Name: North Indian Classical Raga Kafi--- Mita Nag, sitar by Mita Nag in devu
Duration: 9 min 22 s
Description: Mita Nag playing Raga Kafi on sitar with Sri Saibal Chatterjee on tabla

Om namaya shivaha ALLAH bouddha de mon côté 🙏 💛 🌻 à Dieu aussi 💕 protège depuis le début du siècle dernier message pour vous aider dans vos projets futurs 🙏omnipraticiens recom du rapp de recherche en sciences humaines et  sociales infinité 😇 un don

devu

"Dhun" by Hariprasad Chaurasia (from album Living Legend of Bansuri Live Vol. 1)

A Carnatic classical remix of Daft Punk's Get Lucky (http://www.youtube.com/watch?v=5NV6Rdv1a3I).  The raga is Karnaranjani (well, approximately). 

Daft Pankajam

India's classical music is deeply bound to the country's ancient mystical traditions. This unique Rough Guide brings together the greatest names in Indian Classical music, performing some of the most beautiful ragas of India’s classical legacy. Enjoy the musical artistry of legendary performers such as Shivkumar Sharma, Hari Prasad Chaurasia, Zakir Hussain and Ravi Shankar.

For more information, visit www.worldmusic.net/indianclassical

THE ROUGH GUIDE TO INDIAN CLASSICAL MUSIC

India's classical music is deeply bound to the country's mystical ancient traditions. Stretching back  through time to the Vedic period musical historians encounter the Rigveda, an ancient collection of Sanskrit hymns, and the Sama Veda, a text which begins to discuss the origin of seven shruti (notes) from the sounds of nature. The practice of combining tones in certain sequences and the notation system that was developed during this era is connected to the development of the Indian classical raga form. 'Raga' literally translates as a 'hue' of colour and is a musical method of constructing melody through prescribed conventions. Ragas are linked to different moods and times of the day. Amjad Ali Khan's ‘Raga Chhaya Nat’ is in the Hindustani (North Indian) chhayanat mode and illuminates his crystalline prowess on the sarod, a stringed lute that is played with a plectrum. Uppalapu Srinivas' song 'Sankari Sankuru' is played on his mandolin in saveri raga, which is said to bring about the mood of pity and was originally composed by one of Carnatic (South Indian) music’s greatest figures Syama Sastri (1762-1827). 

Indian Classical Legends Shivkumar Sharma, Hari Prasad Chaurasia and Brij Bhushan Kabra are heard delicately delivering a Hindustani bhairav raga on ‘Ahir Bhairav’. This raga is related to Sikh tradition from northern India and appears in the Guru Granth Sahib (the central religious text of Sikhism). Ravi Shankar’s radiant sitar shines bright on the fast-paced track ‘Devgiri Bilawal Dhun’. Shankar’s name and ascendant international career is now synonymous with Indian classical music. Widely regarded as a musical sage or pandit, his definition of raga touched upon its vast and complex nature, describing it as a ‘scientific, precise, subtle and aesthetic melodic form’. Another sitar scholar, Vilayat Khan is heard on ‘Dhun Punjabi Ang’. The Khan musical lineage traces all the way back to the court musicians of the Mughal Empire.

Father and son duo Allah Rakha and Zakir Hussain enter into percussive playoff on the live track ‘Ek Taal’. Tabla virtuouso Zakir Hussain remains grounded by the musical discipline and natural flair he inherited from his father who he regarded as ‘a spirit who was created to work for music by God’. Carnatic vocalist Dr M. Balamuralikrishna’s marvellously melodic instrument sparkles on ‘Sadhathava Pada’. His formidable range and versatile tone mark him out as a legendary singer. He is also credited with popularising the jugulbandi concept in Indian classical music – when two soloists of equal skill perform together. Riverboat Records artist Jyotsna Srikanth contributes ‘Annapoorne’, a work crafted by the famous Carnatic composer, Muttuswami Dikshitar. The subject matter concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace.

Uncover the mystery and beauty of India’s verdant classical tradition on this excellent introduction to one of the world’s most valuable musical repertoires. 

Jyotsna Srikanth: Annapoorne (taken from The Rough Guide To Indian Classical Music)

Sapore di sale (“Sabor a sal”).
   •   Fue escrita y grabada en 1963 por Gino Paoli para RCA Italiana, incluida luego en el álbum Basta chiudere gli occhi publicado en 1964  ￼ ￼.
   •   Paoli compuso la canción en Capo d’Orlando, Sicilia, mientras estaba en una casa cercana a una playa desierta  ￼.
   •   En ese momento, estaba casado, pero mantenía una relación sentimental con la joven actriz Stefania Sandrelli, quien, según algunas versiones, fue inspiración de la canción  ￼.

