Ooh, different Miss Djax sound than I was expecting, but I'm into it.  Nice!

feierabend

Download: http://www.xlr8r.com/mp3/2014/08/galso-camo

Download

Keepsakes - Galso In Camo

CHECK THE VIDEO: http://youtu.be/juDVAGBRQqs
Extended mix: https://pro.beatport.com/release/overdrive/1383609  Enjoy and PLAY IT LOUD!

Overdrive (radio mix)

MORGENMAD

Warehouse‑grade hard techno pressure; peak‑time energy, hypnotic drive.
Schranz edge at 136 BPM—rolling subs, iron kicks, relentless momentum.
Peak‑time assault; raw, deep & hypnotic textures collide.
-
Stream / download / buy ➜
Merch Shop : https://grass-patch-bum-shop.fourthwall.com
https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
https://music.apple.com/us/artist/grass-patch-bum/1596136340
https://soundcloud.com/grasspatchbum
-
Underground tunnel energy—driving techno for maximum lift.
-
White Field Aperture
-
Keep in touch with latest releases:
https://www.youtube.com/@grasspatchbum
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
Trippy Music Video : https://youtu.be/1inW88pif3w
-
Support the tunes:
https://paypal.me/grasspatchbum
-

The Story
1 — Threshold: The Mirror That Drinks the Sky

The desert had learned how to be quiet. Black salt dunes laid their scales to the horizon; the wind went around them like a respectful rumor. I walked until the ground lost the habit of footprints and turned to mirror—not glass, not water, something that behaved like both until you asked it to choose. When I touched it, my fingers sank into a ketamine hush, the temperature of a held breath. The sky above me slipped downward, pooling at my feet, and the mirror took the sun into itself as easily as a coin into a sleeve.

“State your vector,” said a voice with the pleasant bluntness of machinery that also dreams.

I looked up. The ship had been a shimmer in peripheral vision; now it chose to exist. Ribs of spore-glass unfurled like the gills of an enormous bioluminescent mushroom, a vessel grown rather than built. Patterns pulsed beneath its skin—teal and cobalt, the color logic of an ocean that had never seen water. On its prow: a thin seam of light, smiling.

“Inside,” the ship said, as if there were no other sensible direction. “Name me and we’ll move.”

“If I name you, do you become true?” I asked.

“Everything is already true,” it replied. “Names are just handles to carry it by.”

I touched the seam and said, “Aperture.” The word fit its hull the way a right word fits a wrong silence. The mirror accepted our weight as if we were a memory returning to where it had been recorded. The world tipped, rotated—not falling but refracting—and the desert’s heat turned to the cool inner-weather of deep caves.

The hull closed around me, a cathedral grown from hyphae and patience. Filaments stitched the air with soft LSD confetti, each mote a syllable of a grammar only light can speak. Somewhere in the Aperture’s frame, a heartbeat began—mechanical and patient, the kind of rhythm you trust without deciding to.

“Destination?” the ship asked.

“Forward,” I said, and the mirror drank us whole.

2 — Corridor of Peyote Suns

Forward was a river of mercury that couldn’t decide between surface and volume. It braided under a ceiling of peyote suns, each one a hex of luminous scars that re-inked themselves as you watched. Desert bones turned to architecture: arches of white stone that remembered having been whale ribs. We slid beneath them like a secret trying to become a law.

Continues on the website:
https://grasspatchbum.com/2025/08/19/white-field-aperture/

#techno  #technomusic  #hardtechno  #schranz  #industrialtechno  #warehousetechno  #peaktimetechno  #undergroundtechno  #rave  #visualizer

White Field Aperture - Psy Music Video @ YouTube

Raveolution

Forget It

SLUT

NTBR - SLUT

Full Description on Dubstep.NET : 

Buy it Now: https://itunes.apple.com/us/album/bullet-train-feat.-joni-fatora/id540189001?uo=4&at=11lHt7
------------------------------------------------------------------------------------------------------------------
Follow Stephen Swartz:
http://www.facebook.com/StephenSwartzMusic
https://twitter.com/SwartzMusic
SC: http://soundcloud.com/stephenswartzmusic

