’s / 60’s experimentalists, bronx hip-hop dj’s or the disco pioneer producers of the 70’s. The only limitation to their imagination was the burgeoning technology, cost, time, and practicality. Now with the advent of digital technology, the only limitation is the imagination, the possibilities are endless, but this now puts a greater importance on the choice of the track to re-edit.
Mischief Brew have a formula of singling out tracks to re-edit, not just on their individual qualities such as a prominent break, riff or vocal which enables them to extend and re-arrange to fit a new contemporary mould, but also on the value and recognition they think the track deserves. Their catalogue is a broad church; showcasing soul, reggae, jazz, rock, country, alternative-pop and disco.
The art of re-editing has been around for some time, there has been and still are some great craftsmen, Mischief Brew are certainly up there with the masters.

The Clash; The Magnificent Seven / Mischief Brew Re-Edit

Mischief Brew Re-Edits

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