8 twenny

Composition for reel to reel tapes. Only analog processes. Made in 2014.

Un salon au fond d'un lac (Extrait) -2014-

The track,"PRIVATE SCARAB CLUB RESERVE",  by Spencer Clark(THE SKATERS, MONOPOLY CHILD STAR SEARCHERS) and Finnish artist Jan Anderzen(Kemialliset Ystvat, TOMUTONTUU).

TARZANA "PRIVATE SCARAB CLUB RESERVE"

It will be released on the   "Pièces Détachées" cassette by the label Fougères in january 2016. 

Sick Awesome Rad Dude (from Pièces détachées - Fougères - cassette - 2016)

From Scratch - 5,6,7 and 6,7,8 from Gung Ho 1,2,3D (1982)

G.S. Sultan - Redundancy Suite
LP/digital release on Phinery 09.02.16 purchase at::
https://phinery.bandcamp.com/album/redundancy-suite

Crepuscule M.

Dave Phillips - Screamscape

Beau Wanzer - Shitty Cough 14

We Are a Plot Device is a sound piece realized by Lucrecia Dalt and Regina de Miguel and commissioned by Reina Sofía Radio. It's a three-voice choral piece that departs from different references like that of Sylvia Plath’s poem Three Women, or the mythological triple deity such as Hesperides, Parcae, Charites, Moirai, Horae and Gorgons.

This podcast is build as a chant in the form of an oracle dialogued between Lamella, Chimera and Gaiasa; myths of the past and myths to build. Lamella is an object that combines characteristics of animal, machine and desire; Chimera is the crystallization of utopia; Gaiasa emanates from the theories of Gaia and Endosymbiosis formulated by Lynn Margulis. In their dialogue, Lamella, Chimera and Gaiana produce a technology of fiction situated in the grey zone that separates life and nonlife.




We Are A Plot Device

Live Berlin Atonal 2016 - NK presents at OHM

Jingle 29 - Radiophrenia

BLEEK - lay your skull upon the groundz of tha bleek godz (b-side excerpdtdt)

T.V. Tapes Mix

Ho.Turner - T.V. Tapes Mix Excerpt

From the very first Empty Editions release, Eli Keszler's Last Signs of Speed. Releasing November 17nth!

Eli Keszler - Last Signs of Speed
Format: 2xLP / DIGITAL
Cat.No: EE001
Cut & Mastered by Rashad Becker
Release Date: 17 November 2016

Purchase:
Vinyl: http://bit.ly/2kvaxBM
Bandcamp: http://bit.ly/2jTI75w

Empty Editions is proud to present Eli Keszler’s Last Signs of Speed as our inaugural release. This release, our first vinyl record, has represented a labor of love for both Eli and ourselves.
 
Last Signs is Eli’s first solo release since 2012’s Catching Net (PAN Records) and explores a very different side of his unique acoustic universe. One in which the macrocosmic percussive collisions of his earlier work give way to a gradual unfolding of dub-influenced rhythmic constellations. Eli has described Last Signs as his response to playing in club environments over the last few years; an attempt to negotiate a delicate balance between the materiality of his acoustic instrument and the hyper-mediated sonic ecosystem of the club sound system. Coming off like an inspired synthesis between Scientist and Xenakis, Last Signs of Speed is a truly unique work by an artist at the height of his powers.

Last Signs Of Speed

The Immense Endless Belt of Faces

SYM008 Michael Flora "Xi" Preview

SYM007 Eric Frye "Observables" Preview

PVC BURN

Incidental Music for Invasion (i m i)
Oma333 No.31

Every now and then in my life I come across someone who's creative output I instinctively trust, to the point in which I can be pretty sure of being a fan of any music or art they feel like creating. Lotti Sollevi is one of those people and I've been crazy happy and proud to have never felt misguided with this presumption. 
From the vocal and rhythm cold-wave experiments she shared with Nini Maakestad as 29:90, to her and Julian Murray's genius Dadaist post-punk avant-pop project; Tv Dinner Education, she has been an inspiring force on the scene for everyone. 
Therefore a great deal of excitement has been built up over when we would finally get to hear recordings of her solo work under the name of Incidental Music for Invasion or i m i.

The lucky few of us have had the pleasure of enjoying glimpses of this music, via the few solo shows she's had as i m i , but they haven't happened for a while now and it seems she had turned her attentions towards getting some recordings down.