Follow us @ http://www.Dubstep.NET

Sounds like: Skrillex, Kill The Noise, Feed Me, Excision, Datsik, Downlink, Flux Pavilion, Doctor P, Funtcase, Stenchman, Cookie Monsta, Knife Party, Adventure Club, Nero, Bassnectar, Noisia, Zeds Dead, NiT GriT, DeadMau5, Dubstep, Drumstep, Minnesota, Dance Music, Bass, Bare Noize, Skream, Play Me, Rottun, Never Say Die, Heavy Artillery, OWSLA, and Mau5trap

Bullet Train

Bullet Train by Stephen Swartz ft. Joni Fatora

Nobrac - Guru's Call To War

AIROD - Curving Lines
Hardcore Brothers - Smoke Motherfuckers
Nite Fleit - All New Low 
Reinier Zonneveld - Hard Gaan
AIROD - Universe Of 90s Techno Parties

HARD GAAN

Specials 'Phase One'

Lobotomie

Milton Bradley Presents Alien Rain Pt. 6

Alienopolis

Illusion

THE ACID QUEEN
Saskia Slegers, better known as Miss Djax, or as many say 'The Acid Queen', is living proof that age doesn't necessarily always brings peace. For more then 35 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive sounds. The ferocious releases on her Djax-Up-Beats label helped Chicago and Detroit sounds gain foothold in Europe, as Djax Records was one of the first European labels to put out techno in the early nineties.

Miss Djax started her DJ career at the age of sixteen. Her musical roots can be traced back to disco, funk and new wave. At the age of eighteen she formed the band 'B-System', a new wave band in which she played the bass guitar. 
Having worked in record shops for many years, Saskia met a large number of promising artists whose music never got released because, according to the Dutch record-companies, it was "not commercial" enough. That triggered her to start her own label and in 1989 Djax Records was founded. 

Miss Djax had her international breakthrough when she played at the notorious MayDay rave in Berlin 1992. One year later Germany's leading dance magazine Frontpage declared her 'DJ of the year'. In the following years her name was always in the international top 10 rankings. 
In that same year (1992) Saskia went on a 2 week trip to Chicago and Detroit to meet her favourite producers in person and to see with her own eyes were it all had started. 

Four years in a row, from 1995 to 1998 she took part in one of the major techno happenings: The Love Parade in Berlin. In 1998 Djax even had the privilege to start at pole position! Many people will remember the 20-metres long red/silver Djax-Up-Beats rocket with 20.000 watt of acidtechno terror on board! Miss Djax also played two times, in 1996 and 1998, at the Love Parade end manifestation at the Victory Tower in front of millions of people. 

Besides the worldwide respected releases on Djax-Up-Beats, Djax Records is also known for being the first company to release Dutch spoken rap-music, later called Nederhop. In 1991 Saskia discovered The Osdorp Posse that soon became the most popular rap-band of the Netherlands! In 1995 they won the Dutch Popprijs for being the most innovative Dutch band! Also ABN and Spookrijders were two of Djax’s successful nederhop bands. 

Not only the music but also the looks of Djax Records have always been important to Saskia. Since 1991 she is working with Alan Oldham, the famous illustrator from Detroit. Till today Alan made hundreds of beautiful illustrations and five Miss Djax comics for Djax-Up-Beats. Saskia also worked with  Zender and the famous American illustrator Ed Repka, who is well known for his Megadeth album covers.

AWARDS:

1992 – Position 1 best record label (Frontpage Magazine Germany)
1992 – Position 4 best new talent (Frontpage Magazine Germany)
1992 – DJ of the year (Frontpage Magazine Germany)
1993 – Position 3 best international DJ (Frontpage Magazine Germany)
1993 – Position 3 best record label (Frontpage Magazine Germany)
1994 – Position 1 best international record label (Frontpage Magazine Germany)
1994 – Top 10 position best international DJ (Frontpage Magazine Germany)
1995 – Position 13 best DJ (Raveline Magazine Germany)
1995 – Top 10 position best record label (Raveline Magazine Germany)
1997 – Position 6 best international DJ (Tendance Magazine Germany)
1997 – Best record label (Silver Star Award Holland)
1998 – Best record label (Silver Star Award Holland)
1998 – De Veer Award (Holland)
2009 – Gold record for 1.3 million records sold by Djax Records
2009 – Gold record for 40.000 albums sold of Afslag Osdorp

Overdrive (radio mix)

Miss Djax

Recent comments

Aaron 🤙

FAb...uLOus

POLAK

davie_burtz

Related tracks