Producción musical
   •   El arreglo y dirección de orquesta fue realizado por Ennio Morricone  ￼.
   •   Incluye un solo de saxofón interpretado por Gato Barbieri  ￼.

Impacto y recepción
   •   Fue un gran éxito en Italia: ganó Disco de Oro, llegó al primer puesto de las listas, y participó en el Cantagiro 1963  ￼.
   •   También logró repercusión internacional, alcanzando el puesto 8 en la lista de éxitos en España en 1964  ￼ ￼.

Contexto cultural
   •   La canción se convirtió en un clásico del verano italiano, evocando la prosperidad económica del momento y el turismo de sol y playa  ￼.
   •   Se ha utilizado en diversas películas y anuncios publicitarios, entre ellos en un spot de Costa Cruceros protagonizado por Penélope Cruz en 2018  ￼.
   •   También inspiró el título de la película Sapore di mare (1983) y su secuela; en la segunda aparece Gino Paoli interpretando la canción  ￼.

Sobre Gino Paoli
   •   Gino Paoli nació el 23 de septiembre de 1934 en Monfalcone, y se trasladó a Génova en su infancia, donde se convirtió en uno de los cantautores más destacados de la música ligera italiana  ￼.
   •   Entre sus éxitos destacan Il cielo in una stanza, La gatta, Senza fine y Sapore di sale  ￼.
   •   Durante la grabación de Sapore di sale, vivía un contexto personal complejo: depresión, un accidente automovilístico en 1962, y en 1963 sufrió un intento de suicidio  ￼ ￼ ￼.
   •   A lo largo de su carrera, colaboró con músicos como Ornella Vanoni, y renovó su imagen en los 70 y 80 desde el jazz y el folk; llegó incluso a ser diputado en Italia.

Letra

Sabor a sal, sabor a mar
que tienes sobre la piel, que tienes sobre los labios,
cuando sales del agua y te recuestas
cerca de mí, cerca de mí.

Sabor a sal, sabor a mar,
un sabor un poco amargo de cosas perdidas,
de cosas dejadas lejos de nosotros
donde el mundo es diferente, diferente de aquí.

El tiempo está en los días que pasan perezosos
y dejan en la boca el sabor de la sal,
te lanzas al agua y me dejas mirarte
y me quedo solo en la arena y el sol.

Luego vuelves cerca y te dejas caer,
así en la arena y en mis brazos,
y mientras te beso, sabor a sal,
sabor a mar, sabor a ti.

Sapore di sale

Classical Indian - Raga Shudh Sarang

Nada in Sanskrit means “sound” and Aradhana signifies “devotional offering”. Nada Aradhana is an intuitive synthesis of vocals and instruments performed twice daily in the Dhyanalinga at the Isha Yoga Center in Coimbatore.

An enchanting mix of singing bowls and assorted natural musical instruments in conjunction with voices, Nada Aradhana is a live offering that enables listeners to slip effortlessly into a receptive mode, making them available to the energies and Grace of the Dhyanalinga, and allowing them to experience deep states of meditation.

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Nada Aradhana - Shehnai Instrumental




http://www.thehindu.com/arts/music/article2875428.ece

Samajhat Naahi

Flute Recital by Pt Hariprasad Chaurasia during the celebration of Swami Vivekananda's Birthday at Belur Math on 8 January 2018.

Flute Recital Raag Vrindavani Sarang By Pt Hariprasad Chaurasia and Sri Vivek Sonar (Swamiji 2018)

An alaap of a Raga Bindumalini/Ahir Bhairav/Chakravaham on my Indian Bamboo flute. 

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Download

Ahir bhairav/chakravaham/bindumalini Flute/Bansuri

L. Shankar, Zakir Hussain, Gingger - Raga Naga Sparani (tala)

This is my second collaboration with http://soundcloud.com/shivsu ; a 'revisit' he likes to call it, of his old composition : http://soundcloud.com/shivsu/iravin-parithavippu ; Do listen to it, leave your comments, share and enjoy!! :-D

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Iravin Parithavippu [collab. with ShivSu]

Mita Nag playing Raga Kafi on sitar with Sri Saibal Chatterjee on tabla

North Indian Classical    Raga Kafi--- Mita Nag, sitar

Jayen Varma | With Indian Classical Music Band

Jayen Varma | with Indian Classical Music Band

Jayen Varma | with Indian Classical Music Band 2

Discover more about <a href="https://realworldrecords.com/release/625/indian-classical/">Real World: Indian Classical</a>.

North Indian Classical Raga Kafi--- Mita Nag, sitar

Mita Nag

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