In early spring I received two 19 minute ish sides of i m i "collages/mixes of pieces and tracks" and they utterly floored me. "WOW THIS IS AMAZINGLY BEAUTIFUL MUSIC LOTTI!" was my first response sent as a text, which I followed swiftly with "It's perfect. Everything I've ever wanted music to sound like. A whole world of wonderful all wrapped up together! Shit! My jaw keeps gaping open in happy surprise" haha! 
Sounds dramatic I know but I meant every word and I think you'll hear why.

So how to describe it? This music doesn't automatically call up an obvious list of comparisons so thats a very difficult task. It makes me think of the best music genre there is; "future music from the past" and by that I mean the BBC Radiophonic Orchestra work of Daphne Oram, Delia Derbyshire etc and also the lineage they helped create via bands like Broadcast, and especially the album they did with The Focus Group. I also feel an influence, if only with inspiration and similar working methods of Finnish musicians like Islaja, Jan Anderzen and the Fonal Records crew, and of the vital production work of the The Flying Lizards genius, David Cunningham in his solo album Grey Scale and his work with the debut of This Heat. Belgian electronic minimal wave is also worth mentioning here, especially Bene Gesserit, as well as influences from the Japanese music and arts scene.

Oh and I just realised that this tape means that she'll be the first person to have a trio of releases on Oma333. As well as the Tvde 10" record she also made an amazing mix tape under the name of DJ Thi-Lot called "*blip* soundtrack [on]" way back. Seems so suitable that she's been released thrice!

100 black and white "piano" tapes are available from today, with black body printing designed by i m i, as well as all the cover art design. This tape will also be the first to include a unique download code slipped in with the tapes.

ORDER THE TAPE HERE http://oma333.com/product/no31-incidental-music-for-invasion-i-m-i-st

"It's not a joke I'm lyin" by i m i from her self titled debut on Oma333

http://blowinguptheworkshop.com/project/rupertclervaux

WORKS ON PROGRESS

http://www.publicdeliberation.net/cgi/viewcontent.cgi?article=1220&context=jpd

FROM THE MEMORY STICK: FORTHCOMING AUDIO-STENOGRAPHY BY MY CVX ALTER-EGO // FROM THE MASTERING RIG: EXEMPLARY RECENT WORK BY CLOSE FRIENDS AND ACQUAINTANCES // FROM THE HARD DRIVE AND RECORD BOX: ALIGNED CLASSICS BY DISTANT LUMINARIES // FROM THE BOOKSHELVES: FREE SPEECH BY PROGRESSIVE VOICES FROM THE LAST 100 YEARS.

MUSIC BY CVX, AARON PARKER, IKUE MORI & STEVE NOBLE, ELLLL, LUTTO LENTO, BLAKK vs K1, AMM, APHEX TWIN, MARK SANDERS, WOODY GUTHRIE, EL JESUS DE MAGICO, JEFF MILLS, STEVE BICKNELL, BEATRICE DILLON, CVN, SUN RA, LUIGI RUSSOLO, MILES DAVIS, MAX ROACH, CASS MCCOMBS.

WITH WORDS FROM DEREK WALCOTT, EMMA GOLDMAN, WOODY GUTHRIE, MALCOLM MUGGERIDGE, HERBERT MARCUSE, DAVID GRAEBER, SIMONE WEIL*, DAVID VAN REYBROUK, MAX ROACH & ABBEY LINCOLN.

*READ BY COLINE CORNÉLIS

Blowing Up The Workshop

65 ◆ Rupert Clervaux

Mike Majkowski
Swimming in Light
LP (E209)

Edition of 200 copies
http://entracte.co.uk/projects/mike-majkowski-e209/
Release date: December 2016

A. Radio Weather Vending Machine
B. Structure and Posture

Double bass, bass guitar, analogue synthesizer, 
vibraphone, piano, percussion, field recordings

Recorded, performed, constructed and mixed by 
Mike Majkowski, Berlin, August–November 2015

Mike Majkowski is a musician based in Berlin. 
His work primarily focuses on repetitive structures 
and their mutations, relationships between stillness 
and pulse, as well as the spectral qualities of 
resonating frequencies.

Mastered by Jacques Beloeil

8 twenny

mister.tomoo