"The opening track, I Learn, shifts from a catchy, swaying verse with a hint of a trip-hop beat to an echoing, broodingly anthemic late 80s Britrock chorus."  -New York Music Daily

I Learn

"..Kite, a slow, brooding ballad, like a harder-edged Mazzy Star." -New York Music Daily
"...Raines’s self-professed love for indie rock can also be heard on Kite..."  -Deep South Magazine

Kite

"Long Way Back Home uneasily contemplates the temptations of fame and everything that comes with it – maybe you don’t become what you dream of being after all."   -New York Music Daily

"On the mostly acoustic Long Way Back Home, Raines hearkens back to the spiritual imagery often found in bluegrass while also acknowledging the uncertainty that comes with moving forward. “Sometimes the only difference from a pilgrim and a prodigal son is the dream that you began and the thing that you’ve become,” she croons."   -Deep South Magazine

Long Way Back Home

"The album’s title track [New Frontier] works a ringing two-chord vamp that reminds of the Railway Children, Jarrod Walker’s mandolin and Ballinger’s guitar trading off elegantly."  -New York Music Daily

New Frontier

"Nightingale traces a night ride through Florida with an Angel from Montgomery type hook that grows more mysterious and seductively lush on the chorus – it would be a standout Sheryl Crow song."  -New York Music Daily

Nightingale

"When the Day Is Done works a slowly swaying, moody blend of Americana and 80s Britrock."  -New York Music Daily

When The Day Is Done

Allegheny Town- Written by Missy Raines 
Produced by Alison Brown
From "Royal Traveller" on Compass Records, produced by Alison Brown. 
Available Now
Missy Raines- Bass, Lead Vocals
Claire Lynch- Harmony Vocals
Bryan McDowell- Harmony Vocals
Jake Stargel- Guitar
David Benedict- Mandolin
Stuart Duncan- Fiddle
Alison Brown-Banjo

Allegheny_Town

From her tenure playing with The Claire Lynch Band, Eddie Adcock, Josh Graves, Jim Hurst, Kenny Baker, and Jesse McReynolds to her 10 International Bluegrass Music Association Bass Player of the Year awards, Missy Raines has proven herself without doubt as an iconic bluegrass instrumentalist.  But with her newest release, Royal Traveller, Raines has stepped into the spotlight as a songwriter for the first time. The album digs deep into Raines' family life and her upbringing in West Virginia.  Featuring previous and current members of her live band, as well as cameos from other bluegrass greats such as Stuart Duncan and Tim O'Brien, the album is a gorgeous look into the perspective, history, and musical influences of one of Nashville’s most beloved musicians, Missy Raines.
Royal Traveller is Raines' third album for Compass Records, and the first produced by Compass' owner and founder, and renowned banjo player Alison Brown.  "I went into this project with Alison with the mindset that I wanted to stretch myself and see what I could do.  I think we achieved what I was looking for, which is something further reaching and bigger than what I would have accomplished on my own," says Raines.

In 1998, Raines became the first woman to win IBMA's Bass Player of the Year award and she went on to win the title repeatedly for the next several years.  Royal Traveller highlights this particular piece of Raines' history with the stand out track “Swept Away”, which features the 5 first women to win IBMA instrumentalist awards, Raines, Brown, Sierra Hull, Becky Buller, and Molly Tuttle. “Swept Away” was named 2018 IBMA Recorded Event of the Year.

With her new album, Raines tells her story with a vulnerability and bold honesty that rings clear, spoken through beautiful arrangements and well chosen musical collaborations.  With nods to many of the varied and challenging chapters of her life, the songs speak volumes of Raines tenacity and musicianship, and her ability to rise to bluegrass fame despite the various confinements of the times.  The listener is presented with a striking window into the up and down ride of a very royal traveller, the one and only Missy Raines.