Keyboard - Harry Harrison
Piano - Eleanor F Robertson
Guitar - George Evans
Tuba - Jamie Farrington
Percussion - Sean Norris
Double Bass - Patrick Phillip
Violin - me
//
Score:
https://drive.google.com/file/d/1tl3NRsMzjNJISbuRZ-FzV-wSqiCzpHRp/view?usp=sharing
//
Parts:
https://drive.google.com/file/d/1w2ki7c6v-gWw1YIH_lUreS2APGC7cMQl/view?usp=sharing

Together Apart

Performers: Abel, Eleanor, Jamie, Jallen, Sean, Patrick, Calla

Score: https://drive.google.com/file/d/1hzNZFKVuVDzQHxopzZssNXRHymxVeiOE/view?usp=sharing

the crispy part of the lasagne

(Premiered at the Leeds College of Music, 25/1/15)
The piece is a study in the use of aleatoric, or chance, rules as a method of forming a 'natural' metamorphosis from one sound state to another.
Relying on limiting parameters, a random number generator was used to dictate the musical material.
The opening contains long silences and very short lengths of musical 'event'; this 'conservatism' is resolved in the final section (described as 'an explosion' by a listener) by an absence of silence. The middle sections of the piece contain the metamorphosis between these states.
Tessitura, timbre and dynamics are treated similarly.

Aleatoric-Metamorphic Etude

A recording of some exciting new music written by Harry Harrison.
Violin; Eric (Dolphy) Fabrizi/Piano; Harry Harrison
The name, while I think musically apt, came from a note to myself that I wrote, where the title should be, during rehearsal.
Rhythmically, the piece is incredibly interesting; it is in the unusual metre of 21/16. For the most part, this is written as what is effectively 9/8 followed by 3/16 which gives the piece an 'on edge' feel. This metre is explored carefully; in some parts stating 7 lots of 3 semiquavers.
In addition to which, the piece uses an unusual mode containing a step of a minor 3rd and displays a command of tonal harmony that listeners of my music might wish I had!
Enjoy

Harry Harrison; Clean Ends And Beginnings

Reconstituted Haydn is my latest composition, for chamber orchestra.
The piece was commissioned by Young Philharmonia at Square Chapel; a youth orchestra, heard in this recording, based in Halifax.
The piece uses material from the first movement of Haydn's Symphony No. 100, 'Military'; one of my favourite Haydn symphonies that is well worth a listen in full.
The style is neoclassical in that I have sourced my material from early music and reinvented it; however, my approach to the recycling of the material is more 'brutal' and closer, philosophically, to modernism.
If you would like more information please feel free to contact me via SoundCloud.
Hear more of Young Philharmonia here:
https://www.youtube.com/channel/UCIG2rT-8dLra7CQhOEa-ouQ/videos
Enjoy

Reconstituted Haydn (for Orchestra)

A miniature, created using 'found sounds' or field recordings.
Enjoy

Miniature For Electronics

A duet for glass bottles.
An electronic work based on the manipulation of material recorded blowing over the top of glass bottles.
Enjoy

Bottle Duet

Alto Saxophone: Joe Thwaites (of Einstein's Lovechild)
https://soundcloud.com/einsteins-love-child 
Piano: mistakeless
Performed and recorded at the New Music Society Autumn Concert (24th of November, 2016, Guildhall School of Music and Drama)
Written and performed by Joe Thwaites and mistakeless

A largely improvised piece. Conceptualised in a jam; later, loosely scored and rehearsed over, roughly, a couple of months.
The piece explores the relationship between the temperamental intonation of the saxophone, the drifter, and the tempered intonation of the piano, the anchor.
The piece is reflective and develops slowly.
Enjoy

The Anchor and the Drifter (Sax/Piano)

A remix of one of my favourite Goldfrapp songs

Black Cherry - Goldfrapp [REMIX]

Can't Stop Thinking About You

GABBEEERRRRRRRRR!

hommage à Resident Evil

You're All Going To Die Down Here ;\';]['[;-]';

Seven little pieces and songs coming together to form a mini EP.
Enjoy!

Tender - vi

Tender - v

Tender - iv

Tender - iii

Tender - ii

Tender - i

Acidic_CorrosiveGabba

SSRIs::

Tecno m80

Yazz -$-

Why do you do this to yourself?

Baby One More Time - Britney Spears [REMIX] v2

Vincent Van Cough

3 Unaccomplished

2 Deep Dive [Tash Demetriou]

1 Unheard Of

With many thanks to Sean (electronics), Harry (piano) and Joe (saxophone). Me (violin).
Drop me a message if you'd like to see the text score.
Enjoy!

Kwortet (<for the End of Thyme%>)

Performed on the 20th of November 2019 by the Guildhall Experimental Music Ensemble at the Guildhall New Music Society Autumn Concert.

The performers: Efe Yuksel, Sara Flores Montes, Mathis Saunier, Harry Harrison, Ben Pease Barton, Mara Prună, Zhou Zhuoer and also me.

Feel free to ask me any questions about the piece.

Endurance ---- with Guildhall Experimental Music Ensemble

She says the jungle... it just came alive and took him

composer // electronic musician // performer // field recordist // violinist // pianist // saxophonist // studying composition at Guildhall // studied electronic music at Guildhall // lover of forward slashes

mistakeless

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