Gran Cañon - Instrumental - 6:29:23, 5.53 PM

Lyrics:
Ya stop to think (that) you never wanted peace?
The truth you seek is changing constantly
We’re lookin up but all the chiefs are dead
These pyramids are slick; their stairs are red

Don’t stop
Feeling
Yer Keeping all this 
locked up
Within
You say it’s gonna
Kill you some day
Ain’t no one gonna
Throw some   
Parade

Dead chiefs 
High priests 
Your prayers got me
Falling
Asleep
You say you’re gonna
Be back some day
Ain’t no one gonna
Throw some   
Parade

Dead Chiefs

The Main Stage (Music Makes Us High)

Lyrics:
I gave a whisper 
Beneath the blaring horns
I felt a shiver in the 
blue light of the dawn
I don't wanna know the way I die
I just wanna know the place I'll lay

Yeah, yeah

Do I believe in love?
My love, it's been a long time
I know you know   
Alone is better sometimes

I could've kissed you
But the stillness turned me on
I could've kissed you
But the stillness turned me on

I heard the airchime blow
And knew it was the end
I fear all hopelessness
And bear the will to live
I don't wanna know the way I die
I just wanna know the place I'll lay

Yeah, yeah 

Do I believe in love?
My love, it's been a long time
I know you know   
Alone is better sometimes

I could've kissed you
But the stillness turned me on
I could've kissed you
But the stillness turned me on

Latin Day Saints

I can be the one

Te necesito; no estás aquí
me siento tan solo
Visiones de solo ti 
(la) Magdalena para mi

¿Qué estás haciendo?
¿Qué estás mirando?
Nunca puedo estar seguro
¿Puedo?
 
I can be the one
You can be there too
It's year 33
I could die for you
       
no hay paciencia
en mis pasiones
para ti; y solo tu
el amor trae plenitud

¿Qué has ido?
¿Cuándo te veré?
no puedo esperar por
más de ti

I can be the one
You can be there two
I've been 33
I would die for you

Magdalena 33 (Amor En La Selva)

lonely day moon {{reverb}}

COP: www.choppedherringrecords.com/shop


Thunder Jam Alliance - Underground Hip-Hop Power Move Demo Vol 2



Tracks:

A1 Intro
A2 Magnum Black ft. DJ Kassanova - Thunder Jam is My Family
A3 Bionic - Two Four Six Eight  
A4 H.U.D. ft. Shy-Lo & Rude Boy - I Don't Give A Fuck Where You From
A5 Cal-S.K.I. - Stop It 


B1 Red Dawn ft.Heiko and Shy-Lo - Suburban Child Gone Wild
B2 Red Dawn ft. Heiko and Shy-Lo  - Yeah You Don’t Stop
B3 Zac - So I Stop Looking
B4 Red Dawn ft. Heiko & Shy-Lo - In this Corner
B5 Brothers of the Lost Tribe ft. Majid, Quest & H.U.D. - Filthy Rhymes Filthy Flow


All songs produced, recorded and mixed by Rod (DJ Shaggy C.) Crawford at Outlaw
Recording Studios Tacoma, WA.


COP: www.choppedherringrecords.com/shop

Thunder Jam Alliance - Underground Hip-Hop Power Move Demo Vol 2

Tracklist: https://bleep.com/bleep-mix-285-taka

"This group of songs are from my 'everyday music' kind of playlist. A playlist that I listen to whenever I'm cooking, cleaning, building a synth or reading a book. Any time, any day, any task kind of music." - TAKA

Bleep Mix #285 - TAKA

Akai Professional & Stealth Audio Present: 80's Nostalgia


Step into the time machine bringing the iconic sound directly to your MPC with 80’s Nostalgia by Akai Professional and Stealth Audio. This expansion pack is a meticulously crafted homage to the golden era of synthwave and retro-futurism, offering a collection of custom pro kits that capture the essence of the decade.


Crafted with Vintage Excellence: Every sound in this pack has been thoughtfully designed using authentic 80s hardware—vintage synths, classic drum machines, and period-specific effects. We’ve curated a selection of fat analog basses, shimmering pads, punchy snares, and those unmistakable toms, all delivered in pristine 24-bit quality to ensure they cut through any mix.


Engineered for Today’s Producers: Whether you're scoring a retro film, producing synthwave hits, or just looking to add some nostalgic flair to your tracks, 80’s Nostalgia has you covered. These samples aren’t just about sounding old—they’ve been modernized with a touch of today’s production standards, ensuring they fit perfectly in any contemporary setting.


Inspiration by the Industry’s Best: These kits have been meticulously engineered and mastered by industry-leading producers and sound designers to guarantee a radio-ready sound right out of the box. The pack’s sonic textures range from the dreamy to the aggressive, making it versatile enough to inspire across genres, whether you're into synth-pop, outrun, vaporwave, or any genre that needs that 80s vibe.


Sound with Attitude: 80’s Nostalgia isn’t just another sound pack—it’s a journey back to a time when music was transformative. Each kit is loaded with hit-slammin' samples, ready to be unleashed in your MPC to fuel your next big track.

80s Nostalgia Demo

Tracklist: https://bleep.com/bleep-mix-288-clark-ost-special

In celebration of his latest soundtrack for Naqqash Khalid's directorial debut, In Camera, Warp alumni and celebrated producer Clark presents a cinematic soundscape in his Bleep mix selection, an aural long panning shot moving across films and composers both legendary and modern classic in status. Featuring Popol Vuh (Heart Of Glass), Howard Shore (Videodrome) alongside Disasterpiece (It Follows) and Cristobal Tapia de Veer (Utopia) to name a few, while further highlighting the juxtaposition in a bold move cutting the themes for both Solaris films next to each other.

“Really enjoyed compiling this mix of OST stuff I'm rather fond of. Yes it starts with an 8 minute track. But it's Popol Vuh and it has one of the most gorgeous end sections ever. It was interesting hearing the two Solaris themes next to each other. It's obvs more trendy to be all "oh I prefer the original Solaris score- and all the deleted stuff that only 3 people on Earth have heard" but I actually really like the Martinez version as well. It was interesting to me hearing the complete shift in timbre that 30 years of evolved music making tools bring-The slick slightly airlocked, clean layers of Martinez contrasting with the Artymev glowing, encrusted analogue 70's organs burnt to tape. But the emotional space feels similar.” - Clark

Bleep Mix #288 - Clark: OST Special

James Womack's musical journey began at age 9 when he hacked a Sony boombox to manipulate James Brown radio recordings overdubbed with a ninja turtles bikehorn and his Casiotone. The same approach to melding musicianship with creative manipulation of the sonic zeitgeist is found in PTC’s work today. He’s a guitar playing disciple of The Meters’ Leo Nocentelli and The Smiths’ Johnny Marr. He’s a DJing disciple of Todd Terje and J Dilla. It’s a strange brew

http://bfap.bandcamp.com/
https://soundcloud.com/pausetc
http://glofimustdie.com/post/4931804908/san-diegos-gloss-samples-notorious-big

Magdalena 33 (Amor En La Selva)

Mr. Womack

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