Incredibly beautiful track ❤️💯🔊

great beats on this keep up the good work

excellent vibe ❤️ that you've created here

Meet Panacanthus spinosus, a member of Coneheads,
Copiphorini Tribe (photo/observation: Coclé, Panama)

[UNDER CONSTRUCTION]

Calm and Steady tracks series no. 402

created on 2023/08/17

Picture CREDIT:
(c) Frank Deschandol – all rights reserved

hk_calm-steady_tracks_402

TDJ2 - Recording 2022 - 12 - 25 1849 - 1856
ARI-KOMMER - ELECTRIC MNML (Original Remix)
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electric deep mnml

Does not forget who pretends to be forgotten
but who can forget
Only wine frees me from this mud

It takes me to the world where you are not... you
It takes me to the world where you are not... you

Because there are forgetfulness that burn
From the ruin of your baseness
so many things that happen
without anyone knowing
(oooh)
without anyone

It takes me to the world where you are not... you
It takes me to the world where you are not... you

only the wine
only the wine
Just the wine… and the Blues

Does not forget who pretends to be forgotten
but who can forget
Only wine frees me from this mud

Because there are forgetfulness that burns the ruin of your baseness
So many things that happen without anyone knowing
(oooh)
without anyone


Because there are forgetfulness that burns the ruin of your baseness
So many houses that happen without anyone knowing
without anyone

only the wine
only the wine
Just the wine… and the Blues
Just the wine… and the Blues

Solo El Vino Y El Blues

Some months ago I've been paired with Geoff to compose a song based on his lyrics "I'm not angry". The lyrics were so well-phrased that I heard the stomping of an angry, but fierce woman who is going through a divorce. Alyssa did an awesome job getting into the character and her voice is perfect for that song. Originally composed on the guitar, I am happy that Albert joined our team. We really needed that dark vibe in between folk and blues.

Nadine de Macedo: composition, arrangement, e-piano, programming, production
Geoff Matthews: lyrics
Alyssa Womack: vocals
Albert Luck: guitars

Where to find us:
https://soundcloud.com/nadinedemacedo
https://soundcloud.com/alyssa-womack-631680418

==== LYRICS ====

You used to be grounded
You used to be whole
Knew where you were going
Hit all of your goals

I used to be happy
I used to be glad
Knew what I was doing
Was pleased what I had

But I’m not angry
About what used to be
Don’t seek retribution
Or shake you from your sanctuary

We had a communion
We had a divorce
The pain and the pleasure
Took it’s own course

Down through the river
And out in the street
To wash over strangers
Shoes and their feet

But I’m not angry
About what used to be
Don’t seek retribution
Or shake you from your sanctuary

No I don’t care
For the love that’s been and gone
Cos a runaway train
Was waiting all along
Yes a runaway train
Was waiting all along

Quarterlife Blues

I'm Not Angry

This track is a collaboration with SeaShea https://on.soundcloud.com/CnDF4
A small opportunity arose, and I offered Seashea, whom I've admired for a long time, to play the guitar on this track. He kindly accepted, and together we created this song. I love watching Sea; he also loves the sea, so I named it accordingly. This year, Tokyo is unusually hot, with temperatures sometimes exceeding 38 degrees Celsius. In the midst of such heat, he sent a cool breeze from the opposite season in Australia. I hope that everyone who listens to it can feel refreshed.
This song travels back and forth between Japan and Australia like the wind, crossing the Pacific.

Composition and Sampling collage by Synline 
Electric guitar playing  and arrangement by SeaShea
Featured on the my new album 'Code Share'https://on.soundcloud.com/v4P9a

'Seeing The Sea' Synline=SeaShea

Stochastic trend lines.
Cardinal in Reaper, live one run.

Eating the Ice

Fun jam on ipad
Coverart Painting by Pia Steingruber

Initial thoughts on the drums. The whole drums were created by the on bord pro logic ai.
I just let them play tweaking a around a bit.

Fallout Edge

Misk - La Última

RXMX

This song is a cover of a cover that Jerry Garcia (guitar), Merle Saunders (keys), John Kahn (bass), and Bill Vitt (drums) recorded live at the Keystone in Berkley, CA, in 1973. It's actually a cover they did of a song called Finders Keepers by the Chairmen of the Board.

Entheogenic Psychonaught (Josh Clary) - Bass and Synthesizer
K2 and the three (four) - Drums
Llanpsych - Guitar and mastering
J.J. Terrell - Clavichord and Organ

Keepers (With Entheogenic Psychonaught, Llanpsych, K2 and the Three (Four)

A walk at dusk

Uncanny Valley - atze187/Frid Mars

After a long time, I mixed it up a bit. #lofi

Spacepunk

Decoherence

Bandcamp

Equilibrist

Sun And Rain

Nice Day

Another track inspired by my re-reading of "Foundation" by Isaac Asimov. 
Somewhere in the remote, dark periphery of the galaxy a second empire is emerging.
I revisited this track 13.01.24 and decided to remix and remaster, mainly to add more drama to the percussion and add more punch to the production.

Periphery (Remix and Remaster)

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Misk - La Última

Misk Music

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