Name: Pink Floyd - High Hopes (Oakland Alameda County Coliseum 1994) by miskuamakus2
Duration: 7 min 52 s
Description: Tuesday - April 21st, 1994 - Oakland, Ca.

Roger Waters Zurich 2013 Sept 11 - Km140 - Romeo - Pt 2

Leonard Cohen - Who By Fire (live in Manchester)

His biggest hit... Soundcloud wouldn't let me upload the original so here it is from a private performance in Los Angeles. This song was never released in the States so no one there remembers it as the hit it was here in England 

The Windmills Of Your Mind

Tuesday - April 21st, 1994 - Oakland, Ca.

Pink Floyd - High Hopes (Oakland Alameda County Coliseum 1994)

Eine kleine Träumerei...
Original Tune written and performed by K.a.RTown

Ein Hauch von Liebe

Head’s thinking of your shame
Somehow it has found me
Calling out her name
(No) She doesn’t want to hear it

Fighting expectations 
Always feel disappointed 
Give me something different
(Why can’t you) Leave me satisfied 

Let me into you
Let me into you

Caring is not enough
Left me here to find you
Left me here to rot
But (no) I’m not disappointed  

Let me into you
Let me into your

Head

Calling out Your Name

ELYSIUM:
Vocal: Felipe Franco, Joice Bathory.
Guitars: Luan Gugelmin, Pablo Zucco.
Drums: Eder G. Padilha.
Bass: Crystian H. Baukart.

Recording and Mastering: Tamanda Bass Studio (Mafra, SC).
Original Song by Draconian, from the album "Turning Season Within", 2008.

Banda de Canoinhas / São Bento do Sul - SC, Brasil.
O grupo participou do Projeto de conclusão do curso de Design (TTC) da Fundação Universidade do Contestado, de Vanessa Jantsch, em 2013. 

*O presente projeto não visa fins lucrativos, é PURAMENTE ACADÊMICO.
Todos os direitos reservados a Draconian.

Elysium - Bloodflower [Draconian Cover]

Norwegian Art-rock progressive outfit Gazpacho are set to release their brand new studio album ‘Molok’ through Kscope on 23rd October 2015.
PRE-ORDER ON CD/2LP: www.kscopemusic.com/store
DIGITAL: http://smarturl.it/Molok_Digital

‘Molok’ the follow up to their acclaimed 2014 album Demon sees the band continue to push the boundaries for creating the most complicated and strangest concepts for a record while simultaneously becoming the first band ever who are actively trying to destroy the universe with their album.

A small code that sounds like a strange noise at the end of the album will cause the correction software that runs in all CD players to generate a random number every time the CD is played. If that number should correspond to the actual position of all electrons in the universe then technically the universe could be destroyed.  

Of course you may wonder why a band would want to destroy the universe but as the band ask, ‘If it can be destroyed by such minute creatures within it, if it is just a chemical reaction, then does it have any spiritual value? In this scenario there is no good or bad, just an absence of meaning'.

Across the album there are religious themes going head to head with modern day new science ideas and theories, Gazpacho’s Thomas Andersen states, ‘the album itself is about a man that sometime around 1920 decides that wherever anyone worships a God they always seem to be worshipping stone in some form. Whether it is a grand cathedral, the stone in Mecca or Stonehenge. God seems to have been chased by his worshipers into stone never to return. This harkens back to Norwegian folk myths where if a troll was exposed to sunlight it would turn to stone but it also reflects the way God has been incommunicado for a very long time.’

The band go on to say, ‘In a mechanistic view of the universe all events in the universe are a consequence of a previous event. This means that with enough information you should be able to calculate the past and the future and this is what he does. He names the machine ‘Molok’ after the biblical demon into whose jaws children were sacrificed because his machine crunches numbers. On solstice day he starts the machine and it quickly gains some form of intelligence as it races through history undergoing its own evolution.‘

Throughout ‘Molok’ the band focus on the idea that without God/a god to guide us, humanity is unsure of the meaning of life, that while we attempt to fill the void with other things we’ve still not found the answer and without a master to lean on we are very much alone in this universe.

On the album Gazpacho make a direct connection with history. Norwegian music archaeologist Gjermund Kolltveit appears on the song "Molok Rising" plays his reconstruction of stone-age instruments making an educated guess at what the early songs of worship must have sounded like. This includes small stones, moose jaws and an assortment of flutes and stringed instruments. He also plays the Skåra stone, a singing stone which has a strong possibility of having been in use since the last ice age ended 10.000 years ago. Technically this means that the album uses the oldest original instrument ever recorded on an album.
The band are also joined by world-renowned Norwegian accordion player Stian Carstensen who is a central member of Balkan-jazz orchestra Farmers Market

Gazpacho are on tour in Oct - for details : https://www.facebook.com/Gazpacho.Official.BandPage
PRE-ORDER ON CD/2LP: www.kscopemusic.com/store
DIGITAL: http://smarturl.it/Molok_Digital

Know Your Time

Gazpacho - Know Your Time (taken from Molok)

When the sun goes to bed
That's the time you raise your head
That's your lot in life Lalena
Can't blame ya, Lalena

Arty tart, la de da
Can your heart get much sadder
That's your lot in life Lalena
Can't blame ya, oh Lalena

Run your hands through your hair
Paint your face with despair
That's your lot in life Lalena
Can't blame ya, oh Lalena


Run your hands through your hair
Paint your face, paint your face up with despair
That's your lot in life, Lalena
I can't blame ya, oh Lalena

When the sun goes to bed
That's the time you raise your head
That's your lot in life Lalena
I can't blame ya, oh Lalena

Arty tart, oh so la de da
Can your part ever get, ever get much sadder
That's your lot in life Lalena
I can't blame ya, oh Lalena
Lalena, I can't blame ya Lalena

Lalena - Donovan / Deep Purple   cover

Recorded Live in Sheffield, UK
NIN, Trent Reznor, Johnny Cash

Pink Floyd - High Hopes (Oakland Alameda County Coliseum 1994)

miskuamakus2

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